dub_junkie

I'm lovin the Stingray.

theres a brand new natural oil $$ thats been listed on ebay a couple of times in the last month with a BIN of £529. The seller is a shop in Northampton i think. if they list again and go for 3rd time lucky... or if you go into a sound control i'm sure you'll get a Czech Spector Rebop for the upper limit of your price range DJ

werent these the model up from the Energy basses? I've had a couple of Energy 4 strings in the past and they were easy worth that amount.I'd say that is a bargain price for the Eclipse. DJ

couple of weeks back I aquired an earlier 5 string version of yourss with the solid maple body wings I - from tonyf here on basschat - and its absolutely lovely to ogle,inspiring to play and sounds the dogs danglies - awesome stuff !! and I'm glad I did cos it kind of broke the whole MM/G&L spell cast on me many moons ago DJ

[quote name='s_u_y_*' post='79158' date='Oct 25 2007, 12:20 AM']One thing I do sometimes, especially if I'm finding it difficult to find something complementary to what's going on, is to sing my parts. Unless you're on the top of your game, I find that it is much easier to create musical parts by singing in your head.[/quote] totally in agreeament with this. I used to work with a songwriter who had his own studio.He couldnt play bass but he'd sing out the bass ideas he had floating around in his head to me,and we'ed use those as a framwork that I could flesh out..some phrases were like brass parts,others like something a piano would do.everything was almost upside down compared to how I'd ever written a bass line before and in all honesty his "basslines" were something I'd probably never have come up with off the bat.the point is they worked,were very musical and made me realise that I needed to start listening more and that even if I had all the technical ability in the world (didnt then and still dont now),it still was no match for his instrinsically musical soul. so if its in your head it will out eventually DJ

I remember it and it was a good tune..and then they spoiled it all and done that awful AEIOU DJ

the X3 Live is my next "must have" kit. DJ

[quote name='tonyf' post='74343' date='Oct 14 2007, 11:44 PM']Howdy Kier, Absolutely loving the ASAT, it's such a great bass and I'm so glad we did the bass-swap styleee! Put the tort plate on ur Sterling yet? T[/quote] yes it is and its looking great.some pics of it and the Spector will be on my photobucket later this week thanks again keir

Tony, glad you're liking the Asat,great bass..as are the others too. the Yamaha is a real beauty btw. lol do you mind if I copy your collection?just a flea and NE to go Keir

lefty loosy righty tighty its the same as when the adjuster is at the headstock end and viewed looking down through the neck towards the body. I believe Warwick may have(had)some rods that worked in the opposite direction DJ

[quote name='Telebass' post='71088' date='Oct 8 2007, 03:45 PM']But if [i][b]that[/b][/i] smell made you heave, we had to repair an electro-acoustic, and on asking why it looked so bad inside, were told, "Oh, I got drunk and threw up in it..."[/quote] my god,that is just wrong. DJ

thats quite a rare bird the SUB Sterling. very nice too but for that kind of money I'd get the full blown Sterling. You'll thank yourself for doing so,believe me DJ

to clarify the £750..it was an ebay auction that dawsons run and no one else bid on.the listing finished at 9.45 on a sunday morning when most bass players (myself included)are still in their bed.that morning I wasnt and saw it 15 minutes before it ended.borrowing the money afterwards was the difficult part lol I can only imagine I got it trade + VAT ^_^ DJ

I bought this bass in January of this year from Dawsons Music in Chester.It was a new old stock job from 2004 which hadn't shifted.So no compensated nut,but as it was £750 new with the MM case I wasn't for passing it up Its finished in candy apple red(not sure whether its alder or poplar under it)and originally came with a black plate,though I bought the white EBMM pearloid one you see here a couple of months ago and it definetely suits it better The neck was very dry when I got it but after a few applications of beeswax that problem disappeared and the action was too high for my liking when I first opened the case - easy job to fix,and something I've pretty much had to do with any guitar or bass I've ever owned. The finish is flawless on my bass and I really love the colour of it. under stage lighting it goes almost magenta. The maple neck has a fair bit of figure lines in the wood but no flame or birdseye.The neck is starting to darken a little and its looking better all the time. Everything is solid on the bass.the bridge,tuners and controls are still tarnish free and everything works perfectly. One slightly strange anomaly is that it feels a tad heavier than any Stngray 4 I've owned,even though its downsized but it's light enough not to ever notice it during a gig. The neck is my favourite bit on a Sterling bass (I used to own a honeyburst with rosewood board).I love the shaping on these things.The're 38mm(1 1/2") at the nut and fairly deep behind the first fret (well compared to a Stingray anyway) from what I remember of Rays and SUB basses,the Sterling's neck stays a bit deeper front to back all the way up. Sorry but I think only mad people and lifelong P-bass guys wouldnt like this neck.... The fretting is first class,no lifting,sharp ends,filler under the tangs,anything else undesirable.a lot of attenton to detail has gone into the fretting of this bass by the looks and feel of it.The rolled over fingerboard edges make it the best I've ever wrapped my left mitt around.I think the plastic nut is the only let down but I guess I can live with that. Soundwise,its a more mid-rangey Stingray to my ears.I never,ever bother with the series or single coil settings so I wont bother commenting on them - they sound fine - but the parallel setting is the classic stingray tone and thats the same sound I use with the Sterling. The EQ has its own voice compared to the Ray,maybe not quite so much bottom end but more growl and punch than its big sister.Treble can get a little noisy all the way up but I never move it more than a little up from the centre notch anyway so no issues there.Its a MusicMan sound but its got its own voice.It sounds better than a 3 band Ray imo which is why I chose it.I play it through a Warwick ProFet III and Warwick 4x10 at home but mostly with my 2 piece though a Line 6 Bass Pod XT Live board,into a Mackie Onyx mixer and Nexo PS15s and Nexo bass bins. It sounds great in every venue. I have pretty much always had a MusicMan bass these last 20 years and this one I'm hoping is a keeper. I sold my Bongo 4HS not long ago but kept the Sterling because its a better gigging bass imo.the smaller size and simplicity of the EQ and the great neck make it a breeze to play. Lately I've been playing my ASAT basses out live but the Sterling gets a look in every now and then but I'm thinking about going back to it more and more because its so easy to play.The G&Ls are more versatile in the range of tones on tap but I've reached a point in my playing where I just want to leave the knobs and switches alone and just play the same sound all night. The Sterling's perfect for doing that.I think its the best bass MusicMan make and I'll be playing them for many years to come hopefully I'd give this bass a 9/10 for everything because 10/10 would mean an end to GAS and I cant have that DJ

been using Rotosound 40-100s (RB40s) for a long time now and I've never felt any compulsion to change. DJ