[quote name='mcgraham' date='Nov 30 2007, 12:30 PM' post='96611']
I hope not too many people have been turned off such a topic, as I have a question that I myself can't seem to find an answer for by myself, and I was hoping for some input.
I've played 4s, 5s and 6es, got on best with 4s and 6es but it's been a few years since I had both around at the same time.
After having the Smith I discovered that, like Elros, I used the additional high C somewhat when practicing at home, it got no use whatsoever in a band/group performance context. Even when I wanted to use it and could hear parts that used it, it just did not work. Quite the reverse with the low B, I tend to avoid it in practice and rarely hear parts go below that low E. When in a band context, if I hear a part that goes lower or I need a lower note, I simply downtune to the appropriate note.
My question is, how did/do you guys make the decision as to how many strings you'd need/like/want/have? I am considering perhaps a 6 string jazz by Shuker in the future, literally just a 6 string Geddy without any trimmings. But I don't know, my fear is once I'd got it and the delight of a new instrument wore off that I'd just sidle on back to my trusty 4.
Any thoughts on such a choice or how to make such a decision?
Mark
MB1.
Im looking forward to a lovely Christmas dinner with all the trimmings in the future!
Stick to the 4....