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Woodinblack

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Everything posted by Woodinblack

  1. Anyway, you can see we have a lot of new members because of it!
  2. To be fair from the japanese handling of the tsunami, they did have huge sea walls, which sadly sunk due to the earthquake. Portsmouth flooded in 2000 (I remember it well, it was my wifes birthday), it failed due to the volume of sewage and luckily the backup generators were below sea level. It took a while for them to pump out the pumping station to get down to the top of the generators.
  3. Interesting pickup update for the short scale jaguar (it was P/J before). Not a usual config.
  4. I have a TC-450, an Ashdown CTM-100 and an ashdown ABM600. I haven't had a chance to gig the ABM600, as I bought it since the pandemic, but the idea is that that will be my gigging amp. No doubt the CTM-100 sounds better than the TC, but I don't gig it, as I never had the space of the energy to lug it to a gig with everything else (I have the PA as well). Really I should sell it, but its not something that is easy to ship!
  5. the 'oh well'.. 'people can't be bothered'.. 'i'm a unique snowflake'.. passive aggression thing gives that impression I did consider putting on in my 5005, partly because it doesn't have a battery compartment, and partly because there was a hole where a switch used to be!
  6. Sorry if people not wanting one has somehow offended you! Whereas I think they are pretty good ideas, and would be happy if they were built in, I have a lot of basses, I bought 10 alkaline 9v batteries for a tenner, and i have never had an issue of a battery running out on a gig (one that went before a gig but it was a new bass and I didn't realise it was wired wrong). I don't tend to change them that often, but I tend to play with the ones I am gigging. I do always have spare batteries though, and as almost all but one basses have a battery compartment that doesn't need a screwdriver, it is a 30 second job to change it, so it seems like an overkill to retrofit. So not a problem of not being bothered, more a question of the cost and inconvenience of putting one in is vastly more than the inconvenience of not having one.
  7. Ah, gotcha. Well, that makes for a bad monday at work then doesn't it? I mean, on the grand scheme of things, it's not like powering your Nuclear reactor down too low, bringing the power up too fast, it going critical and destroying all your boron rods, but it probably feels like it in your own space.
  8. 6 months, and now you expect us to wait that long?!
  9. It's always easy to be wise after an event but "the fire suppression system was powered by the generator in the area of the fire suppression system?" - umm..
  10. Don't worry, coming out of your cave you'll be doing just fine....
  11. So yes, it is the value that is the problem is what you are saying? if that was just a bass made in someone's garage (which is kinda what it looks like) no one would bat an eyelid, it's just because it is expensive and uncommon
  12. Well, it matches the horrible plate on the other side, I know people aren't going to like it because it is modded, and if your only concern is the value of the bass, rather than it as an instrument that is going to affect it, but at least they used the same cheap looking plate material, so it is sort of done well, in that it is the same style as the original.
  13. I wouldn't, I would just be in counting the money coming in
  14. In a way I think it's good. I mean, it isn't good, it's ugly as hell and they have devalued the instrument a lot, but they treated it as their own instrument, their own thing rather than "I have to keep it how it is as it is worth money". When I was young all my instruments I could afford were rubbish but I modified them Tao make them better for me. Now I don't touch anything. Seems sad in a way!
  15. Virtually all 5 string BTBs are BEADG tuning. There are only two I can think of that is sold EADGC, the 33" scale BTB33 custom and one of the single cuts which may have also been that scale so quite unlike all the others. All other BTBs are 35" B-G, so if it is that one you tried, make sure you get just that one, as the others would play very differently. However, if you do get the short scale one, there should be no trouble restringing it, I don't think there is a construction difference apart from the scale.
  16. I suspect the diagrams are just there for marketing reasons. I see no reason why the treble would be anything other than a treble shelf, as to do anything different would require additional componants for no useful reasons. So it is a treble and bass control with a parametric middle control.
  17. Funny, I knew the top 5, but don't know any of the bottom 5.
  18. I am playing runaway, by Jamiroqui. Not the hardest of songs, but trying to get the notes flowing and looking effortless. It takes a lot of effort to make something look effortless!
  19. You would be wrong. There are probably lots of his songs (as many songs) that are very important to some people - songs they met by, songs that were last playing when someone went, etc. Songs bring back memories of people and places, and so it would be hard to have any song that someone in the world wouldn't miss. So the world needs all the songs it has
  20. I use silk gloves if I am doing an outdoor gig in the cold!
  21. Not a huge fan but if the next one after that is chasing cars, then I am all for it.
  22. Well, I have never gigged past 55, as I reached 55 in may of last year and we were locked down. But I gigged a lot at 54 and hope to gig a lot at 56. The audience is whatever, generally speaking 20 - 60, depending on where you are playing. We don't do many 'oldie' things, apart from one place, but it is the general crowd of the night time. We also don't seemed to get booked for many kids paries, although we did a charity thing for a religious school locally (where unfortunately I we connected the drummers mic before mentioning it to him, he has a bit of a potty mouth) - good gig, opened with highway to hell. I don't see age as that relevant if you are just doing local circuits. Obviously if you want to do young teen pop group you might have missed the boat.
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