Happy Jack

Never realised that Al was a Montclair boy ... I just assumed the Wailers were all Jamaicans.

Followed this with interest and went to look (online) at the AKG D5. Surprised to find it's only about £15 cheaper than the original SM58 ...

Pick or fingers? I find playing ska lines with a pick leads eventually to cramp, but the 14mm spacing on my Hofners makes playing it fingerstyle a mite tricky.

Nah, you'd never dare put a coffee mug on it in case it left a ring.

I have the current model and I use it all the time. I can put the reference tracks onto an SD card, take the Tascam to a rehearsal, and have instant access to the tracks if the band needs to check back against them. Just use the headphone socket to run the signal through my bass rig or the PA. Play in a different key? Want to change the tempo? Easy. I don't use the record function because I prefer my Zoom H2.

A violin bass is also an archtop, so it is critical that the base of the bridge is in full contact across the radius. It's a tricky job without being particularly difficult. Usually you remove the bridge, place a piece of sandpaper facing UP on the archtop under the bridge position, and then sand down the base by leaving the sandpaper in place while moving the bridge - do you follow? That should create a curved base to the bridge which exactly matches the shape of the bass. Before you decide whether or not to do it, have a really close look at the base of the bridge as it is now. If it has already been contoured in this way then you might be best advised to leave well alone. If on the other hand the base of the bridge is completely flat and therefore only really touching the bass at the inner edges, then it's almost certainly worth doing the contouring because of the improvement you'll get in tone and (maybe) volume. If you want to use the top Hofner luthier in London, drop me a PM.

[URL=http://s1128.photobucket.com/user/h4ppyjack/media/Just%20Stuff/Sundry/pianohouse1.jpg.html][IMG]http://i1128.photobucket.com/albums/m496/h4ppyjack/Just%20Stuff/Sundry/pianohouse1.jpg[/IMG][/URL]

[quote name='MacDaddy' timestamp='1496920931' post='3314677'] Worthing would be a bit far for those of us coming from that London �� [/quote] [quote name='Graham' timestamp='1496922413' post='3314698'] Surrey's quite far for those of us coming from the south coast [/quote] In truth, the logical home for the "South East Bassbash" would be Central London. Just saying ...

If you liked that then you're gonna LUUURVE this ... http://youtu.be/QsBctMl5t3M

Why thank'ee kindly, young gennelmun, thank'ee.

s/n 1786932 and a gold Made In Japan sticker just beneath.

So if mine is a 1970s Ibanez with a sort-of Toaster pickup and a through neck, does that make it a 2338? And is a 2338b the same but with a bolt-on neck?

Always a surprise to me how much bigger a J is than a P ...

Sacre Bleu!

Threads like this really piss me off. I have a Fishman SA-220 column PA for those small, intimate gigs and I love it to bits. Every musician who has played through it has commented on how great it sounds. It works perfectly. There's nothing wrong with it. I have no need of a replacement or upgrade. Then this thread catches my eye, gets me interested in seeing how things have moved on since I bought my SA-220 a few years ago, and I discover the SA-330x with sub and mixer extension. And guess what? Now I want one. Bah!

Try it in Google Translate ...

Also, the larger gigbag you need for a Jazz will allow you to carry additional kebabs ...

It probably sounds better in Spanish. Any language that can turn [color=#006400][b]'Bye!'[/b][/color] into [color=#0000cd][b]¡Hasta la vista! [/b][/color]must have something going for it.

They seem to change more or less randomly each time you visit ...

[url="https://www.ultimate-guitar.com/forum/showthread.php?p=31138246#post31138246"]https://www.ultimate...46#post31138246[/url] is even better.

... to a page that has now disappeared, but I just LOVED what was there instead. https://www.ultimate-guitar.com/forum/showthread.php?p=31138246#post31138246

http://youtu.be/eoHhdrqtYho That video becomes really quite hypnotic ...

[quote name='Skybone' timestamp='1496644005' post='3312821'] Is that a GT200 you're running? Great amps, great company. [/quote] 'Tis the 100 rather than the 200, and it was a 'custom build' with assistance from tayste2000. Matamp had a complete chassis without a box, and (after some persuasion) they agreed to build for me the lightest Matamp head in captivity.

So I'm playing Walton WMC last night. I'm on a boomy wooden stage, despite my Gramma pad, running my Mike Lull Thunderbird through a Matamp into a Barefaced 610 (can't remember its name, Alex keeps changing them ) and I've ended up with the treble on max and the bass rolled right off. The TBird now sounds acceptable. Then it's time to try out my new (well, newly-purchased) Ibanez Rickenfaker. But of course I leave the controls unchanged. Silvie's camera has compressed the f***out of the outrageous bass tone but this will give you a glimpse of it. It's much clearer after 2:20 when I flicked the selector switch from Both to Bridge. http://youtu.be/JHK_cOeegRk Can a Rickenfaker give you a genuine 'clank'? Oh yes, big time.