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Marc S

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Everything posted by Marc S

  1. This bass is still here? Fab bass for the money have a free bump, cos it's such a nice bass for that sort of money, and Paul is a great guy to deal with
  2. I don't own one myself, but several musician pals of mine own a Faith acoustic guitar They all love them, and one bought his, so he could take it to some gigs, rather than his more expensive Martin... He now prefers the Faith anyway! lol Another friend recently bought herself a really beautiful dark wood (mahogany?) Faith, and decided her older Faith had to go, to free up some space.... But she has kept her old Faith as well, and sold a lovely Fender strat, as she couldn't part with the Faith I've played a few Faiths, and though I'm not really a guitarist, they've all sounded lovely, and felt like they're sheer quality construction Good luck with your search
  3. [quote name='hubrad' timestamp='1496239514' post='3309821'] Talk to them. Also perhaps make a recording of a live set, so all can listen and comment accordingly. If it's still doing your head in then move on or take on another project. [/quote] +1 for this answer I've been in bands where some people don't want to rehearse, and it usually annoys those who do want to rehearse.... Rehearsal always helps tighten the band up, and helps improve the dynamics. Repetition helps with learning, however, I can understand those who don't want to rehearse too often. Sometimes over rehearsing means some people can get bored of over-playing songs. But once you're tighter, I'd use those rehearsals to suggest new material, and try varying the set a bit.... You say that you all get on well, and it's a shame to leave a band where this is the case - but you are obviously frustrated by others' lack of commitment to rehearse..... and that isn't going to go away or get better by itself....
  4. I thought it would sell quickly too I had one of these, they are absolutely brilliant basses for that sort of money. Lightweight, comfortable to play, super fast neck, great build quality and superb range of sounds from great Bartolini pickups & electrics.... There, it surely must sell now
  5. [quote name='scalpy' timestamp='1496221104' post='3309587'] This is why our set list reads Johnny Bb Goode! [/quote] lol
  6. Being in several bands, I've had those moments too - where you start playing a song with one band, and realise you're playing it in a key you play with a different band! Also started the wrong song once or twice too We've all done it mate - you are not alone, so don't worry lol
  7. Heard a bit of him chatting about this book on the radio. I'll probably buy a copy in a month or 2, as I'm still reading through Xmas books, and bargains picked up a couple of months back when I visited Hay On Wye. I'm a slow reader! lol I've always liked Billy as a person, and as a musician and songwriter. As you say, TheGreek - he's one that doesn't get the recognition he truly deserves. I recently read his biography which was very good. A few years back, I read his book "The Progressive Patriot" which is an absolutely brilliant book - I'd highly recommend it as a read. It's very thought provoking, superbly researched, well argued, and well written. On top of all that, I've met him a couple of times, and he's a genuine bloke and a principled man who has done some great community spirited work too..... I'm sure this will be a good read, so I'll be getting my copy in the not too distant future
  8. Hi Rod, Welcome to Basschat. I'm sure you'll meet lots of like minded folk here, and don't be afraid to chip in with advice, experience and knowledge, as well as asking questions. Plenty of friendly folk on here. I'm a South Walian myself, but have spent a bit of time in the Forest. It is indeed, a beautiful area. Happy playing Marc
  9. No Jazztification
  10. [quote name='rorysmith' timestamp='1495578917' post='3305103'] The Lonious Monks [/quote] Back to this one again.... a bit modified, but how about The Three Loneliest Monks
  11. Traded my Flea Jazz for a medium scale Japan P bass. Kostas is an absolutely great guy. He even helped talk me through my reluctance to ship basses abroad! (all my own fault, I know lol) As M-Bass-M says above - you get the sense that Kostas is a passionate & appreciative character. He also offered to share a beer and an ouzo with me, if I ever found myself in Athens. I just hope all his BC friends don't turn up at his place on the same day lol Superb communication throughout, and a true gent. Though I've never met him (even though he once lived down the road from me!), I feel he's a real pal, and someone I'd trust without question. My new bass arrived safely and well packed in good time considering the distance it travelled, and I wouldn't hesitate to recommend anyone to deal with him. Buy, sell, deal, trade in complete confidence folks
  12. Bought a short scale Jazz from Kristo. Great guy to deal with. Good communication throughout. Very reasonable he was too. The bass arrived in super quick time, and was really well packed and protected, and in mint condition Smooth transaction throughout. Buy, sell, trade, deal in complete confidence fellow BC'ers
  13. [quote name='rorysmith' timestamp='1495578917' post='3305103'] The Lonious Monks [/quote] The above is my favourite so far - really good suggestion rorysmith My own efforts; The Austerity Orchestra The Jazztones We Jazztafah's 3 EDIT: "Jazzinga"
  14. If you wanted to lower the action, given the maxed out truss rod, could you place a thin shim between neck and body? Would that help take the truss rod back a little, and lower the action? Lovely looking bass
  15. [quote name='NancyJohnson' timestamp='1495470693' post='3303975'] ......Bananarama (and I suppose Kim Wilde et al); has anyone really noticed that there was a degree of chaste about their (very) public persona? They didn't have to get their kit off to garner interest. Different times and probably better for it, really. [/quote] I loved the 80's - it was my era, musically. It's when I grew up, it's when I learned so much, it's when I regularly went to gigs & events, it's when I bought most of my records. It's when I saved every penny to buy another record - heck, I even walked 6 miles home to save the bus fare, so I could buy another 7" single... many times. My own fashion was (more than probably) a bit dodgy at times too - but you didn't have to spend as much money on clothes. I never had to live in a time where, like my son, you were an outcast if you didn't have a certain pair of Nike trainers, or a coat that didn't have a huge brand name emblazoned across it.... In fact, for many bands, looking like you were wearing hand-me-down clothes or charity shop fashion was their style, rather than some uber expensive gear You can pick the worst 10 acts of any decade and hold them up as an example of derision. The 80's also spawned some brilliant music and musicians. And actually, Nancy Johnson has a really good point (above)
  16. [quote name='hamfist' timestamp='1495456767' post='3303839'] I use Colron danish oil (from B&Q) - two coats, and then Briwax (available everywhere) -again a couple of coats. If you're starting with nice smooth wood you will get a beautiful and hard-wearing natural satin finish. I've done loads of bodies (ash, maple and alder) and a couple of necks (both maple) with this method, all have turned out superbly. [/quote] Thanks for the tips folks hamfist, I take it that you apply the wax on a rag and work it in by hand, then sort of "buff it up" to finish?
