Dood

The Line 6 equivalents to the GT-6 allow you to name patches, but my long time favourites that are surprisingly easy to program AND are seriously good quality - TC Electronic effects units, such as the G Major, the G Major 2 and G-Force. You also have the Nova System and G-System too.

p.s - yes to option b. 250W going to each cab, more or less.

Are 2 Hartke 410XLs in parallel the same as one 810XL? Yes, they use the same speakers in both. Two cabs together will give you a 4 Ohm load and a total handling of 800W RMS. - to be honest, you'd be fine throwing the power of an LH1000 at the two cabinets with no fear of blowing them, if you are careful. Those XLs are pretty resilient - and don't forget, just because you have a 500W amp - it's not constantly running at that wattage - you'll only peak every now and then.

[quote name='ironside1966' post='1011557' date='Nov 4 2010, 01:40 AM']Yes I also play chords using harmonics.[/quote] Another sound I really love! - in stereo, with a tastey bit of dimension, ping pong delay and a 'real' reverb!

For those who have watched my gear journey for the last however many years will probably have a little chuckle to themselves when I say that it took me FAR too long to realise that it was the cabs all along that I needed to get right!! - and yes, it did cost a lot to learn that lesson too *gulp*. Bass speaker cabinets play a much larger part in the final tone of a signal path than an amplifier in most cases and thus I have spent more money on getting my sound right from a speaker cabinet P.O.V than an amplifer one.

Ah! It seems like the site is up and running! - Yes indeed I am! - not only have I a bunch of material here to be worked on with the guys - I have also been confronted by the man in his undies, so yes, I guess we've got to that level of 'the relationship'!!

[quote name='thisnameistaken' post='1011413' date='Nov 3 2010, 09:57 PM']TBH though as bass players we're usually putting the finishing touches to someone else's chord, so we rarely need to play more than one note, just the right one. [/quote] That's very true. As an example, I've played a fair amount of stuff where a listener has complimented the 7 string guitarist's girth to his tone - but I then had to explain that it was a standard tuned 6 string guitar but we worked closely to voice the chords between the guitar and my bass to give the illusion of a drop tuned guitar. Most of the time he played chords with a 5th on the bottom and I would make up the rest of the voicing with root, maybe a third and the fifth to meet in the same octave. I think most of it was also working on the bass and guitar tones so they 'melded' together, instead of being so fussy and precious about each other's personal taste in tone! lol

[quote name='Bass_Guardian' post='1011393' date='Nov 3 2010, 09:41 PM'] Personally i would love to learn more advanced chords on a bass as i love the sound too. The ones i do sometimes are just pretty much octaves. Very amateur as i am [/quote] Ahh! See if you can find 'Chord Basics' by Jonas Hellborg - it's a great little book to throw in your case that features tons of chords that you can refer to at rehearsals etc. Also check out this great resource [url="http://www.davegrossman.net/guitar-and-bass/"]http://www.davegrossman.net/guitar-and-bass/[/url] for tons of information about scales and chords on Bass too!

Ahhhh I LOVE chords on bass! There's something about the tone of them which is so pleasing to the ear! Especially with nice new strings. I use 6 & 7 string basses B_G; the extra strings allow me (like many others) to play bass lines and chords at the same time. As you say, nothing new - but iI find that anyone who says that you *shouldn't* do something on an instrument is close minded and blinkered! I'll play drums on my bass if I damn well want to! he he (as long as I think it sounds good ha!)

[quote name='keeponehandloose' post='1011306' date='Nov 3 2010, 08:22 PM']A single 15 pushes more air than 2x10s ,as it has more surface area,so 2x10 + 1x15 should seem louder[/quote] [quote name='Ian Savage' post='1011308' date='Nov 3 2010, 08:28 PM']I'd agree with this, and the mix of speakers SHOULD also give you a better balance of sound, but that'll depend to a large degree on what kind of sound you're after.[/quote] If the 2x10's sensitivity is much higher than the single 15, then 2x2*10's will be far more effective, because the 15 simply won't be loud enough. I found this with mixing a Hartke 4.5XL with a single 115XL. It was actually pointless using the 15, because the 4x10 tranched it in every way [i]especially[/i] bottom end. Two 4.5XLs though a very different story ;o) = a very nice one too!

Made Sticky!

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Yep I am available for lessons in Norwich! Please do drop me a line. Dan

He he he he!!! You guys!! Actually, I've been giving lessons to Chuck Norris in awesomeness He's got a little way to go yet, but I can see he's got potential!

OH GOOD GRIEF!!! Yes, it's down yet again! - next time it's up I'll copy the page I think, just in case we lose it for good ha ha!!

Hi guys, I have the pleasure of owning both at the moment and agree with Musicman20's description. I've posted a few thoughts on the forum about the two as well, but the above sums up well. Out of the two I have a preference for the F1 because I do all that fluffy tapping and percussive stuff with loads of effects on so find that the additional clarity of the F1 and new twangy strings are more my bag. My RH450 is currently up for sale in the For Sale department.

Appears to be back now folks!

You might be able to find a TC Electronic 'G-Minor'. I have my mate's one here in front of me now - It's a circular pedal with three buttons and it can be programmed for various uses, but it sounds like just the thing you need. I hear that the above 'Mouse' is really good too. Maybe something will show up on ebay for you?

Yep, the whole site is still down I'm afraid! Looks like my awesomeness melted the Server!!!! - I had a message to say that the site owners are aware and are working on the fix - so in the meantime, let's take a look at The Gallery... (anyone remember Tony Hart?)