Happy Jack

Hmmmm ... £1600 at today's rate = $2340. These basses retail at $2400 new, so buying this one second-hand would save you shipping & tax. Yes, the saving's worth having, but this is no bargain.

[quote name='FinnDave' timestamp='1465200252' post='3065949'] Only other bass players care whether you use a pick, fingers, or half a house brick to play, so long as they like what they hear. [/quote] Ain't dat de troof! Although IME even other bass players don't give a monkey's. I certainly don't.

Well? Do you? http://youtu.be/9IYZyxPsjgs We may need to think about this ...

Silver paint ...

[quote name='wateroftyne' timestamp='1464946600' post='3063954'] I recognise that Plastic Bertrand tune from somewhere... [/quote] You're too young to remember that, Michael!

[quote name='toneknob' timestamp='1464941103' post='3063881'] '61 stack knob Jazz with only light retouching! [url="http://www.ebay.com/itm/EX-PINO-PALLADINO-FENDER-JAZZ-BASS-STACK-KNOB-1961-VINTAGE-FENDER-BASS-WHO-/391434650065"]http://www.ebay.com/...O-/391434650065[/url] Just shy of £16k. "Get it in time for Father’s Day!" says eBay, optimistically. [/quote] Bin there, dun that. The only connection that bass has with Pino is this advert.

Je suis un rock star dans le South of France ...

I thought I did well to get an excellent Tokai for £185! Well done mate.

The BarFM website is deeply sh*t, Ralph! Not surprised you didn't bother to link to it. Can you confirm this gig isn't Members Only (or something equally daft)?

[quote name='Lozz196' timestamp='1464891782' post='3063630'] They`re very nice set-lists............ [/quote] I do hope you remember to print the invoices too.

[quote name='pfretrock' timestamp='1464939236' post='3063857'] This must have been posted before? [/quote] Yup. In 2010. And 2011. And 2012. And ... you get the picture? ([i][size=1]Yes, we see.[/size][/i]) Next up: This Drummer Is At The Wrong Gig followed by Cross-Dressing Korean Slap Bass Expert.

Blue, you might want to actually WATCH the video first ...

$7k's worth of fun? I don't think so ...

http://www.ebay.co.uk/itm/1967-Epiphone-Embassy-Bass-personally-owned-amp-played-by-034-Sheryl-Crow-034-/171878061482?&_trksid=p2056016.l4276

It's a Jazz. http://www.premierguitar.com/articles/Reverend_Justice_and_Thundergun_Bass_Reviews?page=2

The eye of the beholder and all that. If I owned that bass, I'd pay good money for a refin. Sorry.

Phwoar!!! That's a looker. What a great-looking bass - I wish everyone could see it.

In one band I'm in we have two guitarists, one of whom seems incapable of staying in tune for two consecutive songs (so that's a 60-second tuning break inserted into every gap between songs, making the gaps longer), and the other takes five minutes to tune his guitar before each set with the volume on his combo turned up so that the whole pub can wince in unison. I'm sure they know what they're doing, and we often get compliments on the way that we've built the tuning process into our performance. OK, I made that last bit up.

What is this "down-sizing" of which you speak? [URL=http://s1128.photobucket.com/user/h4ppyjack/media/Basses%20CURRENT/General%20View%203_zpsnemdrfq5.jpg.html][IMG]http://i1128.photobucket.com/albums/m496/h4ppyjack/Basses%20CURRENT/General%20View%203_zpsnemdrfq5.jpg[/IMG][/URL]

https://www.gumtree.com/p/other-musicians-wanted/double-bass-player-wanted-for-paid-gigs/1171789713 I can't work out if this is a huge Basic English failure, or a very witty piece of copy-writing ...

No such thing as 'not being in a band' for me ... at worst, I'm just between bands. In which case it makes perfect sense to use the extra time available to improve as a bass player. If that means playing in my bedroom then so be it. It's a lot warmer in there than in the woodshed.

Most of the advice here seems to be pre-Internet vintage. IME very little of this stuff still works. CDs? Don't make me laugh ... no LL is interested in settling down at 1am after cleaning up the pub to listen to your studio recording of Long Train Running. Phone calls? Good luck with ever getting through to a decision maker in the first place, let alone convincing them to offer you a paid gig over the phone. My approach? 1. LEGWORK: Find out which pubs actually do music, target the ones you really, really want to play, then go and spend time and money in that pub. Go there to see other bands. Go there for Sunday lunch. Pop in at funny times. Talk to the bar staff. Find out who controls the music. Don't forget to spend money in his pub - bizarrely, most people are more prepared to make time to talk to you if you put money in their pocket, can't imagine why. 2. SHOWTIME: Set up a website, make it look like you're a serious band, put some LIVE mp3 recordings on there - not studio stuff, LLs aren't as stupid as many musicians seem to want to paint them, get a competent person to video the band playing some live numbers and stick them on YouTube. Give the LL an honest representation of what you play, how you sound, how you look. Treat the LL like a grown-up and maybe he'll do the same to you ...

http://youtu.be/30zO31Xwud8