Woodinblack

I didnt really hear the bass much in that, seemed very low down in the mix, but to be fair I can't imagine that had I heard the bass and it had been good it would have improved anything much. Didn't see that much of it, and the bit we saw was just for its comedy value. There is such a thing as bad publicity.

The preamp anyway.

My previous ZS10s had a mark on one side as to what was left or right (although I never remembered which that was), but you get used to it really quickly that they only actually fit one way round. Now I look at my current ones I don't see a mark.

Well, I would give them a heads up that if some blues band came up it would be more your thing, but if you are there then there are obviously fewer metal original bass players (and I would assume that there would be a fraction of metal original bands to blues bands) so that if someone else came along to replace you they could.

Honestly, yes, because in general I wouldn't bother going to see many bands!

Some kind of shecter or something from the headstock? I doubt you would be able to tell the difference from one to the other on stage.

On the jamman pedal I had it was next to impossible to add stuff, so I just copied the folder structure and xml file and put my wav file in it, worked fine!

It annoys me that someone went across the desert on a horse and didn't even have the decency to name it.

You can output guitar pro to any midi source. Get a midi synth (or software midi synth) that is louder, or an amplifier. Also with Guitar Pro, the bass is hard to hear as it is low - transpose the whole thing up an octave and it is a lot easier to hear.

I have all the equipment to play in stage or studio, apart from, you know, the actual instrument.

Interested to hear how you get on - my left ear just comes out all the time, it won't stay in at all. The right one never falls out.

Oh absolutely - it takes the time to go to your bank / money account and select the refund button, but if they have some policy saying it takes 14 days tht you agree to when you sign up, maybe it would focus their minds that they have the choice of fulfilling the job or refunding you. Might be worth their while. If I type in 'Industrial Radio MIDIbass' in google, the first hit is Industrial radio, with the details of the product, the second hit is this thread.

Personaly I would reply, ok, start my refund and it is ready and boxed to be shipped to me before the 14 days you require for the refund, you can cancel the refund. So happy to see either the shipping confirmation or the refund on the 24th July. But can understand if you are so sick of it that you want it back now.

I am the same with Zombie that someone else mentioned - I heard it being done in a subway in Montreal, by someone who clearly didn't know English at all, and had reduced it down to its phonetics, which in the chorus is just the vowels 'Eee orrr ehh, Eee orr ehh'

I used to hate mustang sally, now I don't. There aren't many (non oasis) songs that I really hate, although many I would be happy not to play again, such as some of the ones previously mentioned on here.

I have 'stuff I use with the band' and 'stuff I use just for me', so there are options for either. The second group has things like an analogue echo pedal where the delay time is controlled by a CV from the pitch to cv pedal, it it makes a very pleasing if not always musical effect!

I couldn't call anything in the 80s vintage, that was only a few weeks back. Maybe the beginning of the 70s. I guess 50 years makes sense.

Thats a good plan, I should probably do that! I just got rid of all the banks that were set, as I realised all those pedalboards were in the way of mine. Thanks for the heads up, I will look at the ttap

Its the way they would have wanted to go

I don't think that is necessarily true. Some people take a bass week after week to a gig, throw it in the back of the car in a bag, play it, drop it, throw it around then put it back in the bag, lob it back in the car, get home, throw it in the corner. Its an object, they don't care. Some people take a bass week after a week to a gig, keep it in a case, take it out when they need it, play it, wipe it down afterwards, put it back in the case, take it home and store it. It has value to them and they want to look after it. I have picked up guitars that were a couple of years old that look like they were used to dig a patio, and ones that are over 20 years ago that looked like they came out of the factory yesterday. Its more to do with how they were looked after. The oldest guitars are only 70 years old, there are playable good condition musical instruments that are 4/500 years old.

Indeed - it can be a overwhelming when you just want to throw something in and realise you have 20 pedals you could use, and you are not sure which one.

Yep, tried it, sounds great at the time, not so great afterwards. i don't know about alcohol, never did that.

Only brilliant for improvising if you wanted a 4 hour 12 bar blues track!

Indeed - if you just want a bass get the one that plays well. If you want something collectable get the 76 (god knows why one that new is worth that now). Or use the 2.5k difference to invest in some stocks, you will probably get the money quicker.