NancyJohnson

I've gone through a load of Ashdown gear in my time...a MAG combo, ABM heads, various cabinetry (10s, 15s and combinations thereof). The main reason was simply that they were pitched at a price point that was step up from where I was previously, so an upgrade of sorts. They were reliable, heavy as feck, but the heads were so so bland tonally. No grit, little character. Sure, they did loud very well, but they ran so clean that in all cases my signal chain ended up having a dirtbox of some sort plugged into the effects return to get what I wanted/needed. Eventually I sold the lot and went with a dual pre/power stage set up. While I'd never buy an Ashdown again, from a reliability perspective you can't fault them; my old MAG cabinets were sold onto a local rehearsal studio and more than five years on, they are still going strong and they get a huge amount of use.

Little request. Anyone local to Reading got an NS WAV4 or WAV5 I can have a noodle on? My wife has green-lit a purchase if I'd like one, kind of therapy for my wrecked thumbs. I'd just like a little play to satisfy my curiosity more than anything else. Thanks muchly.

I actually think the headstock design is nicer on this than that of the original it's drawn from.

Both of these. The PacMan LEDs on the right one were fantastic...it could only have been bettered if they were actually moving up the neck.

Maybe I'm being stoopid, but is there a running order or anything? Who's appearing on which day?

Hubba bubba.

I've had a good noodle since...though not a sweaty one. The dye didn't lift off the wood with the meths, so I reckon it'll be OK.

I think a build has to be an end-to-end build and, with all due respect to HB14, not something that's been flipped. The primary criteria should be that you started with planks of wood (or tubes of steel) in your garage and did a scratch-build.

I reckon a NS Design WAV4 (or WAV5) will arrive this year at some point. I just don't have the space for a DB and our house is pretty big.

This is what a 3x2m looks like on a smallish club stage. We could easily have gone wider and lost a bit of the space between my logo and the website/facebook links. Also, when I had it made, I had eyelets put into the corners, bought a good length of boating/braided paracord which was easy to loop round something at every venue I played and then pulled it tight with a slipknot.

My old band went with a 3x2m banner from PrintLit. It was about £120.00. I think we should have gone wider to be honest, 4x2m...something else I was shouted down about. C*nts.

I think once I'd decided to do it, there was no turning back...when the first bit of dye went on, I did think to myself, 'Oh feck, what am I doing?', but after this it was more like 'Well, I've started, I might as well finish.'

Just wanted to pass on a little advice on this subject. I've never really been a fan of maple boards, much preferring rosewood/ebony, so a while back I researched easy methods of staining a lighter board to near-black, so a couple of days ago I had a go. If you look at the photos, you'll see I did it on one of my Lulls (gasp), the board on my JAXT4 (mahogany) would darken a bit after an oiling session, but was very light compared to the ebony of the NRT5. The board is quite open grained and would take the stain easily enough. I'd done a bit of pre-research and the one product that came up time and again was Fiebings Leather Dye; I picked up a small pot off Amazon (£6.00), put on some rubber gloves and fished out some cotton buds. I masked off the nut and set to work. To be frank, I was pooping myself while I was doing it. I let the leather dye set up for a couple of minutes and wiped away the excess; the dot markers took a little of the stain, but this came off with a little methylated spirit once things had completely dried (24 hours). The neck doesn't have any binding and the wiping down after applying ensured nothing went where it shouldn't have. [edit] I also masked around the heel joint so none of the dye got on the body. I'm very happy with the end result. BEFORE: AFTER:

This thread is a belter. A definitive list from me would include: Any Fender basses, Any bass that's a sunburst or natural finish, A proper head (or any make), much prefer a racked pre/power set up, Heavy cabinets, Flatwounds (this is a given, I've not used flats in 30+ years and that wasn't through choice) Purchases aside, any band I join has to be friends and fun first, music second. Learnt my lesson in 2017.

There always used to loads of Grassroots basses in the Ishibashi U-Box. I think they were something to do with ESP, the budget end of ESP (viz. Squier); beyond that I know very little.

Right here we are then. 2018. We are bass players, we desire new equipment periodically, so what's on your 2018 GAS list? Just to get things going, for me I'm still looking to land a series one Hamer Cruise Bass, but other than that, I'm eager to see just how good Tech 21's dUg pedal will be. [edit] My good lady wants me to get an EUB, believing it might be a good alternative for my deteriorating thumbs. Wonder what one of these would sound like going through a dUg? Teehee.

Happy New year to you too and to all our global family.

This is pretty much spot on. We put the TV on about 11.45pm and were flipping through a few channels. Watching NR, you kind of knew that a) the BBC weren't going to cut until the last possible second and that b) NR had little intention of stopping a few minutes shy of midnight so that the BBC could cut to the Embankment for a bit of a firework build up. I watched a few minutes of Jools Holland. This show/format needs to be put out to pasture.

There's a lengthy thread elsewhere discussing Ringo's talent. Honestly, I'll admit I'm not really a fan of The Beatles, but I do wholly acknowledge their legacy and it was listening to Sgt Pepper for the first time that caused the Ringo-disdain to manifest itself...just listening to what he was doing on what is considered to be an epoch-making album left me cold. If nothing at all, it does give us the opportunity to enjoy and bask in the glory once again, of that fantastic dialogue from Red Dwarf's Parallel Universe episode: HOLLY: This is parallel universe, innit? RIMMER: What do you mean? HOLLY: Well, for instance, in this universe, it could be that Hitler won the Second World War. It could be something even more incredible, like perhaps Ringo was a really good drummer.

There was a load of decent US stuff back then. In hindsight, my obsession with Kiss was somewhat overwhelming and it was like taking Geoff Barton's word on things a little too literally, whatever he wrote positively about was almost certainly going to appeal to me. Starz have stood the test of time very well.

My wife is/was a huge fan, but her interest has waned somewhat, lack of new material and diminishing returns. I think they've been a great singles band, but I'd find it difficult to pick more that five non-single tracks that appeal to me. It is a great feeling to acquaintance yourself with a band with a huge back catalogue...I've experienced this with XTC for about the last three or four years. I liked their singles back in the day but beyond that I wasn't interested for precisely the same reason as you; too much Kiss and Rush and Starz and Aerosmith and and and.

Best drummer ever. Not.

I've never understood the fake logo thing. I can understand the distressing of an instrument to create a certain look, but putting a fake logo, a fogo™ if you will, has always seemed inappropriate. Much as I have an issue with this, credit to Limelight for producing basses with their own logo on them. Much tidier.

I've used a black oil on the JAXT4 fingerboard this morning...it was looking a bit brown by comparison. Much nicer.

Registration card says 10.8lb. It's comfortable!