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Chiliwailer

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Everything posted by Chiliwailer

  1. Thinking about it..... 1989 pickups were black bottomed. The grey colour and stamp appear very 60's/70's Fender so it could just be that some wires and pots were changed? I'm not an expert but I've seen many of these basses 'under the hood' so I'm just relying from memory (maybe not the best guy to give advice?!). Fender codes often went through changes and perhaps someone simply changed some wires when changing pots? Or perhaps the wires and capacitor are old stock for amplifiers they were using up, this is how the green and orange wires came about. Anything is possible from that the late 60's as CBS started to penny pinch [size=4] [/size]
  2. [quote name='macieq' timestamp='1393158769' post='2376752'] Hello I bought this Fender jazz bass from 1969 but I'm not sure if the pickups and pots are original. Could anybody help me with this, please? Here are the photos. [/quote] Here's my opinion mate. First thought is the pickups could be 1989. The stamps mostly ended with the year of manufacture. The wires make me question the age. The pickups for a 1968 should mostly have burgundy colour windings around the pickup, cloth wire connectors (black & white or orange & green) and[u] rounded[/u] pole pieces where the magnet lies under the strings, these ceased in the 70's. There seems to be some original orange wire in there joining your pots and jack so they could be original. The pots may or may not be later, but would need the codes to check that out. The capacitor looks wrong as it should be a pancake style. Hope this helps.
  3. [quote name='Si-Fi' timestamp='1393101199' post='2376286'] I second that......very lovely! when I bought my JV jazz it was just sitting in the corner of a studio for years gathering dust .......someone had replaced the neck with a Tokai lined fretless...... if it had the original neck on I,d be drooling more than I am right now ! Cheers and all the best. Simon. [/quote] Aw, close but no cigar for both of us! You're drooling and I'm nearly crying Cheers!
  4. Rick, i hope don't mind the quotes, it's just that you summed it up so well
  5. I bought this bass just last week from a pal of mine who has fallen out of love with Precision's. I already have one of these basses and really fancied another one that didn't have any changes so I bought it off him. Thing is, my GAS got the best of me and though it's a cool bass to own, I reckon I'll move it on for a bass which is not almost exactly the same as another of mine! It's a 1957 Reissue, best described below by Basschat's Ricks Fine 52 on a recent thread about my short lived NBD [font=arial,helvetica,sans-serif][b][color=#282828][size=3][color=#000000]I’ve said on here many times before that these are far and beyond the best reissues ever made. Unlike the Fullerton reissues that also started in ’82, these used the original pre-CBS blueprints, so the contours on necks and bodies are the same. The feel in the hand of these is unmistakeable vintage, and the tone is also very well replicated, better than anything I’ve seen, played or owned from even the Custom Shop.[/color][/size][/color][/b][/font] [font=arial,helvetica,sans-serif][b][color=#282828][size=3][color=#000000]The first batch from end of April, to end of May..ish, were way to good, and far better than their own reissues from Fullertons, and so the Americans soon made them reduce the specs, and change the decals. [/color][/size][/color] [color=#282828][size=3][color=#000000]But it isn’t just the rarity, and exclusivity of these early birds, that make them so desirable, although that has become a factor, but the playability, feel and overall vintage vibe. [/color][/size][/color] [color=#282828][size=3][color=#000000]You simply cannot replicate, or capture the feel of a real vintage bass as well as these offer. [/color][/size][/color] [color=#282828][size=3][color=#000000]I have 3 [/color][/size][/color][/b][/font] [size=4][font=arial,helvetica,sans-serif][color=#000000]On the subject of the differences between the first series JV's and the ones built after June 1982 Rick also wrote:[/color][/font][/size] [size=3][color=#282828][font=helvetica, arial, sans-serif][b][font=arial,helvetica,sans-serif]They changed the wood from sen ash to alder initially, then quickly to basswood. The neck profiles changed. The slab rosewood was changed to veneer i think in late '83 or '84. The tortoishell material changed to something nothing like the originals (As per the current awful crop of CS releases), and from 3 to 4 ply (on the '62's obviously). The tuners changed from a period correct closer-thread gear, and smaller holding screw, to a larger screw, and multi thread tuner. Threaded saddles were replaced for slotted i think in '84,a nd the brass shielding plates were ommitted too at some point.The decal was changed to a large Squier decal. The pickups were changed. The wiring was plastic coated. No chrome covers were installed, or mutes on the jazz. From memory, i think thats about it, although I'm no expert on JV's after '83.[/font][/b] [b]From what i've heard, the quality of woods and electronics were even less after this time.[/b][/font][/color][/size] [color=#000000][font=arial, helvetica, sans-serif]The pictures show changed strap buttons for strap lock use, should you prefer original JV strap buttons I can swap them with the bass buttons from my other JV. This way the bass will be 100% original - that includes no changes, extra screw holes, changed pots etc or any issues at all.[/font][/color] [color=#000000][font=arial, helvetica, sans-serif]Please note that the only trade I would consider is a JV Jazz Bass with a large Fender logo. [/font][/color] [color=#000000][font=arial, helvetica, sans-serif]Cheers! [/font][/color]
  6. Absolutely, it's also all about the starting point too though, the wood quality must be good to begin with. Older Fender have that starting point of old mature and excellent quality wood. The ash on 50's Fenders is simply stunning, and the Brazilian fingerboards of 1959 up to 1966 have a very unique tone. Really, the pickup is the only thing that ages as it de-magnetizes and becomes a little softer. The wood was great to begin with!
  7. Haha Gary! Well, if I do have the oldest that means I've outdone Rick's Fine 52, and that must surely be a world first!
