Well I'm real, you can trust me on this ... I know exactly which squares contain traffic lights.
Meanwhile, my rig has spent the last 18 months in constant evolution and for tonight's gig will comprise TWO of these CK61s on an uber-lightweight 2-tier ally stand. Both signals go through a Zoom L6 micro-mixer which then feeds my wired in-ears and the FoH PA. The L6 attaches to the lower keyboard with velcro, and the 6-way gang attaches to the ally stand with velcro & cable ties.
I sold the Korg Kross (despite the brass sounds being just brilliant) and the Hammond SK1 rarely gets a run-out ... which is a shame because it's a lovely piece of kit. My CK61s are set up to be absolutely identical; I can switch from keyboard to keyboard on the fly should I need to, knowing exactly what sounds I have where, and should one CK61 ever die during the gig then I have a replacement right in front of me.
I use no Midi, no controllers, no triggered sounds. Everything I play is deliberately bog-standard sounds that come with the keyboards (with the usual tweaks, natch) generated live on stage. I'm immune from wi-fi interference, Windows updates, and re-booting DAWs. Both CK61s fit in a single case which is a 1-man carry from the car, and the IEMs mean that I don't need to bring backline or monitoring to gigs where @Silvia Bluejay is running the PA.
I'm not claiming that these things have the quality or the functionality of a ModX or a Nord or whatever, but what they have (in spades) is practicality, simplicity, ease of use. I might not want to use a CK61 at the O2 London or Newcastle (offer me a gig there and you'll find out) but it's a perfect keyboard for pub'n'club gigs around the Home Counties.