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Everything posted by Dood
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Progress 😁 I’ll get my coat then shall I? 😂
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The model specifications were based on a price point and that would typically be in the model name. For example, a PB70US-70 precision bass is a 70’s style model, with “US” pickups and was originally sold for 70,000 Yen. These models were known as non-export models as these and the more expensive models were in direct competition with USA models and Fender aimed to keep those in Japan only. The next model up, would have been something like PB70US-86 (ish) and you’d have additional appointments such as Ash bodies and lacquer finishes for example. The lower spec models would have basswood bodies, generic pickups and the smaller tuning keys. I forgot the exact model name as im typing on my phone, but PB70-53 sounds about right - note no “US” in the name. If I can find it, there used to be a website with every model described in detail years ago, but I haven’t seen it for a while.
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I have two of these basses, but, as it's looking like I won't be needing both now, I'm definitely keeping one for myself (for teaching) at least for now and the other (arguably the better sounding one) can find a new home so I can afford to eat. This is the Bubinga top model. The bass comes with new and zingy D'Addario Pro Steels - Super Long to fit the "through-body" stringing at the bridge, though you can top mount too with no issues! Also included are Dunlop Dual strap buttons attached. Around the back, you'll notice an additional switch. A previous owner has professionally installed an EQ bypass (Think Active / Passive switch) should you wish to leave the EQ out of circuit. I've inspected the electronics and the bypass is very tidy. Fretwork is excellent and the action is low, in fact, you'll probably want to lift it a little, but it's nice to know it doesn't start high, hiding a multitude of sins! Active pickups with radiused tops, three band active EQ, 35" scale, 16mm string spacing, neck-thru construction. Tonally there's much to enjoy. The B string is extraordinary. No really, it is. The combination of the right bass, electronics and string manufacturer can elevate those otherwise woolly tones and this BXP carries weight and definition in that department. I'm going to regret selling, it's a little peach. Price fixed for collection. I'm pretty sure I don't have a spare box. You're geting a stupid bargain anyway, so pop in!
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Please please please follow the channel and give the review a like and a happy comment
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Actually, as this is an older video, I may go back and remix the audio for a funky bass short at some point, it's such a great sounding bass.
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Here's the Progress Series IV 5 string review: https://www.bassgearmag.com/bassic-review-overwater-progress-series-iv-standard-5-string-bass/ This review was before I updated my studio, I'll see if I can do more Overwaters in the future!
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Overwater are absolutely top-tier. I'm just waiting for one of my reviews to go live of a very special custom Overwater that is probably unmatched in all the reviews I've ever done. Even the previous review video of the Progress IV Standard made pretty much eveything else reviewed feel like a Friday afternoon job.
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@AndyTravis, thank you. It’s all too easy to say “it means a lot”, but genuinely, I really appreciate feedback, of course positive on my videos. I do everything myself (except for edits to my final renders by the digital guy); I’m still learning how to create and edit videos, even if I have spent the last 30+ years obsessing over everything bass and technology. Obsessing really wouldn’t be an overstatement. I have issues 🤣 I just want to create the kind of videos I want to see. I’m far from perfect in delivery, but I’m getting there. Many a time I’ve nearly given up on it as there’s a real apathy or lack of engagement - maybe that’s my fault, but it’s really hard to capture enough people’s interest. I’m not pretty and showing a bit of flesh isn’t an option, which for many seems to be the way to go in the absence of any real quality material, so losing a battle from the off when people would rather “engage” with something that requires less investment. So, I’d really appreciate if anyone watching my videos can at least give them a like to show your appreciation. Better still a supportive comment. Following my socials and the magazine channel would really give me a boost. Http://www.YouTube.com/BassGearMag and http://www.instagram.com/danveallbassist I’m also on Facebook, my page is DanVeallBassist or the OG profile /DoodOnBass is still alive.
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My other pet peeve is auto-correct.
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At the risk of derailing the thread too much, that is my absolute pet peeve. "But I can't hear the bass in your review videos!" "Sorry to hear that, what are you listening on?" "My phone..." "Right.." "But its a good one though!" No, no it isn't.
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Or as I like to describe it, building a shed with a drumkit.
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Judging by the demands for the same song night after night, I'd say they'd be more than happy with just a window to lick and a balloon.
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I re-read your reply and I think you make an interesting point. Considering the majority of audiences (no offence meant to them) couldn't tell, nor care about the differences between electric bass or double-bass, I wonder how many non-musicians (who make up a large proportion of the audience) even care about backing tracks? Or, counter to that, are musicians caring too much about wanting to reproduce their precious (which it is) material live and instead should just go out as a bare bones performance?