  8. The Bass Doc has the best t/shell I've seen in modern times. Lovely nitro and awesome value. Someone should tell Fender Custom Shop...
  9. Any room for a post about a guitar? [attachment=155762:ljhf 022.jpg] I have an old Martin parlour guitar from 1870 - with original hard case! It's Brazilian Rosewood back and sides and has such a sweet warm, soft and direct tone. Even strung with nylon strings this guitar defies how parlour guitars should sound, it has a big tone with lots of projection and absolutely no harsh mids, which parlours are known for. I've also tried two Martin parlours from the early 1900's when they switched to Mahogany, completely different guitar and not very nice at all. The bridge and tuners have been changed and it has a few repairs but it's a real players guitar. I believe that the tone is all in the very old Brazilian Rosewood and nearly 150 years of use! When it comes to acoustics, old guitars often sound phenomenal. Of course, I've also found the same with older basses from the golden age of guitar making so with Fender it'd be [b]l[/b][b]ess production amounts = higher quality wood and build. Mass production = less value.[/b] Still, modern basses can still be great, as can 70's one's, but I find the pre 1968 Fenders have a feel and warmth that is unique and unreplicated. If that's good or bad, your choice! That's my 2 cents on vintage gear.
  10. Hey, she's a stunner! I wonder if I should sell my original '66, buy a 62 RI and blow the rest on hookers and charlie? (or really that lovely Wal Mk1 on offer here at BC). Now where can I get my hands on one of those '62 JV0's?
  11. [quote name='Paul S' timestamp='1392636898' post='2370827'] I acquired a JV0 Precision about 4 months ago and, straight out of the case, it is the best P bass I have ever played. Oozes quality, lightweight, absolutely great neck (not too wide, quite shallow) and a tone to die for. I really couldn't be happier with mine. Maybe the bubble has burst, price-wise, but I don't care. [/quote] Absolutely Paul, straight of the case I was hooked too
  12. [quote name='Rick's Fine '52' timestamp='1392667031' post='2371425'] [font=Calibri][size=3][color=#000000]Good catch Dan, but without pics, it didn’t happen!![/color][/size][/font] [/quote] Hey Rick, great to hear from you. Very eloquently written, I liked what you said and really couldn't agree more. You showed me yours so I'll show you mine... I've added a pic to the post above So you have two '62 Jazz Basses and I have two '57 Precisions, If you're up for a swap I reckon I sure am Bye for now buddy
  13. [quote name='LukeFRC' timestamp='1392585222' post='2370421'] No, apparently unrelated.... http://gaskellguitars.com/downloads/77-woods.html [/quote] Great link, ta. Now I'm really surprised/confussed, but still a lovely bass with huge tone :-)
  14. [quote name='dannybuoy' timestamp='1392585584' post='2370426'] I assume it was this one that ended today? http://www.ebay.co.uk/itm/Squier-JV-57-precision-rare-first-series-/171240590482 [/quote] Ooh, missed that one!
  15. Thanks Luke. The grain looks just like Ash and the sound is spot on too for Ash. I thought Sen was a variety of Ash? Worth less? But then less is more, no? Cheers
  16. [attachment=155565:P1060031.JPG] I really like the old original first series JV Basses, so much so I just bought my second '57 Reissue earlier today. Greedy, but hey ho, the new laptop will have to wait and I'll just keep on banging my current laptop's screen till it works, because these basses are reasonably rare. The first series JV's are the ones with the large Fender logo and small Squier logo, and were only made for 2-3 months. But what I love best of all, is the ash bodies they used on these first few (later changing to Alder/Basswood). Ash body and maple neck, mmmm.... ([b]edit[/b]: Cheers Luke for the info, turns out Sen isn's a true ash wood, still sounds lovely though with lots of thump!) The other Squier JVs are also great basses and I've owned some lovely ones, but these first series basses just seem to have that bit extra in the wood/tone department. I'm a proud owner of an original 1966 Precision, and I've had all sorts of vintage and high end basses, yet I'm still astounded at how good these basses are, the sound and feel are just wonderful. I'm not saying that these are 'better than the US ones' or 'Custom Shop quality' etc, just that they are sweet basses. I'd love to hear the thoughts of other proud owners or people who have played/owned these in the past. Cheers
  17. [quote name='0353203' timestamp='1389956082' post='2339859'] Thanks Daniel - yes, its the white primer you can see there. [/quote] She sure is a beauty mate, some lucky BC'er is going to get some serious bang for their buck with this bass! GLWTS
  18. Withdrawn as a bass purchase fell through (and because its a great bass that really deserves to stay!)
  19. [quote name='JapanAxe' timestamp='1389823872' post='2338433'] Just interested to know what's going on with the whitish patch above the strap button. Is that on top of the finish, worn through to primer, or what? [/quote] Fender did use white primer in the late 60's
  20. [quote name='discreet' timestamp='1388538108' post='2323302'] I don't care though, as I'm off my face on synthetic opiates. Happy New Year! [/quote] How's your Tramadol hangover?
  21. [quote name='TJson' timestamp='1386619807' post='2302329'] My Precision [/quote] Gorgeous, is it a 1960?
  22. [quote name='Prime_BASS' timestamp='1387277712' post='2310054'] What a bummer. I suggest you donate to a gigging fellow like myself ;-) Such a shame that Modulus don't seem to be around anymore. [/quote] Donate, no. Part exchange, maybe. How about this bass for your spine? Then again, not sure about that one myself.... This pics don's show the sparkle unfortunately, when a light is on it's dazzling
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