Woodinblack

The tone controls on the L2x00 are entirely passive, (the active part is just a buffer), so they are cut only.

Well, our drummer is to loud and in general the evening would end by him getting in his car calling us all ****s and speeding off, but that is just him in a good mood!

Seems a bit big from my POV, maybe it is just a scale thing. and clearly its not very deep, so that is good. Our needs are all different. I couldn't imagine playing a 6 piece in most of the places we play!

I must admit, looking at the size of that, I am wondering why not get the LT? It wouldn't have been much difference in price, and although less deep it is probably the same width but without needing the pedalboard. For me the problem with the stomp is the switches, as in general I use my HX like an effects pedal, one patch with a set of 6 effects that are switched on and off depending on what I am playing. The stomp doesn't have enough switches and once you stick that box on the side of it it is too big (and you have to remember what the switches are). Well, and the number of blocks is not good for me to use it in the way I use the HX.

I must admit I looked again and was thinking this was odd. You can get it between £80 and £500, and it looks interesting, although the shaping of the electronics cavity looks a bit agricultural! https://www.dhgate.com/product/eagle-butterfly-custom-shop-five-stringed/494885400.html?skuid=642859093231165442#s1-1-1;searl|2052235916

Welcome to a single subject based forum, where every thread comes up every two months. the easiest way to deal with that is to ignore them and go to a recurring thread you are interested in. there are always going to be people who don't understand why people like things they don't and they are always going to go this way, as they are just taste and matters of opinion (well, apart from tortoiseshell pickgaurds of course)

Really not sure what you are saying, or how that affects active basses? One of the problems with the L2000 is that the output is way above almost everything else, but that is no different with active on or off, it's just too hot, which makes switching basses tricky (which I think is what you are saying). I often thought about putting an attenuator in it to reduce that.

So what in the electronics do people have a problem with? Unless there is something very wrong with your equipment it shouldnt' be able to tell the difference between the preamp being on or off (unless it is in treble boost), there should certainly not be a volume boost unless you have poor cables. It is just a buffer (it doesn't even have tone shaping options). I am genuinely puzzled what problem it causes for people

On this point - I am at the point I need to put this in but I notice that your flat goes to teh back of the case, whereas the diagram puts it to the front. Seems it actually clears either way, but which is it supposed to be? Also, the parts list doesn't have the T-Nuts in the handle, just self tapping screws - are they ok and you just wanted to be extra secure or is this recommended?

The vicos one - actually one of 2, but it is also powering some other things, and I think it is too much. The problem with a split power input like that on an isolated supply is that no voltage is perfect, so one of the sides will provide slightly more power than the other, and then at some point if your PSU is already flat out, one side shuts down because it is too hot leaving the other one to do all the work, which doesn't last long. Probably need to run two psus. Yeh, the uk plug comes off as it is only held on one side, a bit of a poor design

I had mine powered with a current doubling lead for a bit but unfortunately my power supply couldn't cope with it on a 3 hour gig, so I have had to go back to its original supply - need to make a different power supply for it.

Well, it's a chunk of wood with a pickup on it, can't go too far wrong really 😀

No it couldn't, it could just be threatened

Don't be silly, that is not how you put a pick guard on!

No, my wrongo - I still have it, although not currently working as I have to rewire it - it was wired with a preamp that was on permanently! Disturbing thing, it sounds ok.

If any part of my room looked as tidy as yours, my wife would be amazed, so yes, pretty tidy!

I don't think I could get mine as tidy as any of these without employing fire.

You think that is bad? I really don't understand why someone takes a perfectly fine bass and sticks a tortoiseshell pickguard on it? I mean that is completely crazy. There are some sick people in the world.

Speaking as a complete wuss when it comes to weight, the tribute isn't heavy? Its heavier than a Squier CV P and an Ibanez 1605, but loads lighter than a SR5005 and a thunderbird.

Headstocks are such a personal thing anyway, they really can kill a design. I much prefer the G&L one to the fender on, which I have never liked, and some of the big square gibson ones (which look ok on guitars and absolutely terrible on 5 strings). I have an L2500 tribute, it is a good bass, never my first choice as it is a bit too fender for me but everytime I have looked at selling it, something has stopped me. At least it stops me wanting a fender.

Doesn't astonish me, if I wanted a more vintage sound I would use my SR1000 (or maybe the 5005). Good enough to Carol Kaye and she seems to get a fairly vintage sound!

So the only think I don't think I have ordered yet is the grille. There doesn't seem to be anything like you have on ebay, the only one that SGS metals have is an aluminium one with holes, which looks similar to the speaker grille that blue arran sell. Did everyone get theirs when they were available?

Well, I got some black spray. Still waiting for some clamps to turn up I did glue the middle bits on the back.

They don't have to be brown of course:

Are those the pitches of the steps? I am assuming you can change the number of steps.