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Indeed, it is very true that when I started tracking bass for the album, the orchestral parts were all expertly written using top-tier virtual instruments. I even said to our orchestrator that they were so good, they need to be forward on the album. Danny laughed and quipped "they're all going, we're having a real Orchestra!" At that point of writing my parts I had no idea the size of the project and that it would include another 100 musicians ha ha!! TL/DR Yes, I guess a couple of keyboard players could cover most of the parts, maybe!
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Pictures on the way! I don’t want to sell this bass actually, it’s a cracking instrument for silly money. The price reflects current condition: There is a very small ding on the upper horn top edge and a ding that mysteriously appeared on the back of the headstock bottom edge. Neither are large, but alas, they are there and need pointing out. Understandably they don’t affect the playing area or playability of the instrument. Finally, I was going to have EMGs dropped in because, well, they will sound amazing, but unlike the standard V5, it turns out the routs on the bridge pickup aren’t deep enough on this bass and would need skimming down a tad to get those lovely deep active pickups in. The process was abandoned and bass returned back to stock. I’m not sure if I have a box for the bass, unlikely, so collection is suggested. You might also want to pop some new strings on if you want some MM zing. Plenty of life in these if you prefer something a little more bedded in. https://www.andertons.co.uk/sire-marcus-miller-v5-24-fret-4-string-bass-guitar-natural/ PRODUCT DESCRIPTION Sire basses have become best-sellers worldwide, and for good reason! Collaboratively designed with bass virtuoso Marcus Miller, Sire's instruments are acclaimed for their beauty, luxurious playability, impeccable build quality, premium features and relative affordability. Able to keep up with the demands of professional working musicians, Sire basses outclass almost everything else in their price bracket! The V5 24 Fret is a modified, modern take on Sire's flagship V Series model. It allows you to be more creative in soloing and chording thanks to a full 2-octaves per string fingerboard (24 frets), and a deep body cutaway that lets you easily access the higher register. It's the ultimate bang-for-your-buck bass for virtuosic players after a versatile instrument! Key Features North American Alder Body — Popular timber synonymous with bolt-on guitars and basses. Offers a balanced tonal foundation for the pickups, with tight lows, bold mids and singing highs. C-Shaped Roasted Maple Neck — Roasting process crystallises resins and removes all of the natural moisture retained by the neck wood, ultimately darkening the material and increasing stability for rock-solid tuning! 'Edgeless' Rolled Fingerboard Edges — Enhances the overall comfort and playability of the neck and makes it easier to play. What's not to like?! Marcus Vintage-J Revolution Pickups — A signature formvar design that has a '70s pickup spacing (closer to the bridge), yielding a punchier sound akin to Marcus' original bass. Passive Volume & Tone Controls — Simple electronics allow for easy adjustment of your overall tone without compromising the true bass sound. Marcus Miller Vintage-S Bridge — Brings a cool vintage aesthetic to the instrument, and ensures optimal intonation and tuning stability whilst maximising the transfer of sound energy to the pickups for superb sustain. Specifications Body Body Material: North American Alder Body Shape: Marcus Miller Jazz Type (24 Fret) Neck Neck Material: Roasted Hard Maple (Satin Finish) Neck Profile: C-Shape Neck Binding: 1-Ply Neck Joint: 4-Bolt Steel Square Plate Scale Length: 34" (864 mm) Fingerboard Material: Rosewood, Edgeless (Rolled Edges) Fingerboard Radius: 9.5" (241 mm) Frets: 24, Medium Inlays: Square Block String Nut: Bone (38 mm) Hardware Bridge: Marcus Miller Vintage-S Tuners: Premium Open-Gear Pickguard: 3-Ply Black Control Knobs: BK Jazz Hardware Finish: Chrome Electronics Pickups: Marcus Vintage-J Revolution Set Controls: Volume (Neck Pickup), Volume (Bridge Pickup), Tone (Master)
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Hopefully it's a blip and they can sort out the issues in time. {edit} excuse the pun!
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I think I've spent too long looking at the Classic V. I think the only thing I'd liek to change (given that I've not had a chance to play one yet) is that I favour 'quick release' bridges. Definitely not a deal breaker by any means, just a nice to have. I'm also an EMG guy, but given EMG don't offer Bart config, it would have to stay as is. I reckon that B would be brutal with a pair of active soapbars in though! Maaaan I need more YT videos!
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It still blows my tiny mind that once upon a time, a lifetime away, I read those first BP issues back to front and inside out wondering what it'd be like to write for what was the premier bass mag on the planet at the time. Fast forward (a couple of ha ha) years, I'd get to write my very own column each month. Crazy!
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I think it has happened to the best of us my friend! I mean, it's not as if we aren't immediately recognisable. I'd be sh*t out of luck if I had to be in an ID parade!
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A "I love coming to see this band, they're so good" B "There's always a good atmosphere at this venue!" A "So do you come see the band a lot?" B "I'm... I play the bass.." *Tumbleweed*