Woodinblack

Agreed - and it doesn't seem entirely honest to say 'we are doing this last ever tour in only these couple of places, which is why the tickets cost the price of your house' and then 'oh well, there was a demand, we are going to do lots of other places too'.

Hardly, they must be up to a few million dollars by now.

Its not just people, it is the way things are pushed, as per that post a while back from Scott devine, if you don't include that clickbait stuff, your video is just buried. I can't stand even a second of Sapko and certain would go out of my way to avoid watching his videos, but every time I am on youtube his videos will be there near the front and I have clicked on a few when I didn't realise they were his (luckily he likes his face being there so it is normally easy to spot).

A few places on the net, some on ebay, there is a magnetic paper shop, I got mine on aliexpress some time ago. If first saw it on a thread about the spector dimension and how the pickup didn't cover the whole 5 strings

I hadn't actually realised that he played the bass at all, so that is a revelation, I thought his job was just moaning about other people on youtube.

Yeh, i found with the name of the screw a place that does them at normal prices (ie, for the £17 at rickysounds you can get a box of 30, or £1.50 each), but I had sent an email to sound affects where I bought it yesterday, and they sent an email back to me saying they were had contacted rosetti to see if they could get me one. Which I thought was pretty good

I think just yelling about stuff is his thing.

I initialy worried about that, but there are a bunch of things built in that are pretty good, and other things you can download (such as excelent drums). Then of course if you have something such as a synth that you want to copy you can just set it to automatically copy it (it plays the midi and records the audio). It is a shame there aren't more plugins (I thought the Key 37 had them? I know the larger key does). Now I look I see that Jura is also cheaper, which is something I might like to get!

In theory that should be all you need, but I am in the UK, and on a computer without a vpn, so I can't check, but the 'this is blocked in your country' seems fine to me. Oh embedding maybe be not working as the server is in the UK so it can't actually access it to embed it?

That is the bezel I have - I didn't get the screws from there at the time as I didn't know I needed them until I tried to fit them, and then I didn't go back to get them as it is £17 for two screws!

Yeh, mine is the older type with the plastic arch. I have a replacement inner bezel liner to fill the gap, which is when I realised I needed the screws. With the size though I have found some at a much more reasonable price

Its new to me, and yes, someone took off the pickup cover (it is in the case) but obviously didn't think they still needed the screws!

Never really got on with it, but then I am not a compressor user either

Thanks, I saw them on rickisounds for £6 each and 4.50 shipping, maybe with the size I can get them a bit less!

So my new rickenbacker 4003s bridge doesn't have any screws, so the briidge pickup is way down in the hole and quiet. I assume being a rickenbacker those screws are some random imperial size that would be tricky to get anywhere or be a custom and expensive order. Any idea what those screws are? these screws (as not shown in the picture!)

Can automatically put a space in, at the moment I can see the template that puts the 'edited by' but not the bit that calls the template that puts the edited by there.

I don't know - i will look

All my rush tshirts died a long time ago, even if they still fit me, which they wouldn't!

Agreed - I think it is the Scala gig that made me realised how I felt about stadiums, especially as there are 6 months between these two: NiN, scala oct 2013 NiN, O2 May 2014 (actually pretty close to the stage) The O2 gig was a lot more expensive. I enjoyed both, but in a very different way

I went to see NiN at scala in (I think) 2013 - the tickets were for the warm up of a tour (which I also saw), they were on line so they went fast but they weren't expensive and you had to use ID to buy them. When you went to the gig you had to show the ID that you had used to book the tickets to pick them up and get in, it worked well, it was a smallish venue and it was a fantastic gig. I later saw them at the O2, but it was a completely different gig

When I last went to see rush in the 90s, the tickets were as cheap as a Wal

In a way, maybe it is better that groups are like this. Yes, Rush were cheap to go and see in the 80s, but they were a youngish band, now they are a legacy band so maybe they get a legacy audience that now have a lot of money. There are a ton of youngish bands that cost very little to go and see, maybe it is good that a younger audience have the youngish bands.

you got your song ready then?

The image is good and works, and I think over the years he has got a lot better at it. In 1990 in Portsmouth the atmosphere was good but the interaction wasn't great (mind you other stuff was going on for me at that gig). I saw them with my wife in a joined build with the Mission and FOTN in 2016 in london, and beforehand I said to my wife how Fotn weren't great with a crowd and the mission (who I had seen loads of times) were brilliant and it was exactly the opposite, so know knows, I am sure it will be great!