Happy Jack

Just remembered ... I even have the original box.

Complete & working, including power supply and polarity converter. No surprises, you kniw what it is, you know what it does. Bit of velcro on the bottom to anchor the (lightweight) receiver unit.

The new REMIC D5401 Studio/Live model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400. For studio & live performance of chamber, classical, jazz and folk music. Superior gain before feedback. Moderate suppression of neighbor instruments and ambient noise. For moderate amplification of symphony orchestras, ensembles, bands and soloists.

UHF Wireless System · With a dynamic handheld transmitter · Directional characteristic: Cardioid · 13 Groups with 16 presets each · 1 User bank with 16 storeable presets · Adjustable squelch with threshold display on the receiver · Frequency scan in the receiver · Adjustable AF output · Adjustable transmission power: 5 mW, 10 mW, 20 mW · Infrared transfer of the settings from the receiver to the transmitter · Pilot tone · Increments of 25 kHz · Installation size: 9.5"/1 U · 2 BNC outputs for antennas · XLR- and jack output · Operates with 12 V, 0.5 A DC power supply (positive polarity (+) inside) · Dynamic handheld transmitter with metal housing · LCD display · Operates with 2 AA batteries or rechargeable batteries · Frequency band: 823 - 832 MHz · Includes a plastic case

The SubZero SZ-IM2 Stereo In Ear Monitoring System is an easy to use system. Once plugged in the system allows for IR connection, simply hold the receiver near the transmitter and connect with the press of a button. The ability to select multiple frequencies ensures clashes aren't a problem, whilst the clear LCD display provides detailed information about your unit at a glance, which is useful when using multiple systems. Multiple receivers can be used from one transmitter if your ensemble is happy to share a mix. The included belt clip means attaching to garments is easy. System · Channels: 20 (1 groups of 20 channels) · Frequency Range: 863-865MHz · Transmission method: FM, stereo · Frequency response: 30 - 18,000 Hz +3dB · Operating range: 50m · S/N ratio: >85dB · Included accessories: Power supply, 3.5mm TRS minijack to 2x 1/4" TS jack Receiver · Audio output: 3.5mm TRS jack · Indicators: RF (LED) · Operating time: >10 Hours (battery dependent) · Controls: Volume, channel select, sync · Operating voltage: 2x 1.5V AA · Dimensions: 63mm(w) x 127mm(h) x 20mm(d) (excluding clip) · Weight: 96g Transmitter · Signal-to-noise ratio: >85dB · Frequency range: 863-865MHz · Inputs: 4 · Input connectors: 2x combi XLR/TRS Jack, 2x TRS jack I/O · Antenna connector: BNC · Controls: Output level, input level, -12dB pad switch · Operating voltage: DC 12V · Dimensions: 210mm(w) x 53mm(h) x 178mm(d) · Weight:96g

The first no-fee deal on eBay for ages starts this weekend, so I'm finally listing this there. Giving it a bump, plus some extra info, just in case. In brief, the AFS2 has the ability to detect when feedback begins to occur at any particular frequency, and will insert a sharp notch filter into the signal path at that frequency. As with most devices of this type, it works by assigning either ‘fixed’ filters, which are determined and applied during the setting–up process and remain in place until manually reset, or ‘live’ filters, which are applied automatically during the performance if feedback is detected, without any action necessary on the user’s part. 2-Channel Digital Anti-Feedback Processor Enormously fast suppression of feedback 2 Operating modes Fixed mode with storable filters and presets Live mode for real-time analysis and editing over the complete frequency spectrum Extremely narrow notch filters (up to 1/80 of an octave) for differentiated intervention 24 Programmable filters per channel LED chain for all 24 filters per channel LCD Display Easy setup XLR & Jack input and output per channel USB Port for firmware updates Internal power supply Format: 19 "/ 1 HU

The first no-fee deal on eBay for ages starts this weekend, so I'm finally listing this there. Giving it a bump, plus some extra info, just in case. The MX200 features the classic Lexicon reverb sound as well as providing additional effects (32 effect types in all), where two effects can run at the same time under one of four routing options. These may be accessed through very simple front-panel controls or using the MX-Edit editor/librarian software that works within VST or Audio Unit hosts. This way the MX200 is seen by the host software as a plug-in, even though it is really externally connected hardware. General Specifications Audio Inputs (2) 1/4” TRS balanced or unbalanced Input Impedance 20K Ohms (balanced), 10K Ohms (unbalanced) Input Level +4dBu Nominal, +20dBu Maximum Frequency Response 20 Hz - 20kHz, ref. 1kHz +/- 1dB THD+N <.007% 20Hz - 20kHz Audio Outputs (2) 1⁄4” TRS balanced or unbalanced Output Level +20dBu Maximum Dynamic Range >107dB A-weighted A/D Converters 24-bit, 48kHz Audio Processor 24-bit Software WinXP/Mac OSX VST GUI Interface Crosstalk > 80dB Size 1 RU Dimensions Width 19 in (48.26 cm) Height 1.75 in (4.4 cm) Depth 4.75 in (12.065 cm)

Yup, it's another rack-case, but this time without wheels. Once again, the tape & velcro was originally added for reasons, again it can be easily-enough removed. Not sure what else I can say, really. It's a rack-case. And I won't be posting it. It can be collected either from Harrow/Northolt or from any of my bands' gigs (see my Signature for the link).