Happy Jack

Silvie & me.

The preamp on the SWB Pro is a thing of beauty. I'll be very surprised if you're disappointed.

https://www.ebay.co.uk/itm/Tannoy-15-inch-Bi-Amp-Dual-Concentric-Monitors-Speakers-Teak-Wood-Cabinets-Puma/282884426863?_trkparms=aid%3D777001%26algo%3DDISCO.FEED%26ao%3D1%26asc%3D50981%26meid%3D1f677775ee3f4fed854a584a65569313%26pid%3D100651%26rk%3D1%26rkt%3D1%26%26itm%3D282884426863&_trksid=p2481888.c100651.m4497&_trkparms=pageci%3Adbccdff3-3dd7-11e8-894d-74dbd180b4c4|parentrq%3Ab6d4625a1620aa144835915ffff81540|iid%3A3

Did the Government destroy the UK cheese industry? Well? Did it?

That photo needs a good kick in the bucolics.

So it's £15k for the bass plus £8k for the case then?

Any Crap Reggae Or Numetal You Meet ...

In't it funny how the villains always talk the bleedin' same?

Pete's bang on the money here. It's not about finding the site, it's about getting permission to film there. There are usually a number of very good reasons why they put bloody great fences around places like that. As an alternative, try booking a rehearsal at Panic Button Studios on Platt's Eyot in the Thames at Sunbury/Hampton. Maybe not quite as 'abandoned factory' as you want, but certainly a huge slice of 'industry that time has left behind' with an old WW2 airfield sort of feel to it, verging on an episode of The Prisoner.

"Neither Bob nor Jerry were professionals at customization" No stinky poo, Sherlock.

https://www.joinmyband.co.uk/classifieds/durham-and-bass-guitarist-wanted-t1068687.html

But we're all bang alongside the use of appropriate profanities, right?

https://www.ebay.co.uk/itm/Cort-Precession-Bass-SP-PJ-Series/182492938873?hash=item2a7d6d4279:g:bV0AAOSwKtlWtfwJ They only started calling it the Precession after it was Cort.

He also has a 1957 Precision in tobacco sunburst, very similar to mine but not in nearly as good condition as mine. He wants £16,999 for it.

Is a 9v input socket any good at holding a battery?

Quick! To the Batpond, Robin!

Interesting that no one has mentioned the 'sweet spot' theory. IME, and I've had a few P/J basses and far too many Precisions, having a P/J setup pushes the split-P pickup closer to the neck to make room for the J-pickup. Whether or not there's a sweet spot, that move has to change the sound of the solo'd split-P as opposed to an equivalent Precision layout.

But when you discover that it's Guinness & Lime ...

It's only Stoke, Mick. Now if it was Aberdeen ...

I looked at those photos and thought, so what's missing?

Transl. = It wasn't you who got his lights punched out.

That's not all solid! It's got f-holes ...

He made it in a lighthouse?