Woodinblack

Do women cyclists pay enough road tax? <runs>

late 40s isn't old, not like it was when my parents were old! However it is older and it is quite disturbing when things cause issues. I was in my mid 40s when my knee collapsed, and while admittedly there were reasons that hastened that (earlier bike accidents in my early 20s), it came as a shock. Also I had a problem when I would miss easy notes when I was playing, which turned out to be trapped nerves in my neck (which was fixed by simply changing pillows!). All those years certainly add up and it is worth getting things checked if you can pin it on anything.

Doesn't' that watch dig in? It looks uncomfortable!

I think sometimes we are reluctant to think that things change when we age and adjust to it. I have recently change how I always sat with my leg up because it occured to me that it was uncomfortable, wheras I used to sit that way because it was more comfortable. Sometimes rather than wondering why it might be worth accepting it and moving on. Maybe later on it will happen to me so I can finally try all these basses with over 16.5mm spacing that people seem to like!

Oh that is a good deal if you are a professional musician.

You still have a month to buy as much as you can though, so that is ok, with the added advantage it becomes more sellable here, plus foreigners can buy it back off you cheaply!

I would assume that something has happened to your hands, probably something age related as unpleasant as that sounds. However, doesn't seem to cause you an issue as long as you have recognised it and done something to sort it out, ie, changing to a P bass.

Why does it matter - make your own list. I mean they have Roger Waters as the 13th best bassist. He wasn't even the best bassist in Pink Floyd let alone anywhere else

Well, me. I signed up back in 2013 when life membership was pretty cheap, did a few lessons, got bored carried on with other things. So much so that when I go it tells me that it looks like I am new here! Probably been there less than 50 times in 6 years. This course is the stuff that you just don't choose to do yourself because.. well, why would you. But when it is in one course on its own that you paid for, it makes sense to do it. That is why I did it. And I believe I have learned stuff on this course as well as it has pushed me into really listening to what I am doing. Some of the lessons are - my god, why would anyone need to be told that, and some are wow, thats good - One thing I am not is consistant, I can do some quite advanced stuff while falling down on some real basics.

I have found several lessons were a bit blank, where either it was something I already did fine or it didn't mean much to me, but some really helped. Like this weeks one

Wouldn't have much of a forum

Certainly didn't get that far. Disappointing but I guess she will have orders of magnitude more followers and views than people who could actually play something.

Well, I like the charcoal burst - I have a red burst that looks the same finish as that, but obviously redder (and with more strings and fewer pickguards)

Well, I never knew I sung the Meryl part!

iPad stand a couple of months ago, and my microphone stand at last weeks practice. Luckily someone found that so I can pick it up. Annoyed about the iPad stand thought

I guess blue is safer than green!

Like my ibanez you mean?

I assumed that was just some bloke who was holding it at the time of the photo, maybe he wasn't playing - who knows.

3 transformers? Oh yes, I remember you getting upset about that. Aren't two of them for an isolator though, so they will be tiny. If you have a problem with those, avoid valve amps, their transformers are pretty huge (in fact, also avoid radios, they have 10s of transformers and chokes in there). I am not really worried how it is made, more concerned with the sound. I think it didn't initialy sound as good as the CTM, but the controllability was much better - like the CTM-100, I have no idea what the controls on the front are supposed to do, you turn them and things subtly change, but not in any way that I could predict before hand! This was going into an ashdown 4x10, didn't hear it with another.

We only do it at the beginning - it is an important part, it tells the audience what the song is.

I have played one, but not for long and only in PMT. Sounds ok, but was just comparing it to the CTM-300 that was there.

I would agree. Mine runs through 2 x 1x12's. When I had a 4x10 (which I got rid of for the 2x112s) I would say it had more of a punch to it, but also a more 'fed up trying to get it in the car/out of the car/through people in pubs that wouldn't move.

I wouldn't be keen on doing it without something there. As I said, I don't really like the guitar slide, but it is something.

I like the finish on that. Don't know if it would sway me to getting a stingray but it would certainly have me looking twice

I don't think you read what I said. My CTM 100 at low levels, ie, not above talking volume is great - it is my goto practicing bass rig in my room, even late at night when I have it very quiet. A valve amp only needs to be pushed if you want to distort the power amp section, if you don't need to do that, it is fine from silent to loud.