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Everything posted by dub_junkie
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I (amongst others) owned CK's natural NS5CRFM for 18 months. Superior to the other Euro 5 I owned and the LX's I auditioned at length. That bass was warmer sounding and had some mids built in even though the preamp didnt. I can only imagine it sounds awesome now with the mods. Materials,fit and finish were on par with a 90's Warwick SS1 I used to have many moons ago. Shame they dont do woods like that on the current ones.
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never seen a wunkay without the control plate. looks great like that imo
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Bartolini's - what do people think of them?
dub_junkie replied to yourchoiceguitar's topic in Bass Guitars
my only experience with Bartlonis is their MMC musicman replacement. I swapped it out for a Basslines one and the Duncan sounded much more like the musicman tone. The term "polite" mentioned a couple of times in this thread is spot on when describing their MM pickup. It wasnt a bad sound at all,it sounded polished and warm but just not what I was after. -
one day we'll have a Sabre re-issue (hopefully)
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and so's the radiance red Bongo 5HH... stunning! too many nice basses in this thread. going to stop looking here or I'll just start dreaming of/hatching plans for another Sterling
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that autumn redburst SR5 two posts up must be fairly rare. beautiful! :wub:
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I remember that SB-2 from a couple of months back LeftyJ. wrong way round but lovely all the same SB-2 is indeed a great bass. my one has a 3 way pickup switch and a tone control.Most players will use the P and blend in the single coil as a tone control but I've gone the other way & ramped the bridge single coil up (and lowered the split P)to match the output of both p/ups. Its the best passive bridge p/up sound I've ever had on any bass ever - cuts through anything. which is just as well as the split P is huge sounding. I love the bridge pickup solo'd and I'm glad I have it even if its not being used the way it was designed/intended. My L-2000 can do many things and is a great bass for loads of different tones but it cant get near what the SB-2 does. I've A/B'd them a number of times and in passive mode the SB-2 sounds bigger and to my ears better than the L2K. emerald blue with birdeye maple neck & ebony board
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JB owners on talkbass have said the same pups sound different on the new bass. The new JB sells for $1100/1200 new which is the same as a MIA Std Jazz. imo G&L should do well with their bass given the vast options,lineage and superior build of their bass. Haven't seen any used,they're that new any JB-2s I've seen seem to go for $700-900 used. SB-2's about the same I've only seen a few SB-2s and neither of the JB's in the UK. I'm still torn between either a JB (20 fret/4 bolt) or a JB-2 (21 fret/6 bolt) I love this colour on the JB hope you find the bass you're after! and if theres two give me a shout cheers Keir
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sad news indeed. my thoughts go out to his family Keir
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theres been some discussion on the JB bass at TB [url="http://www.talkbass.com/forum/showthread.php?t=545008"]http://www.talkbass.com/forum/showthread.php?t=545008[/url] [url="http://www.talkbass.com/forum/showthread.php?p=7821999"]http://www.talkbass.com/forum/showthread.php?p=7821999[/url] [url="http://www.talkbass.com/forum/showthread.php?t=564905"]http://www.talkbass.com/forum/showthread.php?t=564905[/url] I'm after either the JB or a JB-2 for my next bass purchase. The chances of finding either in the UK seem pretty slim though so I'm keeping an eye out for a used one in the States that the owner will be happy to ship to me. What about the SB-2? fantastic bass those. great P/J sounds,jazz neck,I sold both my fender Jazz and Precision because the SB-2 sounded better than both imo cheers Keir
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Bongo 5 - sapphire black with moonstone guard - I got this from bigwan in a trade for my Bongo 4 same colour/config. came with the Japanese market MM logo'd C&G case and kanda shokai receipt.
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got it from Si (geddys nose) in June. It has the #8 Jazz neck option and is really rather splendid imo. this and the Bongo 5 string I got from bigwan have killed my GAS the last couple of months which is a good thing
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G&L Legacy Std guitar (USA)
dub_junkie replied to dub_junkie's topic in Accessories & Other Musically Related Items For Sale
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If you dont mind importing from the States there are two on ebay at the moment for just over 1K + shipping and duty/vat. (sigh) I'll own one of these one day in ice blue/maple :wub:
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Got this used on here a year ago and I've only really used it to record ideas at my singer's place. Now she's recording on the PC as well I dont need this anymore. I have the box,manual and PSU for it. Everything on it works just fine. spec Recording: two tracks of uncompressed audio at 44.1kHz, 16-bit. Playback: 10 audio tracks, one stereo drum track, one mono bass track. Data storage: 15Gb EIDE hard disk, giving approximately 44 hours of mono audio track time. A-D converter: 24-bit 64x oversampling. D-A converter: 24-bit 128x oversampling. Internal signal processing: 24-bit. Effects: one insert processor and two send/return processors. Frequency response: 20Hz-20kHz ±1dB. Signal-to-noise ratio: 93dB. Faders: 11 non-motorised 45mm faders. Display: 60 x 42mm backlit LCD. Drum sounds: 30 different kits, each with 24 sounds. Bass sounds: 15 different bass sounds. Guitar/Bass input: high-impedance quarter-inch mono jack. Unbalanced inputs: two quarter-inch mono jacks. Balanced inputs: two XLRs with switchable 48V phantom power. Input level: variable between -50dBm and +4dBm. Master output: RCA phonos operating at -10dBm nominal level. Headphone output: quarter-inch stereo jack with level control. Digital output: S/PDIF optical. MIDI: In and Out sockets. Footswitch input: for use with optional FS01 footswitch. Allows hands-free transport control or drop-ins. Expression pedal input: for use with optional FP02 expression pedal. Allows control of volume or wah-wah within the insert effects processor good review of the machine here: [url="http://www.soundonsound.com/sos/Jan02/articles/zoommrs1044.asp"]http://www.soundonsound.com/sos/Jan02/arti...zoommrs1044.asp[/url] £100 Postage will be £10 cheers Keir
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as part of my clear out this lovely guitar has to go. I imported it from the States a couple of years back and its in near mint condition. unfortunately I have mislaid the trem arm during my house move a couple of months ago so have taken a whack off what i would have been looking for originally Its a USA model made at the factory in Fullerton,California. it comes with the warranty card,owners manual,hang tag and the certificate of authentitity signed by Mrs Phyllis Fender. Will ship with a deluxe G&L gig bag The colour is Fullerton Red with matching headstock. The neck has a fairly big profile with a low action. Tuners are Sperzels,and the guitar has the aged parts kit as standard. it also has the G&L PTB system (passive treble and bass) which works a treat. Would love to keep it but bills mean I cant pics:
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[quote name='RhysP' post='590638' date='Sep 5 2009, 02:01 PM']I love synths & when I record song demos at home I'll use a synth for the bass part 9 out of 10 times. I find it makes me think about the bass part differently & I tend to come up with more interesting (to me) ideas than I would on a bass guitar.[/quote] +1. the synth bass sounds themseves can be hugely inspiring.
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got this off RayFW on here in a trade deal back in january of this year. Its a sweet bass but at the end of the day I guess I will just stick with my G&L SB-2 for passive tones. usual 08 features - thinner finish,high mass bridge,gloss headstock face,buffed rosewood board etc. It's finished in blizzard pearl which is just lovely and the best of the current colours imo. It has a few very small dings,nothing that could be seen from more than a few inches away. Its currently strung with flats and plays great. The bass didn't come to me with the fender case but I do have a Fender deluxe gig bag for it. it has the hang tags,owners manual etc. Also included are both the original parchment white scratchplate and a gold (MIM) one I got off NGH on here a few months back. £525 + postage no offers or trades thanks for looking Keir