tegs07

new york city cops - strokes

room to roam - the waterboys

kick in the eye - bauhaus

alive- pearl jam

i walk the line - johnny cash

curious corn - ozrics

Pigtails - Fink

Possibly start with “Head on the door”then.

Personally speaking anything up to and including Disintegration. I never really got into anything after that with the possible exception of Bloodflowers. Agree Mixed up was woeful.

exploitation - róisïn murphy

Lullaby - The Cure

african postman - burning spear

i don’t owe you anything - the smiths

innocent when you dream - tom waits

Maybe it’s an era thing? I had some shockers in my youth (clones as couldn’t afford a Fender) but in the last few decades CNC technology is so accurate it’s pretty much impossible to make a really horrendous instrument. QC can be the downfall but I have picked up some second hand bargains that took less than an hour to turn into really nice playing instruments. Not just from Fender. Indonesia, Korea and Mexico are knocking out huge numbers of instruments a year. Most are really good. Some slip through the QC net and can make for great bargains. After all it’s just two bits of wood bolted together with some very basic electrics. As long as the CNC machine has been given the right info beforehand there isn’t the level of creativity or skill involved that a boutique luthier would offer. As far as I am aware the much appreciated G&L tribute series and the Squier instruments that can get some criticism are (or were) both produced by Cort in Indonesia. I don’t know the full story of Cort or how they make instruments but to guarantee consistency and keep costs low I suspect that the same machines are used for both brands and their is a “menu” like range of options for things like woods used for the body/neck, hardware, paint etc that is agreed with G&L / Fender etc based on the price point of the range of instrument. Its highly likely that the same guys working in teams will be producing the instruments for a variety of brands from Ibanez to ESP as well as Corts own brands.

you look like rain - morphine

can’t afford no shoes - frank zappa

Probably for the same reason so many people buy a VW Golf. It tends to do what it is advertised to do. There are better/worse/cheaper/more expensive vehicles out there but generally you can’t go that far wrong with a Golf and if you want to upgrade/change your mind in a couple of years time then there will be plenty of buyers and the resale value will be pretty good. I’ve had several Fenders over the years. Some have stuck with me, some I have passed on. Never had a terrible one, nor one I consider to be vastly overpriced.

dog faced boy - eels

I have a Sandberg and a MusicMan classic Stingray. Both excellent in their own way. The attention to detail and build quality on the Sandberg in particular is superb. That said my Status neck Fender bitsa and Nate Mendel P get picked up for more often. I don’t really have a brand preference. Some instruments just feel and sound right, but what is right for one person may not be right for another.

meat is murder - another miserable old git with fantastic backing band carrying him throughout

the cutter - echo and the bunnymen

Moondance - Some grumpy old git

Fender are a bit all over the place with their business model IMO. The Japanese made models are generally really good and not particularly overpriced, particularly second hand. With less than an hour set up the Squier CV are good value at around £400 new. Good value first bass or backup that would lose little money should you want to sell it on. The supposedly cheaper Mexican models now feature gems like the JMJ, Nate Mendel, Flea and Vintera range. Again very little money lost if you want to sell them on as they retain their value fairly well. The USA models are fairly expensive, but most products bought from the USA in Europe are expensive. I guess if the instrument feels right in your hands then the cost is worth it.