Dood

[quote name='EBS_freak' timestamp='1504566493' post='3365789'] Just after shelling out on the SSL pack, I see that Waves have got the G Channel on special offer...! [url="http://www.waves.com/plugins/ssl-g-channel"]http://www.waves.com...s/ssl-g-channel[/url] - Typical!! Highly recommended - the majority of the above is on G Channel. [/quote] Am I right in reading that you can't just buy that plug in, you have to have the waves package to house it? - I'm on a small screen at the moment lol!

[quote name='discreet' timestamp='1504608657' post='3365995'] Works very well, but took me a bit longer to discover. NY Comp can be used on entire mixes too - with a bit of care. [/quote] Indeed yes - great for those Phil Collins drum sounds when micing up the kit! edit*autocorrect

A very swift and easy transaction with Sid - Great communications, thank you!

[quote name='dood' timestamp='1504607437' post='3365983'] Exactly my suggestion as not only can you boost certain frequency areas, the cool trick is using the multi band compression to have say the mid range start to compress when you push it hard, which almost feels a bit like a valve amp So, not specifically using it as a compressor in the traditional sense. So flexible, damn this pedal is good. [/quote] Interestingly and slightly related, I learned a trick from session guitarist Keith More many years ago - wow, I must have been about 15 or something. I asked him how he managed to play ridiculous legato passages with very little distortion. He used to run his amps just on break up, rather than full bore distortion, but ran a rack compressor in the effects loop *after* the drive section. The usual compressing effect you'd get from using lots of gain was then taken up by a compressor itself and thus, the signal could be cleaned up for clarity but also to aid in his already nimble playing. It was soon after that I started toying with a dual signal path method myself (yup, even as a teen) which accidentally lead me to using what I now know as 'New York' style parallel compression. So, there ya go! /offtopic

[quote name='mrtcat' timestamp='1504606788' post='3365976'] I use a TC spectracomp as a clean boost which subtly fattens and smoothes out the sound. [/quote] Exactly my suggestion as not only can you boost certain frequency areas, the cool trick is using the multi band compression to have say the mid range start to compress when you push it hard, which almost feels a bit like a valve amp So, not specifically using it as a compressor in the traditional sense. So flexible, damn this pedal is good.

[quote name='BigRedX' timestamp='1504516176' post='3365299'] Personally I don't like sub-woofers. IMO they sound artificial. [/quote] The problem with Subs is the same in HiFi world as it is in Pro Audio world. Plug any old amp in to any old speaker and it makes a sound, getting it sounding great requires proper set up. I suppose you could say the same of people's amplifier and cabinet choices.. It's mostly guess work and very little accurate testing lol. Get it right and the subs don't sound like an extra sound source but part of 'the whole'.

[quote name='mrtcat' timestamp='1504517493' post='3365316'] Absolutely love them. The difference that stands out the most, following their conversion to custom moulds, is the noise isolation. It makes such a huge difference to their effectiveness and now I have perfect balance in my ears and can hear all of my bandmates and my bass with absolute clarity. The service from the custom iem company was excellent and I'm now a full iem convert. So much so that I just picked up a helix and my aguilar db750 is going up for sale. [/quote] Such great news! - I've been setting up my Helix LT today and am looking forward to it getting it's first outing at a gig soon. Like you, I will be using my current IEMs and just the Helix with no backline. All other pedals are staying at home it seems!

[quote name='Callumjord' timestamp='1504441289' post='3364833'] [/quote] Oh there's more where that came from I'll give you enough time to revert to semi before I post again.

If you are happy posting, then have a chat with Mark at Musical Instrument Rehab based in Norwich. [url="https://www.facebook.com/Musical-Instrument-Rehab-167262633338121/"]https://www.facebook.com/Musical-Instrument-Rehab-167262633338121/[/url] Here's what I got him to do for me: [url="http://basschat.co.uk/topic/310430-doods-dingwall-abuse-pictures-inside/"]http://basschat.co.uk/topic/310430-doods-dingwall-abuse-pictures-inside/[/url]

[quote name='dave_bass5' timestamp='1504522344' post='3365373'] Please dont, you've cost me enough already :-) [/quote] He he he he!!! Sorry!!

p.s. I'll see if I can arrange a review in GI.

