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Everything posted by Higgie
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[quote name='Rich' post='651354' date='Nov 11 2009, 09:39 AM']This is stunning. [/quote] One of my favourite videos on YouTube. Some of his other stuff leaves me cold but this is just awesome. I watched it twice today, and might do so again now just the for the fun of it
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I only got my first fretless a couple months ago, which is a 1989 Unlined Pau Ferro board'ed Stingray 4. I'm getting to used to having no lines, and the dot markers are actually ON where the line would be at 3, 5, 7, 9 etc. I must say I don't get the confusion you guys talk about when switching between fretted and fretless? I just think, "when playing fretless, the dots are my frets" and then I'm good to go!
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[quote name='Phaedrus' post='649504' date='Nov 9 2009, 11:09 AM']DIY allows you to make the perfect board/case, IF you know you're final FX collection & set-up. I made my own case and it was a dream to set up live - as has already been said: connect to power, guitar in, amp & PA out - magic! My FX collection has changed so I'll be making another soon, and I have a question . . . I have a pretty firm idea of what pedals I want: Korg DT-10 (already have this) Dunlop 105Q or Morley PBA-2 wah T-Rex Sweeper chorus MXR El Grande Bass Fuzz or EH Nano Bass Balls (or some similar decent bass overdrive - recommendations welcome) Aphex Bass Xciter Aphex Punch Factory Hartke VXL Bass Attack (already have this) Here's a mock-up of what I have in mind (I'm not yet sure about physical and signal pedal order): AFAIK, these are all 9v pedals, so my question is this: could I use a single 9v power supply with a daisy chain connecting them all, despite the pedals not all being from the same manufacturer? If yes, can anyone recommend such a PSU & daisy chain? Thanks, Mark[/quote] Just something to think about...The Morley Wah is a HELL of a lot bigger than the 105Q, so if you went with that you'd have to make your board bigger to lay it out as planned! If it helps I sold my Morley after trying a 105Q (But then again I sold both and ended up with an MSD )
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I still can't believe the bloody twins got through! I thought that Lucie was one of the best in it. Not to mention she wasn't bad on the eye!!
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A 3PDT switch is exactly the same as a DPDT, just with an extra switch in it. With a DPDT you have 2 switches and 2 things to switch between (ie on/off). A 3PDT has 3 poles, but 2 things to switch between. That's why they are used for true bypass in pedals, as it allows you to connect the input to either the output (true bypass) or the effect and the extra switch in it can turn an LED on and off. True Bypass can be achieved without a 3PDT, you just wouldn't be able to use an LED without some clever jiggery-pokery. Not very specific to your question, but I hope that helps you understand the workings of a 3PDT. Edit: Just read a little closer and saw you said 3TDP. Whoops! I guess this post could be helpful to some though so I'll leave it here...
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I use an Aguilar AG500SC and 2xDB112's so I take one cab to rehearsal and both to gigs
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Up for sale is my recently purchased 1994 CIJ '72 Re-Issue Fender Jazz. It's got a couple of knocks and dings, but what would you expect for a well gigged 15 year old workhorse! It's all original, no mods at all. It's gorgeous and sounds the dog danglies! Just put a new set of Laklands on it. I'll be honest and say I'm not the best at setting up basses and I haven't had the money recently to take it to a pro, so while it's in no way unplayable, the action is just a little high for my tastes and I'm not good enough at doing it to sort it out myself I paid £500 for it a couple months ago, and it's not been out of the house since I got it, so would like as much of that back as possible Cheers James
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Yeah I caught that too. Absolutely amazing drummer. Those two = Bad ass rhythm section!!
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Sorry for the disappointment. I just thought it was a really tasty bit of great playing!
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No expression pedal input, and it's a standard filter, reacts to your dynamics. Because of the effects loop though there is a nifty little trick you can do. Plug whatever you want to trigger the filter (say the bass drum mic) into the input, then plug your bass into the return of the effects loop. It will be your bass sound coming through, but the filter will only be controlled by the kick drum So you can essentially sync the filter to be triggered by whatever you like, but have it effect your bass. Edit: Here's a vid that shows you what I mean.
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Both of them look amazing Rich. Congrats
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[url="http://www.myspace.com/rawbiznesentertainment"]http://www.myspace.com/rawbiznesentertainment[/url] Listen to "Caught Up". Not usually my kind of music, but damn, just listen to the playing on that song. Amazing groove and chops...and still it fits the genre. Absolutely amazing.
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How do you think it sounds "off" Steve? I believe he used one on the recording. Thanks Mr Bay Splayer
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Both Sold.
Higgie replied to spacecowboy's topic in Accessories & Other Musically Related Items For Sale
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[url="http://www.youtube.com/user/Higgie1423"]http://www.youtube.com/user/Higgie1423[/url] Added "I Wish" and "Sledgehammer" to my Channel. I want to re-do the Sledgehammer vid because I'm not that happy with it - Just did it now but the lighting is terrible so you can't see much. I'll have to re-record tomorrow morning while its light