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Marc S

⭐Supporting Member⭐
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Everything posted by Marc S

  1. I just posted a belated NBD - but I thought I'd add the pics (again) and my thoughts on being a "returning Ibanez owner" Got myself an SR 505 recently, I used to own the 4 string SR 500 years ago, and I liked that bass at the time. Since then, I also owned an Ibanex acoustic bass - but my son loved that so much, I gave it to him In my efforts to fall for 5 strings, I also had a not often seen Mikro 5 string... I liked that bass, but the strings were a tad too close for my right hand So in short, I was looking for a 5'er which was lightweight and had a narrow-ish, shallow-ish neck, but which had wide enough string spacing at the bridge (Fussy old so-and-so eh?) On my return to the Ibby fan club, I have to say - this bass ticks all the boxes. So far, I'm enjoying playing it a lot. Whether I'll gig with it all the time (when we can get back to gigging) is another matter - but I want to have a 5'er as an option. I'm loving the feel of the neck, the light weight, the build quality, the finish, the sound and the control over EQ options. I also like the fact that this bass will work without a battery - something my 4 string version didn't (as I found out just prior to a gig!) So maybe it's just a common old SDGR 505 - but this is my favourite 5 string yet
  2. I probably should have posted this over a week ago.... when I actually bought the bass! lol However, I decided to play it for a while first - to see how I got on with it I keep thinking I should play a 5 string - then I keep falling in and out of love for 5 string basses, for various reasons. Usually, my reasons for selling are that I find the necks just a bit too chunky, or I find the bass is a tad too heavy..... or a combination of both. Sometimes, I don't find the string spacing to be very comfortable. This isn't something I find with 4 strings - I can usually adapt my playing. But with 5 strings I've found on a more comfortable width neck, the strings can be a bit too close for my right hand plucking (i.e. not enough room between strings for my fattish fingers) To cut a long story short, I bought & sold a few 5'ers for a combination of the above reasons (or excuses). Actually, on the point of the weight of a bass - it's not something that used to bother me too much. However, my increasing age and ageing joints / shoulders / back have made this factor ever more important. So my thinking was - where can I find a lightweight 5 string bass, which is lightweight and has a neck which isn't too wide (or wide plus deep) but isn't too narrow string spacing at the bridge? Fussy old BC'er, aren't I? So I turned to Ibanez. I've owned Ibby's in the past and always found them to be great instruments. In fact, I once owned the 4 string version of this bass, the SDGR 500 - a bass I was well pleased with. I have to say that so far, I'm really liking this bass! It was a local purchase too. It's very light for a 5'er - I think it's around 3.5kg. The neck is a comfortable width, and it's slim front-to-back, so I can get my hand around it easily enough. Also, the string spacing seems very comfortable too. It's narrow-ish at the nut, but the neck tapers enough to make the spacing good for my right hand... plus, the bridge allows for some lateral position adjustment too The quality of construction is really good - it feels a solid build, and the finish is really nice. No sticky left hand on a glossy neck - it's really nice satin sort of feel. I like the dark wood colour too. The electronics are great, and the 2 active Bartolini pickups are superb. As I expected, It's more of a modern sounding bass than my current collection of basses - but that's not an entirely bad thing. It's another choice for me to make, depending on the gig I'm playing. Another added bonus is that the pickups and electrics work in passive mode, and it even works with no battery - so no worries about a battery going flat mid-gig. Now all I have to do, is to get my spatial awareness up to speed for 5 string playing. I've been noodling at home, and took the bass to one garden room / semi-open-air trio jam. I did make a few errors, hitting the wrong string DOH - but it's been a while since I last played a 5'er for any length of time.
  3. Hi @sambecker1 Just wondering whether you went for this bass? As others have said - that body could be a refin. And that adaptation to make it a body-through string arrangement is all wrong. I'd have thought the break-angle at the saddles may cause problems. Also, as you tune + re-tune, it would put stress on the strings - they're at a 90 degree angle.... on a sharp (ish) edge, rather than a curved, grooved slot. Having said all of that - if the neck was genuine, and the bass felt good and sounded good, and critically - if the price was right.... it could be worth going for But again, that would depend on it being priced as a '62 neck on a replacement body. The bridge is easy enough to sort, and the holes in the body could be filled. As others have also said - a better replacement decal would be something I'd want to sort out. Finding out whether it's a genuine neck is another matter....
  4. That could indeed be the case. As a matter of interest (well, to someone maybe lol) I bought a pickup from him, to fit to another bass. The improvement in the sound from that bass was really noticeable too. Cheers
  5. This one is really going to hurt - But The "cull" must continue, sadly - I need to reduce the amount of "stuff" I own, and thin my collection (although this need has lessened a little lately). For sale only is my Limelight medium relic Precision, in faded Fiesta Red. This really is a superbly built bass, as anyone who knows Mark's work really is. NOTE: This bass has a Jazz width neck (which is what I asked Mark for) I don't know what pickups Mark uses in his Limelight range - but they sound superb.... the bass has a lovely warm vintage tone. It weighs around 4kg, according to my digital scales. Currently strung with Round wounds, which are in great shape (I put flats on it for a while, but have recently put the supplied round-wounds back on it). I don't have a case or spare gigbag, so you will need to bring your own. Collection only - or we can meet somewhere mutually convenient - I have an excellent Bose Battery powered amp, or Vox Amp Headphones for you to listen to the bass.
  6. I've not tried any of the LaBella strings (to my own shame) Has anyone had experience of comparing LaBella Low Tensions, to TI Flats? TI's are great strings IMO.... on some basses - but oddly, they don't feel quite "right" on a couple of basses I tried them on. Sorry @lobematt - it appears I'm hijacking your thread - but hopefully, such things are always interesting..... to someone, somewhere lol EDIT: I'm definitely curious to try some LaBella LTF's at some point
  7. I have one of these - nowadays, I just take it to gigs as a backup, but sometimes I use it for smaller acoustic gigs & jams. It really is tiny, and weighs almost nothing at all. Sounds good with upright particularly, and delivers a nice EUB tone too. Plenty of EQ options as well, and importantly, each input has its' own separate EQ controls. I can also confirm that you can indeed use both inputs separately. I used it at a folk gig, and ended up plugging a violin player into one of the channels - it sounded fab too GLWTS
  8. Now that's what I call "Pink". Nice colour
  9. Came back for another look at this bass And I like it now, more so than when I saw it the first time! It might just be my new favourite colour
  10. I've got one of these (though I changed the pickguard to tort) and it's a stunning bass. I've owned several P basses in recent years.... And this Squier model is the keeper. GLWTS
  11. That really IS green. Gotta say, I like it..... a lot. Happy NBD to you
  12. Last bump for this bass. I've come across someone who imported one of these recently, and he's kicking himself, as he paid double my asking price, plus a few quid. If I get the right trade-in against it tomorrow (for some other musical equipment) it will be gone. PM this eve or in the morning if you're interested...
  13. I don't need another P bass, as I'm thinning the herd.... But this looks lovely.
  14. Just to let anyone interested know...... I'm considering part-ex'ing this bass against something else locally. Once it's gone. it might be rare to see one of these pop up again. There are one or two left in the US - and as I've said, when you factor in postage and import tax..... you be paying double this price I bought this as a travel bass & handy backup, but I've now got something else.
  15. Sorry to hear of your health woes. Obviously, my first hope is that a transplant can be arranged for you absolutely ASAP - fingers crossed In the meantime, I'd say you definitely deserve a treat - and if you feel that a bass guitar IS that treat... then go for it Best of luck in both your search, and more importantly, with your health Some good suggestions here - but my two pennorth of a MIJ / CIJ Fender wins!
  16. A used Fender Japan bass. IMO great construction quality, lovely playing basses, and becoming more sought after. I've had a few (still have two) played several others, and not come across a bad one yet. Possibly more consistent in build quality than their US counterparts over the years?
  17. Hello and welcome to BC from another old man with bass
  18. Oooh, the tape measure is priceless! Or perhaps worthless lol
  19. Marc S

