Dood

I often chuckle at people measuring DC resistance as some sort of gauge of output "power". I'm sure there used to be an eBay seller who took pictures of their meter readings to go with the auction post.

Selectron are the UK distributor. I should give them a call in the first instance. http://www.selectron-uk.co.uk/#contact +44 (0) 1795 419460

When I have used power amplifiers in the past I have tried to go for trustworthy brands that are known for producing decent hardware. Powersoft and QSC are great as an example. D Class is obviously light but there's some 'lead-sleds' which can be picked up really cheap that some PA companies still really love for their ability "in the lows". Connection depends on the amplifier, but most will have a switch marked Parallel/Stereo. Switch to Stereo and connect your preamp to channel A and a cabinet to output A and you will have a nice single cabinet set up. Abiding by the lowest impedance allowable on the output will give you a certain amount of flexibility with connecting more cabinets to that socket. E.g, two 8 Ohm cabinets on output A will give you a minimum load of 4 Ohms Switch to Parallel and (usually) input A will feed the same signal to both amplifier A and amplifier B. This is handy if you want to run more cabinets (to a minimum load specified by the manufacturer, usually 4 ohms) - so you could run in this case two 8 ohm cabinets on output A and another two on the output B. Usually both channel's volume controls will still work the separate outputs. Switch to Stereo and plug in a preamp like the Line 6 Helix and you can run full stereo sounds using a cabinet plugged in to each output and the Left and Right Helix outputs plugged in to Channels A and B respectively. Finally, you may have an amplifier that can run BRIDGED. This essentially uses the power of both channels to make one big amplifier. You'll need to read the instructions, but usually Channel A input will be where you connect your preamplifier and sometimes there will be an additional output socket marked 'bridge'. There will probably be a switch that puts the amp in to that mode too. Treat it as one mono amplifier and don't connect to any other outputs. You will also probably find that if each channel has a minimum load of 4 ohms allowable, the bridge mode will be double with a minimum permissible load of 8 Ohms.

The local driver to me here is a lovely bloke. I see him around here quite a lot and we chat, but right now I am having huge problems with UPS at the other end of the service. They are demonstrating gaping holes in their process, having completely lost a huge box and ineptitude in dealing with how to locate it. I am massively concerned that it doesn't suddenly arrive out of the blue looking like a box of kindling.

Ah, yes... ummm I definitely won’t be trying to take advantage of the opportunity to get my grubby mits on one!

I’ve done the right thing and have emailed Darkglass to see if I can review this little beast for you all

Oh! Thank you so much! Very kind of you to say

Here's the last big project I remote session on. I play bass for Ostura (copied link from my signature) BUY "The Room" by OSTURA. 'Cinematic Prog'

It's a tough question to answer as it often depends on what the work entails. I'd say start with the MU rates as a guideline, but often you'll learn how fast you can come up with quality material and factor in your T&C's owing to say, fussy clients, reworking etc. You then work out how much that time is worth to you. The biggest problem for us musicians is we way undervalue what we can do. You only have to look at pub bands to see this.

Back to Mansons for a full refund. It's a real shame as it's an instrument you really wanted, but you shouldn't have to bear any of the costs and future losses because of Manson's failure to deliver. - They will of course blame UPS for their failure to deliver, but as UPS is a service that Mansons provide as part of their business, Mansons are completely responsible. If they kick up a stink, then we're all happy to hear about it here.

Ask UPS to cover the value of the instrument as it is entirely screwed. The integrity of the instrument is now questionable. PM incoming..

😂

Oh Jeez. I was expecting something special today shipped by UPS. The shop says they collected it yesterday. UPS say they don't have it. The tracking says it hasn't entered their system yet. Shocking service. UPS used to be good I feel for you, that looks bloody awful.

It was indeed 'Bass Day' held at the RNCM. I used to go and have been an artist on stands in the past too. I think The London Bass Show is the only option for something of that ilk (but obviously better) but BassChat's own 'bashes' are superb - highly recommended. I've always gone home a much better person than when I arrived. Always a great vibe. sadly these days I can't get out to see my bass brethren (and sisterthren.. sisteristhen.. sis.. umm everyone..) I miss you lot. I do. really.

Should I get a P2 I will happily compare! I think one of the big problems is that Fischer I think isn't a particularly large company and thus cost of production is that much higher than that of Music Group who probably churn these things out for a couple of quid each. Even if they were exactly the same, Fischer probably couldn't compete. Much like the big supermarkets eating up local shops...

Likewise! I've had two of them and haven't been able to replicate. (I sold the first one, kicked myself for doing so and bought another!!)

It's really lazy and demonstrates to me that the owner doesn't really care about the instrument. unless of course they can give a decent reason as to why it doesn't have strings on. (A broken truss rod for example might be a good enough reason.) I would expect to receive a serious discount in lieu of not being able to prove that the instrument is fit for purpose.. not that I'd touch it with a bargepole anyway!

Here's the Nova Dynamics: Two pedals in one box. These are discontinued now, which is a shame as they are really rather good!

Oh wait! I've had another idea! See if you can find a TC Electronic Nova Dynamics! - it's one physical pedal but there are two separate compressors in the box. (actually each half can be one of two different types of compressor or noise gate if you wish.. or boost pedal.. or.. lol ) - it'd be so simple to set up Comp 1 for guitar and Comp 2 for bass then switch between them! I can't think of it being too much easier than that. Dooooood

I think I would suggest either the TC Electronic Hypergravity or Spectracomp. There are plenty of amazing compressors out there and you will get loads of suggestions, but what I love about these is that if you are unsure where to start you can choose from a library of programs that are really simple to load on each device. You could then audition as many as you wanted to see which suits your two instruments the best. Later, when you have found a program you like, there is also an editor to iron out those 'if only it did this' issues. I use mine (I actually have both as I am greedy) for all sorts of instruments and the option of 'changing out their guts' as it were at the flick of a switch makes them really flexible.

What a star! BassChat is awesome!

Yes sorry that is of course correct. My head is a bit all over the place. Ignore me! lol

But of course if you have a digital desk then the chances are you can set up EQ and limiting on each channel anyway.

The EQ definitely is a bonus. My P16m feed (16 channels) allows EQ on every channel, which is a nice tweak for my IEMs. But that does rely on having a mixer that is compatible of course. The limiter is also handy too and I have it on all the time. I think the Shure has that facility too.