tegs07

Telephone call from Istanbul - Tom Waits Closest I can think of to Morocco

Try a little tenderness - Otis Redding

Sister luck - The black crowes

A great guitarist is one that knows how to reign themselves in and not to dominate a song. Sounds like he is pretty immature to be honest. Maybe I am missing something but isn’t the point of a covers band to try and replicate the original song? There’s certainly room to put your interpretation out but I doubt the audience is going to put up with it being rewritten just so the guitarist can show off his bag of tricks.

Never Enough- The Cure

I don’t know anything - Mad Season

Mine was definitely basswood. I did read reports of an odd composite wood though when researching buying it.

Natural mystic - Bob Marley

Dirty old town - The Pogues

Mack the knife - King Kurt

Across the universe - Laibach

Misery is the river of the world - Tom Waits

I’ve owned one. It’s in the Squire CV bracket in terms of quality IMO. Nice bass and £300 would be reasonable. Worth bearing in mind that a new G&L Tribute can be bagged for the same cash.

You’ll never die in this town again - The kill devil hills

Mercedes Benz - Janis Joplin

Bands that share royalties seem to have far more longevity and remain friends with less acrimonious breakups and expensive court cases. The Cure, U2, The Strangers are a few I can think of. I think it’s important to recognise the individuals input in terms of what they contribute musically as well as off stage. Morrisey for example maybe a gifted lyricist but I can imagine him being an insufferable tw@t in real life. In the early life of a band I can’t imagine him going out of the way to build an audience by being approachable to fans or venue staff and promoters. Before any success comes these things really matter. In the case of The Doors Jim Morrison must have been a nightmare to work with towards the end but the band always seemed to work with him and remain supportive.

The Stealer - Free

Descending - The black crowes

Hanging garden- The Cure

I post here and think wood selection has an influence on how a bass sounds. How much of an influence and whether it even matters is another issue. When people mentioned tonewood the first things that I generally think of are grain and weight.

The Grudge - Tool sorry that’s all that came to mind with Morrissey

Sexual healing - Marvin Gaye

Angry chair - Alice in chains

I’m fairly sure Chuck Garric’s main bass is a 70’s Fender P. There would be nothing wrong with a well set up Epiphone Vintage Pro though. I keep getting an urge to buy one but really have no need for one.

Long tall sally - Little Richard