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Marc S

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Everything posted by Marc S

  1. Marc S

    -

    Hi @Jus Lukin I have indeed played with Weed Wackers At the time, I was trying to learn slap upright bass - because I just couldn't quite "get" it. They are very low tension, I mean VERY low tension! As an aid to introducing me to slap technique, this was fine, and for that at least - they did the job BUT. They are somewhat weak & flabby, and the E string was quite undefined and lack-lustre They also took a very very long time to stretch and settle. I was having to re-tune between songs when they were first on the bass After a while, I needed to re-tune every couple of songs, and it was some time before I could get through an hour of playing without needing to re-tune Since learning on the Weed Wackers, I have progressed to using Innovation Silver Slaps, and I find them much better They're louder, have more growl & better definition etc The other thing with Weed Wackers, is that although they're cheap - the import charges & postage come to more than the price of the strings! So beware if you do decide to try some I couldn't find anywhere in the UK or EU that stocked them Hope this is helpful Marc
  2. @BassApprentice - that's a fab idea
  3. I too hate backing out of an agreement. If you're like me, you would feel guilty about adding to the sellers woes - especially as they've already been mucked about If the bass is worth anything like that upper price, you have a bargain anyway. I've bought and sold several basses (and a couple of 6 string guitars too) - just because I fancied them at the time, or fancied trying something different So give it a whirl (or two, or three) see how you get on with it, then sell it on at a later date if you decide it's not for you Sounds like you won't be losing much financially, or you may even make a few quid.... Happy UX-NBD
  4. Yes, a useful thread - as many of us are seeking lighter and more portable solutions Markbass are also doing 2 "Ninja" combos - one which outputs 250W, the other 500W Though quite pricey, I like the look of them. As with other Markbass combos, you can use them on their own, or add an (8 ohm) extension cab https://www.google.com/search?q=markbass+ninja+102-250+review&rlz=1C1GGRV_enGB751GB751&oq=Markbass+ninja&aqs=chrome.3.69i57j0l5.7895j0j8&sourceid=chrome&ie=UTF-8 Quite tempting, I must say. There's a few people reviewing them on YouTube too
  5. Ah what does SHE know? Nice bass mate GLWTS
  6. Can't go wrong with Japan Fenders Vin is a decent BC'er to deal with folks - top man GLWTS matey
  7. Happy NBD Glad you've found a bass you like so much. Enjoy
  8. Well, that brought a smile to my face this morning And the reply? Even better than the ad! lol
  9. I would generally place a bass cab away from a wall, to avoid the boominess you describe. Perhaps there is an optimum distance, but remember that will also apply to walls opposite the front of the speaker - which will usually be closer to you in a rehearsal room than most live situations you're in. Were you in the exact same rehearsal room as last week, or a different one? Was the layout and distribution all the other gear the same? Another thing to think about, is slightly leaning the speaker cab backwards. There was a thread about this, some time back on here. It was quite interesting and there was a useful diagram, demonstrating what happens to the sound when you do this.
  10. Marc S

