leemarseillebass

Here’s a Sheehan inspired one:

Hahahaha - just seen this! Always got tea bags available 🤣

A cover of David Lee Roth’s Big Trouble. https://vimeo.com/517611707

Hello, I’ve a Yamaha BB714BS, and as it’s going to be a backup bass for when (eventually) live gigs resume - is there anyone on here that could do this? Ta very much, Lee

I bought a second bass (finally have two now) and Andy was a total gentleman after I got furloughed - he let me break payments up and I can’t thank him enough for his patience. Genuinely felt like I met an old mate. First pint’s on me fella!

https://youtu.be/txC5JDdenK4

Hello. My name is Lee Andrews, I’m a bass player. A major project has the brakes on it, so for the right band I’ll travel. In the NE of England, I pretty much run Billy Sheehan’s set up for live use. I work full time with varied shifts but as I say, I’ll move around for the right reasons. I’ll post a clip to give an idea. Thank you - Lee IMG_0746.MP4

Spot on - same here.

I would have to say Billy Sheehan. He got me into Rotosound’s, I use BS66 and have done for years and years. They’re perfect. I’m an aggressive player and the feel is exact, there’s a flow to them plus the 110 feels stable, anything less is a little too loose for me. As far as taking bass strings to the extreme for bending notes up or down with neck bends, he’s the best example. No blurriness with notes either during rapid sections, all decipherable, all heard clearly and I understand this is the sum of all parts - but the thing that starts all of this music, the first point of contact, are the strings. Brilliant, trustworthy product.

Thought I’d share what I can far and wide - I play in cover bands and I’d like to play a fair bit more.

Excellent stuff, thank you so much

Hello. I definitely need to chime in here with a question. I’ve the lt and use a dual output bass, anyone have instruction on how to have the woofer input go through the unit and have that signal compressed seperstely to a second amp and cabinet? Any help would result in a grown man weeping tears of happiness.

The above comments sound about right. I’m no expert but if you imagine a port is shaped differently for each speaker cabinet be it PA, home audio - it’s there because when a sine wave is fed through it there’s likely to be a point where everything goes mental and it’s a bit like our ‘brown note’ (allegedly)