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Everything posted by Happy Jack
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I bought this a few years ago to pair with my Matamp GT100. Since the Matamp is now up for sale, I guess this has to go too. There can't be many on Basschat who don't know about Barefaced cabs. This one has five speakers dedicated to solely the low frequencies, plus one which sort-of acts as a tweeter. Ish. Alex Claber will be along in a while to explain that properly. It goes very, very loud. It sounds very, very lush. It's a very, very good match for an old-school valve amp, but it also sounds great with my Streamliner (valve pre + Class D) and previously with my Tonehammer (all solid state). It's ridiculously light for a 610, plus it's on wheels so it's a very easy tow across the pub car park. It's in good, fully-functional condition BUT it's not perfect. There are scuffs and marks, and the finish has chipped slightly on the front (see photo below). It's been gigged - what can I say? The finish on the front would be an easy touch-up with a tin of black gloss or Hammerite. I haven't done that because I have no problem with properly earned scuffs and scratches ... it's relic'ing that I hate! This cab is collection only, natch, from Harrow HA1. Late edit - someone has just reminded me that this cab is officially a 69-er rather than merely a 610.
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Ah well, the day has finally come. This is the lightest Matamp in captivity, made for me by those lovely chaps in Huddersfield because of my bad back. It's in perfect working order and has never missed a beat. Gorgeous, chocolate-y bass tones which simply fill any venue in the nicest possible way. And being a 100W rather than the 200W of, say, an equivalent Orange, you don't need the same killing volume to get a nice valve break-up. Essentially it's a one-off build which is a GT100 in a much lighter box than usual, but still rugged as hell. In the unlikely event that you don't already know this, it's the original 1960s all-valve bass head which was also marketed as the Orange AD100 and AD200 (more valves!) before the two firms went their separate ways. The model bass player is there to provide a sense of scale, as is the Barefaced 610 (now for sale too). Comes complete with a rather nice flightcase. This amp is collection only, natch, from Harrow HA1.
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Damn! Not Tina then ...
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Oh I get all that, mate! But I'm now drifting away from the whole big-box-high-up-on-a-stand-and-getting-in-everyone's-way thing. And this is just three months after buying a pair of ART 322-As. I play too many venues where the playing area is way too small for that to be a happy solution - think Tickled Trout, yeah? Of course we can use the 322s and we do, but they routinely block out at least a quarter of the playing area and leave the band peering through the gap between them. And I somehow manage to get older every single year. Each 322 weighs 51lbs and is a bloody awkward lump, but it has to be raised either 5' onto a lightweight pole or 3' onto a heavy pole with a crank to lift it higher. Each year I find that just a little bit harder. Those 735s you mention are bloody wonderful. I stand second to no one in my admiration of them. But they each weigh 48lbs. F*** that for a game of soldiers. And it's not as if the punters will ever notice. Before I bought the 322s we spent 10 years using passive 1x12 McGregor tops and ... erm ... that's it. Since the massive upgrade to the 322s the number of comments we have received on our improved PA sound is exactly zero. If I now move to a line array system, at enormous expense, I won't be doing it because we'll sound better, or get better gigs, or get more gigs. I'll be doing it because I want to. And because I can!
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Why does that not surprise me?
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OK, found that now. It's pitched directly against the Ergo I mentioned, but Thomann seem to have slashed the price and they're selling these for just £836 each (they're usually about £1100). Looks like a very good rig and will de-clutter the stage nicely. You could put that up against the RCF ART735-A and the QSC 12.2 which get plenty of mentions elsewhere on Basschat (not to mention the Barefaced FR800), and balance ease of set-up (no PA poles, no heavy lifting, no cables strung about at head height) with claims about sound quality and absolute volume. If you're not too budget-conscious, also check out the Evox J8's big brother, the Evox 12. I'm still inclined towards the Mark Audio stuff because it does what the Evox does and also has a dedicated input & matching controls for your bass (or keys). In a pub rock set-up that opens up a lot of possibilities.
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And worth noting the positives of a fiver too. I use 5-string basses exclusively in covers bands because the key we play any given song in will be driven entirely by the singer's vocal range. A 5-string gives me far more flexibility in how I play any bassline, especially when something gets changed at short notice. If I'm playing originals, then I always play a 4-string. Because otherwise I might as well sell them.