    So..Sire

    You aren't alone in buying a bass, letting it go.... then wishing you'd kept it I did the same with my Roadworn Jazz and my Squier Classic Vibe Precision Not owned a Sire, but did have a quick noodle on one a while back, and it did seem like a really well made bass, especially at the price point, and an even better buy 2nd hand Now if you have that one set up + modded just the way you want..... keep it. Problem there, I suspect is - you already have too many (like me!) Glad you had a good NBD
  11. I do like the Jazz in Shoreline Gold. I think this wasn't previously available in the more "budget" MIM range - just from the custom shop, at a price (or at least, I hadn't seen one) But apart from that, it does look a bit "same old, same old" IMO. The Fiesta Red Precision looks remarkably similar to the MIM classic 50's P bass, with it's maple board Might have been nice to see one with Rosewood (or Pau Ferro). In their defence, I suppose they know their market and what will sell.......
  12. I've not seen or heard of it either. Have you used it in a live situation yet @Old Horse Murphy? Thanks for letting us know about it, and what your thoughts on it are... I use a Dunlop MXR, and I quite like the distortion on that (not that I use it much). It's also a really nice "natural" sound to the EQ controls. This is in the same sort of price bracket, and looks a quality, well made unit
  13. @Stingray5 - just looked at your photo of the Jazz without plate..... and it's grown on me a bit! lol I was just thinking, I might even give it a whirl at some point - perhaps put a little dab of black acrylic modellers paint into each screw hole? Somehow, I think the scratchplate screw holes look worse on black - perhaps to my eye, they seem to stand out more? Fair point about an instrument looking "new" or at least different. I won't buy a new suit - just wear it with a different tie EDIT: Re my point about the holes - they look fine on your bass mind you....
  14. @Stingray5 - thanks for posting those pics. Thinking about it, I'm not sure I like a black Jazz with no guard. I like the Ray without guard even less, I think Definitely like the Sunburst Jazz without though - perhaps it's because of the different colours and tones of the Burst finish, that makes it more visually pleasing? (Just IMO, of course) Been thinking I quite like a ply black guard, with B-W-B "layers". I'll leave it for now though, as the body shape of mine, being MIJ means it may be hard to get the best fit.... Thanks for your thoughts folks - and I really like that comparison shot above Mr Stingray
  15. I'm a fan of shell pink. The previous version of the Flea sig was just a tad too pale / faded for my tastes - I would have preferred it to be more pink! From the photos, I don't like the look of the rosewood headstock though.... I would have to see one "in the flesh" to know for sure.
  16. The white Pearl plate wasn't quite as good a fit on the MIJ Jazz in the end. The holes didn't align so well, and the contour for the neck pocket wasn't quite "right" it pushed the lower horn quite a way out of alignment. It's odd, because everything aligned so well on the Roadworn Jazz, and a US Jazz I tried it against. I hadn't quite appreciated how different body shapes were, between MIJ, US, MIM etc. I was aware of some of the screw holes not quite lining up. So I've left the Tort one on for now. I do like Pearl on black though - so I may look for another plate. A mate gave the set-up a bit of a tweak the other day (I've been a bit short of free time lately and he offered) - the bass is now playing better than ever - so I'm even more chuffed with my Fretless Jazz
  17. @paul_c2, I've left the white on for now. The holes on the Tort guard look as if they line up really well, but there are a few minor differences in overall shape of the guard, but it's a good fit.. I'm definitely keeping this bass. I really liked the Fiesta Red CV I had, and regretted letting it go - it was a lovely bass.... But this one's even nicer. I had intended to leave this bass at our guitarists place, where my band rehearses - but now I'll leave another bass there, perhaps sell one. I just can't stop picking this bass up
  18. Yes, I'm a dyed in the wool Tort fan myself. But when I popped the Tort guard in place for that photo... It looked nice, but not as good as the white. Just something about that pale blue colour Edit: if it had come with Tort fitted, I'd never have tried white with it
  19. In an effort to reduce the amount of gear I own (house move later this year!) I'm reluctantly selling my superb Markbass New York 121 bass cab. It's in superb condition. Carpet covering + corners all in great condition. Has been gigged, but not too often, and never abused or over-driven. Comes with a nice, padded cover (roqsolid, I think) which is also in great nick. No trades unless you've got a Greenboy Crazy 8 or an Acoustic Image "upshot". Obviously, I'd add cash to a trade with an upshot. Would prefer collection as I haven't a suitable box. I'm happy to meet somewhere, if that's convenient. Am in Stourport next Thursday / Friday.
  20. I forgot to mention earlier, that it's already got a Kiogon loom installed too. Perhaps that helps it sound so nice I must say, though I'm not normally a fan of white pickguard, I am tempted to keep white on this bass. I can picture it with a minty guard too.....
  21. Well, I've had a big, pleasant surprise. I took a bass in trade, and it has blown me away! I had a Squier CV precision in the past... Sold it and regretted it. But I recently got this one in trade, and it's even better that the Fiesta Red one I had before. That red CV was amazing, but this one (sonic blue) is one utterly amazing bass. I took it to rehearsal the night I got it, and it sounded as awesome as it plays. It's lightweight, looks lovely, and is the most comfortable P bass I've ever played! It's a better player even than my JV, and sounds as good.... Perhaps it sounds even better? I can't quite believe it. I know many people will think I must be mad, but I've owned US, Mex, VM Squier, Japan & Roadworn p's and this is the best one. It has surprised me, to say the least Oddly enough, I don't normally like to keep the bridge cover on a bass, but I like it on this bass. Anyhow, couple of pics, and a question - should I keep the original slightly yellowed white pickguard, or change for my favourite Tort?
  22. Played one of these, in buttercream finish today, at PMT in Cardiff. It's a lovely looking bass. The colour is just beautiful, and works well with the maple board. It played nicely, and sounded great. Neck was just a tad chunkier than my ideal, but I was very taken with the build quality. I was offered it at around £50 off the RRP, and if I hadn't just got another P bass, I may have been tempted. Alongside the bass was a US std precision at twice the price - but it wasn't anywhere like twice the bass. PMT also had a player series Jazz in buttercream - it looked lovely too - but I dare not pick it up
  23. Sounds like an offer you can't refuse mate. How generous is this? Go for it... Otherwise, how will you ever know?
  24. Wow! that sold quite quickly, especially given there are some cracking basses on here that have been hanging around.... The new owner won't be disappointed
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