  17. I recently bought a cheap neck, for a cheapo project bass. It's OK - nothing special, but that's fine & suits my purposes. However, the previous owner had done some work to it, and basically sanded the Rosewood fretboard, and sanded the varnish, of the presumably Maple, back of the neck.... I finely sanded the rosewood board and treated it with Lemon oil - and result! It has mostly restored it to it's former glory. I wanted to try oiling the back of the neck, rather than varnishing it - so I applied some Lemon oil to that too, and it hasn't really achieved very much... What's the best oil to treat the back of the neck with? He asks, not having tried before... Cheers all
  18. This beautiful Red fretless P hasn't gone yet? I'm amazed. Have a free bump Old Horse
  19. Just traded my Fretless P for Gary's "Carry On" EUB and some dosh. Transaction smooth as the proverbial. Plus Gary is not just a great guy to deal with, but he's a great bass player, and an even better bloke Great chatting to him, always If ever you needed help or advice - if he knows the answer, he's your man Thanks again Gary
  20. Looks a great buy! Surprised it's still here....
  21. [quote name='Beer of the Bass' timestamp='1495032161' post='3300698'] ....I don't know if this is still the case, but I remember noticing just how small proportioned all of their 3/4 size basses were, to the point that the endpin didn't extend far enough for me (I'm about 6'2"). It's not necessarily a negative, just something to consider. [/quote] I saw a Stentor some time back - in fact, I had considered trading it + some cash for my Gage (then saw the light! lol) It certainly wasn't a small proportioned bass, and the endpin extended beyond coping with me at around 6'00".. perhaps the smaller basses are the Stentor Student range? Does anyone here own a Stentor Student bass? It'd be worth knowing whether they're full size
  22. Price £710 - no trades please... For sale is this beautiful, near mint condition Oly white US Fretless Precision It's honestly in stunning condition, there's hardly a mark on it, apart from some minute blemishes which are hardly noticeable and some "blooming" on the tort pickguard. The Oly White colour of the body is nicely yellowing and the varnish on the neck is a nice ageing honey colour. It plays beautifully and the finish on the neck is lovely and smooth. There is no wear on the fingerboard, just some barely noticeable play marks. You could almost hang this up in a shop as new! It's currently strung with Thomastik Infeld Flats. These were on another bass before this, and I swapped them onto this lovely bass, so the silks are a little worn, but the strings are hardly used. Originally, this bass had a fretted neck on it. I bought the bass from Old Horse Murphy some time back, and decided to try my hand at fretless. A US factory lined fretless neck also came up for sale on here and I decided to swap the necks. The body dates from early 2000's (2007 I think) and the neck dates from the 90's. It was exactly the same feel and dimensions as the original neck, and it was a simple swap, with a nice tight fit into the pocket, with no play whatsoever.... All other parts; bridge electrics, pickups, pots etc are original to the bass.... The neck is not chunky - it's a modern "C" shape / profile type. Nut width is 41.5mm. And the neck is not too deep - it feels more like a Jazz neck profile to me, but perhaps a tad wider I don't have the original neck. I never anticipated selling this bass, as it's so lovely. However, I took a fretless Jazz in trade, and I'm liking that a lot. I only need one fretless, so this one is up for sale. I'd prefer collection from North Cardiff - or I can meet somewhere convenient. No case included, though I could let you take it away in a gigbag if you don't have a case... I'm not looking for trades, as I've got too much gear already! I don't have a weight for it, as my bathroom scales aren't great - but it's very lightweight for a P bass
  23. [quote name='j1mu5' timestamp='1495094217' post='3301135'] All sorted now thanks to Andyjr1515 [/quote] That's great news See, most of us on here are a friendly helpful bunch - didn't I say that? lol Always good to watch someone else doing a set up, so you can appreciate what needs to be done and why.... And to learn how to have a dabble yourself is definitely no bad thing
  24. Just wondering what strings sound more DB-like on this bass Gary? Do you still have any other strings with this bass? Looks v interesting
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