Woodinblack

That would pass a bit of time wiring that up for your ELP cover band!

Well, if you really want a big moog system, look what behringer have done now... https://www.behringer.com/series.html?category=R-BEHRINGER-SYSTEM-15-35-55SERIES

Our next gig is two days after the next unlockdown happens, if the next unlockdown happens which is a reschedule of one we missed when the last unlockdown didn't happen! Thats an indoor one. We also have an outdoor one a couple of weeks after that which is a short one, and on a truck, so that should be good.

Dont we already have a another thread for this?

No danger at all if you are happy with it. The only difference is that it would have a different circuit so the pins might be different, but it should be apparent what goes to where.

Yes, they are passive. Try the patch, if you like it then do something more permenant, if not it is fully reversable.

Which is even easier, you don't even have to solder to test it out. Get 3 short lengths of solid copper core wire, take the circuit board plugs out and shove the 3 wires in the sockets like this. Obviously you can take the battery out, not that it will make a difference.

The pickups go to the balance control, the output of which goes to the preamp input. The output of the preamp goes to the volume. So if you connect the middle pin of the balance control to the volume control where it connected to the preamp, job should be a goodun. Yes, the tone adjustment is part of the preamp, there would be none left if you removed it. Obviously you could add something else as you would have some pots going spare, but there wouldn't be anything by default. Who knows, I don't have your cable or your amp. Once you remove the preamp you add your lead and your amp into the tone shaping circuit of the bass. If you have a good cable and a good amp you shouldn't be able to tell the difference between when it had the preamp and when it hadn't, apart from having no tone controls. Certainly with my leads and amp on my premiers, I can't tell the difference between the preamp being on or off, unless I change the tone controls.

Done

Yes, just take the preamp out and connect the output of the balance through the volume and to the jack socket, jobs done. obviously what it sounds like then depends on your leads and your amp

Way past my time - I would be there tutting and wondering what all that new stuff was. I was at a gig at a place with a metal floor (metal walls, metal ceiling - yes, it was basically a metal box) in the middle of winter. There were two teenage girls running round and round screaming that were pretty well pissing everyone off, then they came round and right in front one of them went down really hard, you could really hear it on the metal. I think everyone flinched at the same time it was that loud. After the howling subsided and they went out, the gig was a lot better!

The answer being written on the back - Min Load 4 ohm!

I don't mind if it has been out a few months, I would expect that a tour to promote an album would have a fair amount of the new album on it, as long as there is a bit of the classic stuff too. Every time I have seen maiden the had been on an album tour, starting with the number of the beast - If they hadn't done that I think people would have been unhappy. I guess that also depends on the age of the band - like Number of the Beast I would have expected to hear most of that, Powerslave, likewise, started getting less good an idea by Somewehre in time. Now if I saw them I wouldn't really want to hear anything from the 90s on!

I always had an argument with my band that people don't want hugely long sets, but apparently people want to listen for many hours. I certainly get bored at various stages in gigs!

I said it was useless as mine didn't actually work, mid range and treble was non functional, and this is apparently fairly common It is good, and if it was a bit lighter I would gig it more often! one thing I love about it is how different the pickups are, in that my other prestige's, the sound of the bridge is just a trebly version of the neck one, but the 5005 pickups have their own sound

I went to see steven Wilson at cardiff, I hadn't checked my ticket, but when I got there I realised I was in the front row, about 10 foot from the stage. Certainly had a sense of interaction However, I went to see Gary Numan at the O2 in Bristol (no way is that amount of people covered by a fire certificate) Taken from the back as from where I was standing I couldn't actually breath and was having a bit of a panic. A guy collapsed upstairs on the side, it took 3 minutes for the paramedics to get through the crowd to get to him. I watched them going up the stairs, having become too detatched from enjoying the gig due to the crowd. I had seen Wolf Alice there the year before and although crowded, it wasn't scary crowded, and it was a much better experience. I think I was a bit spoiled with gigs growing up. When there was someone playing at the Guildhall in Portsmouth, in front of the stage was heaving, but you could move back if you had too much and the bars were in side rooms so you could gather and chat, hear what the bar staff were saying, and discuss how bad the support were.

Of course he could - that is all he ever goes on about.

That was also one of her main concerns about the song!

I don't know that track To be fair, most terrorist groups are fairly specific.

I was wondering that about certain lyrics. There was a lot of controvasy about Lana Del Rays Ultraviolence lyrics, especially the line "He hit me and it felt like a kiss". I had read something saying that she doesn't sing that anymore, so I looked on youtube, and there is a gig of it from 2019 (I am guessing there wasn't much touring since), where apart from the first time, she litterally puts her hand in front of her mouth for that song. Which seemed odd as the lyric is certainly still there (and they are her own backing vocal tracks).

I assume so - then they can save it for their solo album! I guess it depends on the band, and if they are the only songwriter or not. But words get changed because people don't like them all the time, both before recording and afterwards.

It would be even worse sung by a dad!

Yes, it is popular at weddings.

I seriously doubt it - some of the lyrics of songs now are very hard hitting, and possibly more so than the ones of the past. I have never heard anyone doing a cover of Raceys classic 'Some girls will' but I suspect that is the level of saccharine involved. And in the past, we generally weren't doing covers, so people were happy with their own song. If someone is uncomfortable doing a song, or their audience is uncomfortable hearing it, then it wont get done, it doesn't mean they are wrong just because you don't care.

I am a big fan of stevie nicks 80s work and not really seeing that much of a sound similarity. I can't think of a SN track that that sounds like either, but I only have the albums up to The other side of the mirror, maybe her later work. Miley cyrus has always sounded pretty much the same. I guess they both have a bit of the sheep bleat effect to them, and they are both a bit nasaly but Mileys voice has a different peak in hers. If anything I would say that Miley is trying to channel her inner Dolly Parton.