Higgie

I’ve got one, i’ll see what I can do tomorrow!

This looks great!

Hi all, done a few transcriptions over the last couple of years so thought I'd start sharing them with you all here, before I get my own website up and running. I'll be doing some playalongs of some of these tracks in the not too distant future also. Hope they are of some use to you. Countdown to Ecstasy and Pretzel Logic are also done, just proof-reading and layout to do, so expect them soon! Cheers https://drive.google.com/open?id=17WeLSNw4fCnT6vLav75e0Nr0f0iXx6IB

Very much appreciated mate, thanks Going to try to get at least one new video up a week now, when I can fit it in around gigs and tours, so subscribe to the channel for (hopefully!) weekly new content!

Thanks Muzz!

The "Chorus" you will have heard will be the slight differences in timing and intonation between my bass and Pino's original line. I think the tone is a combination of the sum of it's parts to be honest fleabag, the REDDI combined with the John East pre/Nordstrand pickup, the action of the strings giving it a slight bit of buzz etc.

You could get them all on a Jnr pretty easily I reckon.

Thanks mate! Yeah i’ll finish up the layout and post it for you. EDIT: Transcription added to the post above. That’s what sold it for me the first time I heard it. Instantly recognisable!

Not at all! The bass is going straight into my REDDI. It didn’t even go into Logic. I recorded the video with Quicktime, and the input was set to my Duet interface. That’s why the bass is panned left! I was going to re-record it in Logic, as this was originally just going to be a test run to check out the limitations of doing it via Quicktime, but I was pleasantly surprised at how it came out so I just uploaded it

You take Ordeps Metro24, I'll have your 20...Everyone's happy

I'm pretty sure it's a synth. If Wikipedia is anything to go by: "The piece's signature funky bass line was played by Hancock on an ARP Odyssey, as was one of the keyboard solos."

Wow. That's a great deal on the Mono case! I had a PT-JR with a Mono softcase and toured for 5 months with it in the back of the van - No trouble here! Saying that, is wasn't being knocked about by flight cases etc. It's perfect for most gigging situations I'd say. If it's doing any extensive touring and it will be packed in with other flightcases, I would definitely get the hardcase.

Merci beaucoup, Mr Rumple! Thanks for watching.

Thanks Chris!

Recently transcribed this so thought I'd make a little video! Here's the transcription https://drive.google.com/file/d/1UISN5mtNOxBauOvuSlRgrXdIoLAoklzH/view?usp=sharing

I love mine. Wouldn't be without it if I'm honest! Previously used an Avalon U5, which is an awesome (and more versatile) bit of kit, but the REDDI just sounds great to me! Used to have a TH500 as well, and I prefer the REDDI personally.

Good move. I’ve contemplated picking up a second one in the past, to chuck in the gigbag just in case!

LS2 is like a swiss army knife pedal - Always great to have one around. So many practical uses!

Calling first dibs if you want to sell mate.... Great mini board too Ordep!

Good shout! I've only ever used the LS2 to switch between 2 basses using the A & B Returns, so this is all guesswork for me! Would be a great solution if it does work like that!

Using the wireless will complicate matters as you are essentially using one Input for all 3 basses. Your best bet then is as mentioned, some kind of multifx so that you can set up patches for each bass.

You don't need anything in the Send at all, it will treat the Returns as an independent Input. I use it to switch between two basses live - I don't even plug a jack into the Input! Just a bass into each Return. Hope this helps.