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Woodinblack

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Everything posted by Woodinblack

  1. Nothing is going to be quite the same as GB, but remember Cakewalk has had over a decade to change, so I doubt it is the same. But it is free so easy to try. I would mention I haven't used it, I use logic and garageband, but I watched the 'first 10 minutes with cakewalk' video and it doesn't seem that tricky, compared to my memory of getting used to reaper (that I have used). But as people say reaper is free to try (although not actually free) and if you can get into it people who use it seem to like it And yes, although you can use your input jack, chance are its not going to be great so something with decent inputs (with actual levels and jacks / XLRs) will save you a lot of hassle.
  2. That wouldn't dislodge the lightweight 5g ones i have, unless your jack socket had a problem.
  3. We are being asked for it, so yes and no.
  4. Hmm.. maybe but I don't really want the rest of the band to be insured through me!
  5. There is such a thing as an 'easy to pick up' DAW, but as Dad says, there is a learning curve with any software. GarageBands ease of use when starting up is one of it is major advantages and the fact the curve is pushed back quite a way, not many offer quite that level of ease of use. Cakewalk is probably the closest, especially now it is free (used to be quite expensive), user friendly, runs everything. Reaper is a very good and comprehensive DAW, but doesn't have the beginner ease of use vibe that GB has. As people say, pick something and obviously they can all do the job, and all involve some effort learning what you can do but the resources are out there with youtube and the documentation
  6. There is not and never will be a GarageBand for windows, but there are quite a few other DAWs that are sort of similar if you look around, depending on what you want. Don't download anything that tells you it is GarageBand for windows!
  7. I just look at the VU meter to make sure it is moving, that is about it.
  8. One of the places we play has just contacted us to say that all bands playing there need to have Public Liability insurance. Now I personally have public liability insurance though new moon as part of my instrument insurance, but that obviously doesn't cover the rest of the band (the PA and everything is mine though). In the previous 7 years of this band noone has ever asked before, and we have never done anything about it. Now I look it seems to vary between £30 and upwards for a band, but what constitutes a band legally - we are not any specific entity, have no accounts or anything. Whereas I suppose the simple answer would be not to play this one venue, if it is only in the £30 region then it would be a no brainer thing to have anyway, not that we have ever needed it.
  9. A place we have played quite often, easy load in, friendly crowd. Seemed a bit emptier than normal when we got there but fair enough. Wired everything up, did a sound check, all good, the place has carpets all through and soft seats on the wall, with backing, so you can turn it as loud as you want without feedback. Very little sound, turns out I have to pull the cable out of the dwarf a little bit to get sound, need to replace that cable or check it. Go to start, turn the bass on - weird distorted sound, not really bass.. drummer says 'oh you have your synth on' - no, its not even on the pedalboard. Bypass the dwarf go straight into the ashdown, same noise, replace wireless with cable, all fine, rewire for that (although cheap, never had trouble with that before). start fine, no sound to iem. In middle of the next song pull the iem cable a bit and turn it (in the mixer), bursts into life - wtf, what is going on. Continue, do first songs ok. But the bass is really quiet after that, on my iems I have to turn the volume right up to hear it, and this is the bongo. Look at the VU meter on the ashdown, it isn't moving, input led on the dwarf is going into the red. output is certainly yellow. Fiddle with the cable, all springs back to life, almost getting deafened. After break swap to my acrylic bass, as I mostly do these days, the first few songs the guitarist is telling me to turn up, which is a first in 7 years, checking the cables, everything is fine, looking at the vu, its moving, then it occurs to me, the acrylic bass is just way quieter than the bongo, so whack the input up and everything is fine. The gig in general was good, a couple of minor mistakes that noone noticed, crowd was big and into it from almost the start and at the end when we left (stopped a bit earlier than maybe we wanted to, due to the guitarist wanting to rush off), they were still shouting for more. So missed enjoying a few songs as I was worried too much, but it was ok in the end. I also found, that there is one song I sing and play bass to (feel it still), that used to cause me issues, but I realised it wasn't singing and playing I had trouble with, it was singing, playing and reading the lyrics as I wasn't sure. Turns out it is better to risk getting some words wrong that noone will notice, than to worry about it, and then the singing is better!
  10. Indeed, that is what I find. I always found Chris Squires bass lines very easy to do, because it is what I would do in the same situation, however there are some other bass lines that are arguably way simpler that cause me problems because it is just non intuitive to me. Once you have got into the swing of how someone plays something, playing something they did is a lot easier, some tracks are trickier as you get into the swing of their bass, then you go to do another and it turns out they used a different bassist so it doesn't make as much sense, steely dan is a bit like that.
  11. Why you have no problems taking things apart? Take that panel out and make sure that the sockets aren't loose inside or something, should be easy and will let you see if there is anything else loose in there.
  12. I would assume that a covers band that went a year without a gig had already folded.
  13. I saw that and was very impressed. Then I did a big 'whats the difference between the sy300 and 200' and in the end couldn't justify the extra space on my board. Still seems like a good deal though
  14. I am assuming some combustions are better than others. Having had one, I wouldn't actually buy another dingwall unplayed. Never had a more dissapointing bass. I would be prepared to believe that the canadian ones were better, but once bitten and all..
  15. Just split it and listened - it does pretty well what you think it does RnRbass.mp3
  16. Blues - I used to listen to a lot of it when I was younger, but I also was a guitarist and got bettter! I can appreciate a blues song done well occasionally, although they so often aren't. Certainly couldn't listen to an album of it, or worse still, play it.
  17. Absolutely you are - why on earth would you want to play to an empty venue for practically no money. Unless you wanted the practice I dont see why you would want to do it. Day one.
  18. It sounds fine, but it also has a tube overdrive so you can use that.
  19. Do you know, if you misread that as banana, it conjours up a whole different scenario...
  20. I used the small tp-link ac750 travel router for a while, but its lack of ports became an issue when I had the X-Control, so now I have a GL-SFT1200 Opal, 3 ports and wireless 2.4 and 5 (with 2.4 switched off). Has been great and the best feature is that it runs off usb so easy to power without having to have more leads.
  21. If I have a problem connecting to the x-air I ensure the app on the tablet isn't still running from before - I quit it and start it again and that always seems to work
  22. But it is a crafted in china CV that is being mentioned here?
  23. I played a 1965 fender jazz at one point that I really loved, and was tempted because it was my birth year, but problem was it was £3k which seemed a stupid amount of money for what it was and some added nostalgia, now they have got even more stupidly priced I know I will never have one, and there aren't many other basses of that period I like, and tbh, any 4 string is almost certainly going to end up unplayed, so it would be a waste. There was a walnut Es355 guitar that was 1965, and £1500 that I almost got but I just didn't have the money at the time, regretted that one.
  24. Harley benton mb4. And a bit of woodwork on the headstock if you really wanted to
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