Dood

I've not watched the video yet, but you should absolutely post it in the reviews section for others to check out should they be looking for one of these to buy.

Coincidentally, I was listening to A Night At The Opera this morning, with my ears firmly placed dead centre between my big ole studio monitors. There's some superb musicianship and incredible song writing on that album. The small details are all there. 👌🏻👌🏻👌🏻👌🏻

Thank you! I'll check it out! I treated myself to 32C-VIP and the AVA Mastering EQ for £9 from Harrison Consoles yesterday - VIP is brilliant, works well with Waves Clarity Vx https://www.pluginboutique.com/manufacturers/302-Harrison-Consoles Izotope Elements 9 Suite is only £20 and I grabbed Ground Control by Ginger Audio and Youlean Loudness Meter for free whilst I was there. All of these have proved super useful already!

@Lfalex v1.1 Just posting for interest, my Shuker 7 string single cut uses a similar construction method. I have a 7 piece laminate neck which continues all the way in to the body just short of the bridge. So really it's neither a neck-through or a bolt-on!

He'd said in interview that in his early teens he started to take music very seriously, he was influenced by Cliff Richard and The Shadows, but also The Beatles. He practiced bass often at school. In Queen, John was in to funk and according to Roger Taylor really liked Yes, to the point that Roger Taylor thought John's music tastes were "b ll cks" and "too proggy" for his tastes. John preferred McCartney's solo work versus Lennon's output.

I've not checked the notation in this video, but a great opportunity to hear just bass and drums. What a rhythm section!

There are so many good tracks in this thread! I saw Polyphia get a mention so I'm going to throw in this one: I love everything by David Maxim Micic. DAMAR

Fatigued strings can create tuning issues even if they have been boiled.

One of the key issues with boiling strings is that although you may have given them a good wash and returned some temporary brightness back, what you can not undo is metal fatigue. The strings are always being stretched. This has a number of issues including weakening them and loosening the windings. Of course, naturally, loose windings can allow contamination in as well as dulling the sound of the string, even creating wolf or odd overtones and rattles (which can sometimes appear on specific fretted notes). So whereas it's a temporary fix and certainly would seem a good way of recycling the string and saving money, the nature of it can not stand in the way of inevitability. #triedandtested

I've recently switched to XT's on my Strat as well as over-hauling the electronics and the whole guitar is better in every way. Those strings have definitely been a positive move.

I'm currently not gigging, but yes, certainly pre-covid I was earning a considerable percentage of my income from performing. Currently my focus is in teaching and producing video and written content freelance for two major bass mags. I'll be back on the gigging horse when I get a new band together.

One of my students has a CV 60's precision. It sounds really good and almost had me getting one for a bit of a project. I appreciate this doesn't help, but I needed up buying a slightly (and naturally) roadworn "law suit era" Tokai Hard Puncher instead. Ash body and, sat next to my "real" precision, there's not much between them. In some ways the Tokai from Japan is better made. That said, there is something special about my 76 precision, it just sounds big and deeper yet retains that top end and midrange clarity we want to hear from a good P. Anyway, I like the CV 60's, my student's bass is a good example and plays really nicely.

It's a thumbs up from me too!

It's this one. Version II has already been planned, just waiting to have my body parts valued so I can get on with a build diary! Love that P bass @Nobody, I'd actually love to have one the same with a maple fingerboard, with a plain headstock.

It's a funny one and as I understand it, it's to make the 12 0'clock setting on the knobs sound nicer - especially in the case of older amplifiers where speaker cabinets were way less capable than the type of high spec PA drivers we have today. All knobs facing upward would give you a nice bit of bass and treble boost and a mid cut. Classic "smiley face" EQ on three knobs! The actually circuit itself is what's known as a passive tone stack and requires few components. There are different types but most are like or based on the Fender tone stack circuit. Alembic, Trace Eliot and many other brands have utilised this layout too. Interestingly this is one of the reasons that I think some folk find D Class amplifiers "bland" and "sterile". Obviously the whole signal path of a D Class amplifier is cleaner anyway, but all controls at 12 O'Clock is pretty much a flat response from start to finish. All controls at 12 O'Clock on other amplifiers like valve types have a response with colourful EQ bumps and troughs making the sound more exciting. More "heft-y". Oh gosh, I used that word.

It distorts really nicely too! Some great distortion sounds on the SH-1!

Thank you!