My cab preferences are pretty well documented on this site. I believe that I am normally referred to as "a Barefaced [i]fanboi[/i]".
A tad simplistic, I feel, but if the cap fits ...
So I was at the Herts Bassbash a few months back where, along with loads of other stuff going on, Bottle (Ian) had brought along a bass rig comprising two cheap PA cabs from Maplins (ProSound) and a self-built, half-finished valve head.
Ha ha ha, how we laughed. But it actually sounded surprisingly good. I only played through it for a few minutes, and there was that awful slapping nonsense going on elsewhere in the room, but it sounded pretty good to me.
Fast forward to The Great Cab Shoot-Out at the bash yesterday, and we're listening to a succession of cabs by Bergantino, Schroder, Barefaced, Phil Jones, etc. Then Ian says "go on, put mine up too".
Was it as good as a Berg or a Schroder? Don't be silly.
Was it massively cheaper than a Berg or a Schroder? Just ask that bear heading into the woods with a roll of toilet paper.
Was it blown out of the water, completely out of its league, easily the worst-sounding cab. Erm ... no.
So how does this work? How does a sub-£100 entry-level PA cab targeted at schoolboys who wannabe DJs manage to compete with expensive, high-quality bass cabs built by [i]pukka [/i]experts?