I actually don't know the track, but it's the unmistakeable sound of a Dingwall bass and probably an NG2 too. The drive sounds pretty nice. Doug does make some exceedingly good pedals.

[quote name='bazztard' timestamp='1504500303' post='3365219'] lol what if you get a Ground loop? sorry folks, show's cancelled lol [/quote] Ha ha!! It's not just this pedal that requires switch to be in said position, I've seen it on others too. It's necessary for Phantom Power to work

[quote name='dood' timestamp='1504438781' post='3364816'] Exactly this for me. I want a bass with a superb tone stock, then a second that feels and plays the same; Right down to pickup and preamp' choice. Any tonal adjustments I need, I use my pedal board to 'get the tone' appropriate for the track in mind. [/quote] It does also mean I have terrible OCD for instruments in pairs.. Two Fender PJ's, Two Fender Precisions, Two Dingwall, Two Shuker basses, Two electric guitars....

[quote name='colleya' timestamp='1504437253' post='3364798'] I'd imagine that if it's a 'just in case my main bass fails' backup then something as close to the sound/output of your main bass as possible. That way you can switch with minimal faffing around with settings, especially as you're in a function band where keeping the show going and folk on the dancefloor is a priority. [/quote] Exactly this for me. I want a bass with a superb tone stock, then a second that feels and plays the same; Right down to pickup and preamp' choice. Any tonal adjustments I need, I use my pedal board to 'get the tone' appropriate for the track in mind.

All of the above and more for one of BC's trusted veterans buy and sell with confidence:) Cheers Mark!

I think a mismatched sub can actually make things worse and my recommendation would be to get a nice set of studio monitors ('Active', the sort with an amplifier inside) and preferably ones with at least 6" cones for the woofers, or better still 8" - not to be loud, but to move some air and grace you with a bit of audio depth rather than reaching for the bass control on the amp. I was lucky to pick up a pair of decent monitors from a studio doing an upgrade many years ago and they are still going strong for what I listen to all day and play through (of course when I am doing remote session work too). You needn't blow silly money - there's some good offerings out there at a reasonably budget, such as the Rokit models by KRK. The other options is to buy a really nice set of studio earphones (No, not Beats..) My tracking cans in my studio space are a set of Beyerdynamic DT770's which I managed to buy new for a total steal! They're a classic and well performing can which are enclosed so you won't get complaints about noise bleed.

[quote name='Dad3353' timestamp='1504257712' post='3363675'] Isn't that when you swap an SU for a Weber..? [/quote] You've just reminded me of my Dad's Triumph Dolomite 1850 Sprint!

[quote name='MrDaveTheBass' timestamp='1504264040' post='3363744'] Surely the track needs to be 'Ashes to Ashes'? [/quote] Yes, but don't call me Shirley...

[quote name='Happy Jack' timestamp='1504257400' post='3363671'] [i]Non illegitimis carborundum.[/i] [/quote] Italian dish from Rome made with spaghetti, pancetta and cheese sauce!

Maybe [url="https://www.newtonestrings.com"]Newtone Strings[/url] can wind you a custom set.

[quote name='discreet' timestamp='1504178261' post='3363162'] I'm not sure I'd want to be remembered in this way. But of course I'd be in no position to be grateful, or otherwise. [/quote] [color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*. [/font][/color][color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*. [/font][/color][color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*. [/font][/color][color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*. [/font][/color][color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*. [/font][/color][color=#282828][font=helvetica, arial, sans-serif]I'm not sure I'd want to be rememb.. *click*.[/font][/color]

[quote name='kodiakblair' timestamp='1504204380' post='3363424'] Cheers pete. The spec says it needs 40mA max to power it, the recommended power supply is rated 500mA. I'm trying to find specs for the Hartke Bass Attack as it works prefectly with both mixers via phantom power. I'm more confused than normal [/quote] The manual suggests that the DI switch must be in the GND position for Phantom Power to work. I'm sure you'll have tried it, but in case you haven't..