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Marc S

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Everything posted by Marc S

  1. Thanks for that helpful info Daveyboy, and for your kind words too good sir Edit: I hadn't realised this was a B profile. It's nice, I must say. Not too skinny, not overly chunky - a great compromise, and as you say, the finish is so good - you'd never know it had been slimmed down
  2. In my quest to reduce the number of basses I have, and to get my hands on my ultimate Jazz - I have very reluctantly decided to sell this fantastic Roadworn Precision. Friends will think I'm feeling unwell - it's a wrench - but needs must. As you can see, this bass has been converted to a P/J (done by pro luthier Dave Dearnaley of Cardiff). The bridge pickup is a superb Entwistle JBXN, and the neck pickup is from Mark Morgan-Richards - it's what he puts in his superb Limelight Precision basses, and it sounds fab. The electrics are also a kiogon loom - and was a cynch to fit, and as ever from kiogon, all components are of the highest quality Also, this bass had the neck slightly slimmed down by previous owner DaveyboyRooster's luthier. If you prefer the chunkier P bass necks, then this is probably not for you. It feels much more like a Jazz, but ever so slightly wider. It's the most comfortable P bass neck I ever played, with lovely silky smooth finish, and the depth, radius and width are very comfortable for me. I tend not to like necks that are wide and deep. I need to thin the herd, and a bass has come up that I really want. I really really want Also, I have a rather nice Limelight P/J and can't justify 2 P/J's - it's either this one or the Limelight, and I couldn't decide.... In the end, I opted to keep the Limelight, but there's not much in it, especially since I installed the Limelight pickup in this one. It's incredibly lightweight (around 3.6kg I think - I'll double check later) but it's the lightest 34" scale P bass I've ever picked up. Strung with Thomastik Flat wound strings, which are very low tension. I could put some rounds on it, if you prefer, but it's currently set up very well with low action and plays like a dream. Collection from near Cardiff - or I could meet up somewhere, and have a battery amp and headphones for testing. I'd prefer not to deliver, and want to make sure you're 100% happy anyway (why wouldn't you be? lol) Comes with a well padded gigbag, or for the right offer, you can have a really nice roadworn Fender (G&G) hard case. No trades please - I'm thinning the herd)
  3. Price Drop: Now £400 In my eternal quest for the "perfect jazz", I'm selling this rather lovely (quite new) MIM Jazz bass, in near mint condition. I'm selling to make room & funds my next purchase... (aren't we all? lol) It looks a real beauty, in stunning condition (one teeny tiny ding I can see - but can't get my phone to focus on). I think this one is a very recent model (MX1793063636 serial number) and has a Pau Ferro fretboard, which I like the look of. The last owner never gigged it, and didn't seem to play it much as far as I can see. The strings still sound brand new. Weight is around 4.3kg (I'll get an accurate weight soon) Normally, I'm not fussed on white scratchplates - so I bought a Tort one which was listed as being suitable to fit a MIM Jazz - all the screw holes seem to line up perfectly. On this bass, I think the white scratchplate looks rather nice, and quite classy - so I decided to leave it there. You can have the tort one if you prefer - I'll even chuck both in, so you can dither and ponder about swapping them yourself I'm now throwing in a choice of either a Fender Red badge shaped hard case, or an old Roadworn brown G&G Fender bass case (I believe this was from an AVRI) No trades please. Collection from near Cardiff. Or we could possibly arrange to meet up - I hate posting basses, and would much prefer you tried it. I've got a vox battery headphone amp, and a Roland Micro bass amp to test without mains, if we meet at motorway services EDIT: Tea provided at my place, when you come to test drive.
  4. Yes, it's all about managing your time, and of course, letting other members know, from the outset, that you have other commitments As I said earlier, one minute I was in 3 bands.... next I was in none. Oddly enough, each time I was in just one band, as were the other members - there seemed to be more "phoning in sick" type stuff going on. Same re your second point - I've had the same thing. Being in 2 or 3 bands, but others who are only in one, and with few other commitments, being mysteriously unavailable all too often In one band, where the other 4 of us worked full time, had families and other band projects / commitments. All of us agree to learn 2 songs for next week, and the keyboard player who has no full time job, no kids.... and he says he hadn't had time to learn the songs, as it's simply just too much work! Add to that, he was the only one of us who could actually read music, and couldn't even be bothered to google that! None of the bands I'm in are playing all the time - they each get busy & quiet periods, and I always work on a first-come-first-served basis, even if the 2nd offer is a higher fee.... It just needs to be an honest and upfront approach, by all involved. In fact, thinking about it, none of my mates bands are so busy with gigs that they couldn't do another project if they wanted (a sign of the times re our local venues, maybe?) But also, just about every musician I know is in more than one band. Those who aren't, tend to be the people doing original stuff only, or originals with just a few covers. Perhaps they're too busy writing songs?
  5. In one of the bands, the lead guitarist was, shall we say, a bit too familiar with the singer... until their spouses found out..... That was certainly no fault of mine! lol
  6. I'm in 2 pub covers bands, one tribute, and an original folk / Americana duo at the moment. 4 bands, while still working, and maintain a family life is pretty damn hard to do.... But I enjoy playing covers and originals, and really enjoy playing different styles. I must say, I never really get chance to get bored, doing things this way - there's just no chance to get bored! Actually, some years back, I was in 3 bands on the Monday, but by the Thursday, I was in none! All through no fault of mine so I find I "need" at least a couple of projects, just in case one (or more) fold. For a while, I was playing regularly for a few people at a local folk club, and doing regular slots at open mic nights. I found I could dip in & out of those sort of nights. It all depends what you want to do next - but try a few different bands / projects, that's my advice
  7. It's not the be all and end all, but as you say, it can make you feel a part of the occasion.... Well, at least a bit. I haven't played one yet, where the band were not allowed anywhere near the food.
  8. Yes, he usually replies very quickly, and is always really helpful. Once you place an order - he's quick at building & dispatching your item too
  9. Pah, this is happening everywhere these days! But don't let it get you down - I'm sure worse things have happened on tour
  10. Sadly, the nearest you got to me was Bristol, and I couldn't make that one But I'm glad to hear you're touring at "that stage of life" - I'm a similar age, and wouldn't mind a tour I agree - you're never too old, and yes, definitely keep playing, and tour whenever the opportunity arises Good luck with the last couple of gigs, and here's to the next one!
  11. I was thinking it would look fab with a pearloid scratchplate
  12. Yes, any of the components, or solder joints could have been affected by damp / moisture and extreme temperature changes. Or, perhaps the components may have been of dubious quality in the first place anyway? Either way, just wanted to add a shout out for Kiogon of this very forum. He uses good quality components, and his wiring looms are also simple to fit, as you can get solder-free versions. They're wired to the pickups with tiny chocolate block / screw connectors. So if you're new to wiring or not confident with a soldering iron, they make life a little easier. There are cheaper versions available on ebay, but they won't be the same sort of level of quality Let us know how you get on with it EDIT: Kiogon is really quick off the mark too - order a loom and it's with you in a few days
  13. Thanks - nice to know you feel they're good enough to retain. Really wish I could try one of these now. I don't "need" one, I don't "need" one, I don't.......
  14. Weeks? - one week maybe..... tops Sigh... I'm getting GAS for one of these now! Or at least, I'd like to try one
  15. Thanks for sharing your thoughts on these basses (again) discreet Yes, I'm amazed at just how good the Indonesian built Squiers are. I've not tried this exact model myself, but I'm quite tempted now. I'm a fan of sunburst myself, and I do like that tobacco tinted Sunburst on this bass, I must say Re the pickguard, or lack of - somehow, that look does seem to suit some Jazz basses, and I think it's also fine on this bass I know Entwistle pickups are great, especially for the money, and the JBXN is a step up from the JBX (a good pickup in itself anyway) But what did you think of the original Squier pickups, in comparison? Were they pretty good anyway? I've had a couple of passive VM Squiers, and the stock pickups are OK - but I wondered how the active version of the pickups fared? OH, and happy NBD by the way
  16. It's mad that this bass is still here! Every Japan Fender I've ever played has been an amazing bass. I've got 2 Japan Jazzes currently (fretted & fretless) and they're both superb instruments I like the neck profile on them, the necks feel lovely, and they're both very lightweight, in comparison to other Jazzes I've played & owned. If I needed a Jazz right now - at that price, this would be mine GLWTS
  17. Marc S