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Which RCF line array system are you talking about, Steve? The only stuff I could find with a quick Google was major-league big-bucks stuff. At the LBGS yesterday I was well impressed with the Mark Audio kit, the Ergo and the Audio Chain. If you're really lucky, someone will be along in a minute to tell you all about FRFR systems ...
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**SOLD** 1972 Fender Precision bass - Olympic White/Tort guard RW
Happy Jack replied to Snook's topic in Basses For Sale
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This is the electronic kit I bought some years ago from Silldx (Nigel) as an intro to leccy drums for my band, The Junkyard Dogs. It has served as an excellent practice & rehearsal kit in my little studio, it has won us loads of gigs where live drum kits were not welcome (volume issues being what they are), and it's still fully functional. There is wear and tear of course. Well what do you expect? These buggers keep coming round to my place and hitting it all evening. Some of the trigger sensors can be a bit tetchy, one of the cymbals has a metal ring detached, the throne is very tired and emotional, there are scuff marks that could scuff for England. But it's a complete, fully functional kit, and there's even some spare parts knocking around. There's the full frame + controller + snare & hi-hat + 3 x toms + 2 x splash + BOTH pedals (hi-hat & kick) + throne. Might even chuck in a pair of sticks. I'm known for my generosity. We gigged twice with it at the beginning of January and we'd be gigging it again in three weeks (at The Red Lion, in Little Missenden) were it not for the fact that I've just bought a rather nice Alesis Crimson II. So it's in fully-giggable condition if that's what you want. On t'other hand it's also brilliant for rehearsals in a home studio, and it would make an excellent first kit for a beginner. It's taking up too much space now that the Alesis has arrived, so I need it gone quickly. I'll give it a week on Basschat and, if it doesn't sell, it'll go to eBay. Bluejay will be taking photos tomorrow morning, and I'll add them asap. The kit is collection only from HA1. Please don't ask about postage - I don't have a Jiffy bag that's big enough. Similarly, please don't ask whether I'll wait in for your courier, since a mouthful of abusive language often offends.
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Maybe if it stays at £1.20 ...
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GONE - Double bass - "How To Play Bluegrass" book - GONE
Happy Jack replied to kevin_lindsay's topic in Completed Items
PM'd. -
That's seen a lot of Ford Transits, Mick ...
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I'm still not getting the conflict people seem to imagine between bass and uke. Why not both? Why not the same instrument, even?
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The cheesy 80s presentation is one of the funniest (and best-done) things I've seen in ages.
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Goes with the trainers, anyway ...
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In fairness, he did mow the lawn ...
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Someone's been doing too much plucking ...
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World's First Solid Body Bass on eBay
Happy Jack replied to kodiakblair's topic in eBay - Weird and Wonderful
Is it actually his to sell? The way the listing reads, it seems that he's listed it on behalf of someone else. -
There's more to life than bloody lentils.
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Attention all planets of the Solar Federation...
Happy Jack replied to NancyJohnson's topic in General Discussion
Hmmmmm. Perfectly adequate rendition, nothing to object to, and no reason to be impressed. I've heard it played as well as that at local jam sessions by scratch bands. So what makes it worth watching? Sad to relate, for most I imagine that it's the bass player's cut off shorts. I note that the rest of the band are wearing normal jeans so it's clearly not a particularly hot night where they are. Far from being a sexist post, this is intended as an anti-sexist post. It depresses me that she attracts attention not for her (adequate but unexciting) bass playing or singing, but because she shows her legs. -
Spotify worth £23bn - at the expense of musicians
Happy Jack replied to Bilbo's topic in General Discussion
That £23bn valuation makes me smile. Am I really the only one who remembers the DotCom bubble bursting? -
Passive tone controls have a very limited effect, little more than rolling off the treble. They are also thoroughly non-linear, i.e. turning the knob through 50% of its travel may have 100% effect or it may have Nil effect ... I've had plenty that were virtually on/off switches. And sometimes, especially on cheaper basses, they may have no effect at all due to the quality of the components used. My solution is simple. I hardly ever touch the tone knob on a passive bass.
