leemarseillebass

Here’s a Sheehan inspired one:

Hahahaha - just seen this! Always got tea bags available 🤣

A cover of David Lee Roth’s Big Trouble. https://vimeo.com/517611707

Hello, I’ve a Yamaha BB714BS, and as it’s going to be a backup bass for when (eventually) live gigs resume - is there anyone on here that could do this? Ta very much, Lee

I bought a second bass (finally have two now) and Andy was a total gentleman after I got furloughed - he let me break payments up and I can’t thank him enough for his patience. Genuinely felt like I met an old mate. First pint’s on me fella!

https://youtu.be/txC5JDdenK4

Hello. My name is Lee Andrews, I’m a bass player. A major project has the brakes on it, so for the right band I’ll travel. In the NE of England, I pretty much run Billy Sheehan’s set up for live use. I work full time with varied shifts but as I say, I’ll move around for the right reasons. I’ll post a clip to give an idea. Thank you - Lee IMG_0746.MP4

Spot on - same here.

I would have to say Billy Sheehan. He got me into Rotosound’s, I use BS66 and have done for years and years. They’re perfect. I’m an aggressive player and the feel is exact, there’s a flow to them plus the 110 feels stable, anything less is a little too loose for me. As far as taking bass strings to the extreme for bending notes up or down with neck bends, he’s the best example. No blurriness with notes either during rapid sections, all decipherable, all heard clearly and I understand this is the sum of all parts - but the thing that starts all of this music, the first point of contact, are the strings. Brilliant, trustworthy product.