    Sold

    As others have said - these Matsumoko built Westone basses were great build quality, great sounding basses, and they go for a fraction of what some lesser instruments go for. I would ask, if this was the 1st bass you played - do you really want to sell it? My first bass was awful, truly dreadful a 70's Kay Rick copy. My 1st "proper" half decent bass was a Fender Musicmaster, and there are times when I wish I still had it - even if just for the occasional noodle. You may end up regretting selling it, especially as it's not going to fetch too much money... Up to you, of course - but if this was my 1st bass - I'd keep it (hindsight is a wonderful thing, I know!) To any one pondering buying this bass - go for it, they're fab instruments and well worth that sort of money It would make a super back-up bass, or if you're on a very tight budget - this is the bass for you. Cheers now
  18. Lovely colour P bass. Yes, I know what you mean when you say you're smitten with it Some basses just do that to you - they look fab, sound great, and just feel "right" when you're playing them. Glad you like it so much Re your comments about simplicity, I've been through that too. I've owned a couple of basses with several controls, stacked knobs & switches One bass especially, sounded great at home - but I never could get the same sound out of it when gigging, and was far too distracted and tended to fiddle with the controls These days, I just prefer Volume & Tone, or Volume, Volume & Tone - easy peasy
  19. Richard Hawley, since leaving the Long Pigs Also, Nick Cave - I never quite "got " The Birthday Party
  20. I'm really enjoying this thread - thanks to the OP for starting it There's some unusual stuff out there....
  21. On the face of it, and from a distance, this bass may look like a standard Squier P But it's an A-Series, MIJ early 80's Japan market medium scale 32" bass. The bodies of these fine instruments are proportionally smaller too. It's very lightweight indeed This one is also in an unusual finish / colour - it's Dichroic Metallic Green It's really hard to photograph, but the colour changes, depending on the light and angle of light on it It's a sparkly finish, and it changes colour from Dark Green, to mid-Green, to Black, To Purple.... Not seen another one of these
  22. A few offers on this nice EUB. I did say "no trades" in this ad, but I could, possibly, maybe tempted by a JV Precision in Sunburst with Rosewood board (bit specific, I know lol) Obviously, with a bit of cash your way.... I'm not particularly looking for mint condition btw...
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