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Everything posted by Happy Jack
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When we first wanted to call ourselves The Junkyard Dogs - oooh, 10 years ago now - we found that there was (i) a well-established covers band by that name oop North, and (ii) a sort-of scrumpy & western outfit in the West Country called Hobo Jones & The Junkyard Dogs. On balance, we decided to leave the name alone and went out for a while as The Brentford Nylons ("we do loose covers"). Then we discovered that the Northern band was folding and calling it a day. We waited a few months, and then re-named ourselves The Junkyard Dogs. Inevitably, the following year they re-formed! Too late ... the deed was done. In the last eight years we've never once been confused with Hobo Jones, and we've only ever had a single booking enquiry intended for the Northern band. The real issue is whether or not your marketing could possibly overlap with theirs. We use exclusively Facebook and Lemonrock. The latter doesn't seem to exist North of Milton Keynes so no problem there, and though it it is widely used in Hobo Jones country we're saved by the filing issue; we're a J and they're an H. That just leaves FB, and so far that's never been an issue.
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And I have one downstairs right now.
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Or even your NADs.
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Every time I see a Topic entitled NAD, I always (and I mean always) think of
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In two months time, Britain will be full of people who travelled on a crowded plane (with recirculatory air supply) to Spain, spent two weeks partying in pubs & clubs (mainly with other Brits), travelled back to the UK on another crowded plane (with recirculatory air supply), there to be greeted by reminders that it is awfully awfully unsafe to go and see a band play at their local. The sooner we abandon this hypocritical sham, the better. Will there be a second peak? Yup. And a third and a fourth. Get used to it. It's now part of your life, my life, and everybody else's life.
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But imagine the look on the faces of the punters at the Dog & Duck when you bring this thing along ...
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Engaging in a valiant piece of Topic Cross-Fertilisation, this thread persuaded me to try out the Synth setting on I can get an astonishingly good Human League sound on DYWMB, and it turns out that it sounds better on Glass Of Champagne (Sailor) than a normal bass ... I may have to keep the Variax in case I get invited to join @stewblack's 80s band.
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In fact, I normally string my basses in alphabetical order.
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The big problem was the hoodies.
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Or even decreasingly few options. The NJ range are passive ...
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If only it had fanned frets ...
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Well that's just lazy!
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Deffo +1 for the Mockingbird. If you can't stretch to a US-made example, check out the NJ range made in Japan (NOT in New Jersey ... NJ stands for Nagoya, Japan). Also be aware that the older Japanese examples have the 'reversed' humbucker, like my old one: The recent/current version has the more normal Precision layout for the pickup.
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@Silvia Bluejay has just pointed out (elsewhere) that the low B in a set of D'Addario strings is purple. And I thought, "why?". Given how many colours start with the letter B, why would you make your B-string ball-ends in a colour that doesn't start with B? And then I thought about it some more. The G-string is no problem at all, and the A-string is manageable, but trying to find colours that work with the E-string and D-string has turned out to be more problematic than I'd expected. Despite what Crayola says, I'm not sure that Electric Green is actually a colour, and don't get me started on finding colours that beging with D. Do I win a prize for Most First World Problem Of 2020?
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Here is what was (arguably) the most versatile bass ever put into production. Combining an externally-powered pre-amp with a piezo pickup system and clever use of those capacitor thingies, the Variax allows a pretty close approximation of any of 24 different basses at the turn of a single knob. That includes Precision and Jazz, Stingray and Rickenbacker, Hofner and Thunderbird, etc. etc. etc. The styling (and the weight) are largely derived from a 70s Jazz, and Line 6 were clearly trying to play down just how radical this bass really was by keeping the looks traditional. That battery compartment on the back will take six 1.5v batteries, allegedly enough to power the bass for about an hour in the event of some sort of tragic meltdown of the mains power unit. The preamp on this beastie is so powerful that it really needs to have the mains unit mounted on your pedal board, where it does double-duty as a DI box. I'll include close-ups of the headstock because it would seem odd if I didn't, rather than because they're somehow 'interesting'. How does it work? A single, clearly-labelled knob switches between sounds. The labelling is pretty much self-evident ... see if you can guess which bass is being emulated when the knob is set to 'CLANG'. Yes yes yes, but how does it actually work? Well I'm glad you asked me that question. Did you notice the large scratchplate in the first few photos? You might foolishly have thought that these concealed a piece of timber with some unsightly cable routing. Au contraire, mon ami, c'est magnifique! What they said at the time: https://www.soundonsound.com/reviews/line-6-variax-bass-700 The bass is utterly complete, damned-near pristine, and unmolested. It comes with all the original stuff that it was sold with. That rather revolting instrument lead is simply a stereo cable, and any stereo cable will do. The bass is in Harrow (NW London) and is available for collection, or for meet-up by tube or car within a reasonable distance. I'm perfectly prepared to ship if you need, but my Lockdown experience of overseas shipping has been less than wonderful. If you want me to ship to Europe, and especially to the USA, then best contact me by PM for a discussion. This isn't a bass that I expect to sell quickly because most bassists know very little about them, even though it's a very canny piece of design both for a covers band and for studio work. I'm listing it now, not because I want it gone next week, but because I expect it to take a while and I can continue to enjoy playing it while waiting for it to sell!
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I have bookings for 3rd, 4th, 10th, 11th, 17th, etc. but sadly they're all cancelled. Still on the wall chart next to me, mind ...
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I'm assuming that the first Saturday will be heavily policed, and that landlords have more sense than to allow the rules to be broken just yet! It's hard to imagine a faster licence-loser than allowing wild & reckless behaviour on the very day that the pubs re-open.
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Neither of my bands has anything solid booked yet, but we have three venues so far which want me to call them in the week following 11th July (NOT 4th July, you'll notice). No promises, of course, but it's clear that many pubs - especially those known to be serious music venues - are watching those first two weekends very closely and want to be ready to move fast if the anticipated carnage doesn't happen. Incidentally, whilst I agree that 4th July will be an absolute zoo, I'm not at all convinced that the references previously on this Topic to wild and drunken debauchery with added violence bear much resemblance to reality. Social distancing + table service only + too few bar staff + no experience of operating like this = no real chance of having too many drinks, no matter how much you may want to get legless.