    Sold

    I've got one of these too. Early Fender Japan, top notch quality. A bass with a real vintage feel & mojo. These are really hard to come by, especially in the UK, so I'm surprised this is still here.
  20. As the former owner of this bass, I can confirm that the Jazz pickup did indeed sit very well with the P pickup. You can add a bit of Jazz tone to suit your liking, or an individual song, and if you don't want any added Jazz tone on a song or in a set of songs...... simply dial it out. The Entwistle pickups on this bass are excellent, and the P pickup solo'ed loses nothing for having the J pickup behind it (I know because at the same time I owned this bass, I had another Precision with just an Entwistle PBXN). Yes, of course it's all down to personal preference - but the J pickup adds flexibility and gives the tonal palette a broader flavour IMO. I'm sure plenty of others would agree, after all the Fender Lyte and Aerodyne basses mostly had the same pickup arrangement, along with many other brands. Back on topic - If I needed a P or P/J bass at the moment, I'd have this back in a heartbeat. (I'm sorely tempted tbh... but I'm thinning the herd)
  21. Just a couple of pics of the nut & bridge, to show spacing / dimensions. please note though - the end of my tape measure is a bit bent / wonky - so it wouldn't sit true i.e. take a couple of mm off total width for each photo. Nut width = 42 or 43mm String spacing at bridge is approx 15mm
  22. Here's a set of strings for the bass, on eBay. There's definitely a retailer for them in the UK (can't find them ATM) but this is what the pack looks like. EDIT: they weren't this expensive from the UK seller. As I mentioned above - other BC members may recommend / suggest different strings for 26" scale basses. https://www.ebay.co.uk/itm/Ibanez-IEBS-5-Coated-Nickel-Wound-Mikro-Bass-Guitar-Strings-IEBS5CMK/333956815193?epid=18009172789&hash=item4dc1609959:g:3WYAAOSwM~BgdISt
  23. I've seen them online, but can't recall which company. There are several suggestions of alternative brands on a thread on here somewhere - might have been on a thread re one of the short scale / picolo bass builds? Thinking back, I'm sure I saw a set on eBay. The ones on this bass are the originals. I haven't played it much, sadly - so the strings are still pretty lively.
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