Woodinblack

That's one of the iconic ones for me, but like what I meant, there are some iconic parts to it, I wouldn't expect a note for note performance on it, it was always different when played (and Neil Murray said as much on here), but I am always a little disappointed if it doesn't have that two descending scale run under the "fool for your loving" part of the chorus.

Just got back from a gig - first half didn't got that well, so many little issues, culminating in the fact I didn't plug in my SY1, and the battery died and took the bass out with it. On the other hand, the second half was like a completely different gig, it worked really well, and our new song, 'in the end' went down a storm. So came home happy!

We haven't got the right to say who our neighbours are. I wouldn't ahve picked any of my neighbours. where are those figures from?? Exports to the EU are over 40% of our total exports, and when you could countries we have a free trade deal with through the eu it is way over 50%. we do, but that isn't down to one country. There is no individual country we have a trade deficit with. Our EU neighbours get most of our fish, because we sell it to them because we don't eat it. Yay, so everything is more expensive but noone has an advantage. What a bonus. Shame they are the people that we trade with the most. No we aren't. We have already lost more money than we ever paid the EU. I really don't understand peoples ideas of markets. Are we really such a stupid country that we were paying billions in to a market that we weren't getting more out. I am surprised anyone runs a shop here. Because it costs money to rent a shop, and that seems to be the only financial agreement that people understand. I gather you are fantasy land sort of guy!

Yeh - would like to see the hamer. And yes, I have a hammertime tattoo - it is a pigeon.

Of all the things you could be missing, that isn't one of them.

Rush - Power windows. Now probably my favourite rush album, but it was very different when I bought it.

It's hard to sensibly criticise music when you don't like it. There is no way I would listen to 30 seconds of Oasis, so it would be impossible for me to critisise it beyond it being a whiney dirge. If you really don't like something it is hard to say why.

Not necessarily, there is some rap I absolutely love, and some I really can't stand, it is a very wide field

Wow, that was good. Even if you didn't like rap and didn't like his message, how many people do you know who could remember all that? I have trouble with a 3 minute pop song.

We don't have a female singer, but we still do P!nk.

I would agree with that. If you want a fender, buy a fender. If you want a better fender go to a custom fender builder. If you are another company go for something else.

Well, that is good. Good in that I don't necessarily want that, but I would fender kept a range of 'interesting' shapes or ideas going.

Apart from the last one which just meant you didn't do what you set out to do what you wanted to do, I am talking of fret dressing, not refretting a whole neck. Certainly if you want to make the job so complicated you can't possibly do it, there are ways. Clearly I have, i was taught by one as I said right at the top of the thread. I am not sure what job you were discussing, but no, you don't need a bench jig to dress frets or change your string tension. And you end up with a perfectly playable instrument. Well, obviously if you do it a lot you can do it a lot faster, but that still doesn't make it hugely hard if you are going to take your time and be careful. Yep - A gibson dark fire, it was distinctly average. So much so I had to look up to see if a plek machine did what I thought it did. Turns out it did and put in the 'don't pay extra for something that has Plek as a selling point'! And yes, I ended up the first time I did it with a harley benton with amazingly low action. In fact the best frets on any instrument I had. But it still weighed a ton, wish I had taken one of the expensive ones! Well, I have done it many times, and I have no real skill. As I said it takes me a lot longer than half an hour because I have to be careful and check and recheck that I am going to do it well and obviously like pretty well everything in life if you don't take care you can mess it up badly but my success in doing it with my combined lack of skill tells me it really isn't that hard.

We did some spice girls, but it never went down well. We do a fair amount of cheese

Though not enough to still have it?

I couldn't build my own house or car, not that I would want to, they are far outside my abilities or project size. 🙄 Yeh, or you could do what I do, take an afternoon when you are not doing anything else, a file that costs £5, a straight edge which you can get anywhere, a rocker plate that you can get for 3 or 4 quid, a coloured sharpie, a fivers worth of sandpaper and frog tape and do the job as well as most people that you are going to pay for will do it for a lot less money and a lot more reward. If you can put a shelf up mostly straight, or bake a cake from a recipe you are at the right skill level to do this.

Not just then, now too. I view them like bands really - after a while when the original people go and the band is all new people, they want to make new things, but people just want to hear the original stuff, while saying 'why don't they make new stuff any more'. And once it becomes more corporate business, they know that any time their machines aren't churning out new reissues of a Jazz or a P, that machine isn't being as profitable as it could be. Its a shame they can't have a true 'custom shop', unlike one where they just make the same things in other colours for a lot of money, a place they can come up with new designs which are allowed to 'fail' (ie, not make huge runs).

I played one in Mansons in Exeter. The neck was lovely. In fact, the whole bass was good to play as long as you didn't accidental catch a glance at it I think it is an acquired taste which I didn't acquire and judging by the rarity, nor did a lot of other people, so I am not surprised they didn't reissue it.

I wish I had. A few of us in the south west did a course with the guy in the video after he was at one of our bass bashes, it was a one day bass neck dressing thing. I took my harley benton because 'was I going to learn on my gigging bass?'. At the end of the day, my harley benton had the best frets and action of any bass I owned The whole course was £80 and since then I have done most of my bass work myself (and guitar).

Ah, ok, I don't have that

Depends if you plug it in high or low.

I always assumed that the knobs were there for decoration.

It is easy enough to do (and fairly rewarding) with some basic tools. It is worth learning if you are interested

We have a different set list for every gig. It is usually thrown together at the last minute by the singer and occasionally guitarist, and then completely ignored by the end of the gig.

It would be hard to persuade that many people that it was worth a whole quid.