NancyJohnson

Just to throw in something else here...I bought one of the Thunderbird NR reissues that came out about five years ago and the pots while rated/stamped 500k, when my tech measured them, they weren't even close to this. Consequently, the bass sounded 'middly', distinct lack of top and bottom. If you search here, you'll find an extensive thread detailing everything.

I've had a G30 for a few years...it works fine but the above elements are a bit hokey. The belt clip is frankly awful and I live in fear the battery door will just spring open (but it never has). About ten days ago I bought a Levys MM4 pouch. Have a quick look on You Tube and you'll find videos. I favour Levys long polypropylene straps...the narrow ones; the pouch wraps around the strap beautifully (via Velcro flaps) and the pouch itself is elasticated so the transmitter (less the belt clip) goes in nice and snug. Fantastic bit of kit.

No, you misunderstand me. I understand the characteristics as defined that qualify a member of public requiring protection under the act, my point here was more about classification of big venues/small venues, which going back was my opening salvo here earlier today. Legislative order aside, it's all well and good saying that <insert band name here> should be providing someone to sign their songs while they're playing live. What if you're at the O2 in Landaan and your seats are (metaphorically) in the car park? What good is someone signing when they're 200m away (and don't say that now every band should have a screen with a camera on the signer all the time). What about when Michael McIntyre or Lee Evans plays there? How do you sign a comedian, especially when his show, however well rehearsed, may not follow script night after night. I'm really not trying to make light of this. This woman's actions could set precedent and the ramifications could be immense.

I've scanned through the Equality Act 2010...there's a) a lot of pages and b) I'm supposed to be working. I would like to know where this is defined. I note for the record that the word deaf is only used once in the entire law.

They look like really bad (Ali-Baba) Chickenbackers. I'm assuming they're not NAMM prototypes/vanity pieces or anything? We're drawn to things visually, by association, by memory. Those are horrific. If I saw one of those hanging in a shop I think it would be difficult not to laugh out loud. They look like toys. I reckon there'll be some hardcore Rickenbacker nuts that'll buy these and retrofit them with stuff to at least make them look like their 4001/4003 brethren.

I've played a handful of Sandbergs and they've been really nice, not my thing, but nice. That said, man, those headstocks are horrific.

Oh, and let me throw something else into the mix here. My mother's has been profoundly deaf for about 20-25 years, so I really don't need people grinding away at me about Equality Laws and Disability rights, OK?

I saw this a few days back. I just shook my head in disbelief and may have muttered something detrimental under my breath.

I'd assume the use of PC in gs_triumph's comment is largely rhetorical. Don't get your panties in a twist. Look, as a country, we've moved a long way in the last 40 years towards living in a non-discriminating society, it's been like living inside a social engineering experiment at times, but legislation aside, surely there has to be a line in the sand. Would this woman attend an orchestral/instrumental event? Here, we seem to be focusing on a one or two people amongst an audience of thousands. We do seem to focus and accommodate a tiny percentage of people. I do wonder whether anyone who attended had their gig-going experience ruined by having someone signing in front of them? Would the promoter be accommodating these punters? No, probably not. More importantly, would anyone with good ears actually have the nerve to actually put in a complaint?

When I read this story earlier today, I did kind of think, 'Where does this correctness end?' What about a blind person who buys tickets for an art exhibition or a film? Yes, it's tragic this woman is stone deaf, but surely you makes your choices, deaf, blind, disabled, whatever, don't you? I'm all for equality...I'm struggling for the words here, but if I was deaf, I wouldn't have bought tickets, let alone be inclined or even know how to instruct a solicitor to take action. Going back to my 'Where will it end?' comment, where does it end? Bands playing in pubs?

Irrespective of Generation number, would owners be so kind as to take out a tape-measure and measure the height of the cabinet please. Just the cabinet, not the height with the feet. I'm thinking about adding one to my set up for dual channel applications and having it on its side on top of a Big One (enclosure width 21"); I'm not keen on overhang. Thanks.

Anyone want a nice bit of Ruts trivia? If you're familiar with the live version of Human Punk off The Crack album...when it drops out at the end and Malcolm Owen says they're going to be on the new Ruts album, you hear a young bloke going, 'Awwwww....Human Punk.' Well, a few years later he was my best man. LOL.

Seems to be. I did a fast and nasty Photoshop overlay using MM images. I lined the neck heel and resized 4H and 4HH images until the bridges and saddles were the same size/location. Bearing in mind that production will inevitably change over the years (even the off millimetre or the more extreme 1970s Fender Jazz bridge pickup movement), I feel pretty confident in saying the bridge pickup is in the same location irrespective of it being a 4H or a 4HH.

I'm not really trying to emulate a Stingray tone...I have a pair of MM pickups and I'm just trying to decide whether to go with one or two...

I'm assuming that Leo/MM got the Stingray pickup positions in their sweetspots...could owners of a 4H and a 4HH take some positional measurements for me? I'm thinking about putting an MM pickup (or two) into an old P-bass body I have knocking around. I guess take a measurement off the 5-string saddle to the edge closest to the bridge in each case? Thanks muchly.

If you want to see how ridiculous the money is around Hendrix, check out these two auctions: https://guitar-auctions.co.uk/portfolio-post/lot-363-jimi-hendrix-shavings-from-the-1967-zemaitis-twelve-string-acoustic-guitar https://guitar-auctions.co.uk/portfolio-post/lot-447-jimi-hendrix-wood-shavings-from-the-1960s-zemaitis-12-string-acoustic-guitar-used-by-jimi-hendrix-in-1967 Remember to add buyers premium of 24% and VAT @ 20%. Yes, folks. People are stupid.

No, I don't have kids. heh. We have this:

They did...I'm unsure whether these were solely custom shop or limited run models, but does anyone remember these monstrosities:

Why bother? The lawsuit thing has been covered here a ton of times and over on Talkbass as well; if you think I'm being pedantic or harsh, then you'll find guys over there that make me look like Snagglepuss. I'm not trying to rain on anyone's parade and apologise if I got your back up, but it really does feel that at one time or another every Japanese manufactured guitar or bass from the 1970s that was copied from a Fender or Gibson design seemed to carry the the word lawsuit with it.

I tend to store the cases in the garage (attached to the house), everything else is in the house somewhere or another.

When I posted that comment, there was a degree of pedantry with concern to the original post. You're correct in that Ibanez were the only Japanese company taken to task (and by Gibson), which pretty much prompted them to up the ante with their original models (and change of headstocks). Fujigen and Matsomoku produced tens of thousands of guitars and basses. The Aria Precise/Primary range were no more subject to lawsuits than the Tokai Jazz Sound or Hard Puncher basses. People just throw around the word lawsuit like it's a badge of honour. Look, I've no qualms about the Aria being a great piece of kit (I've got one of those P-bass copies from 1978), but lawsuit? Nooooo.

Tell me more about the lawsuit, please.

Gone. That was quick!

Since I cleared out a few basses, I have one or two peripherals that I need to pass along. I've got a Warwick Rockstand, the same as below, that is now surplus to requirements. I really don't want to go to the hassle of breaking it down, finding a box, going to the Post Office etc. so collection from RG45/Crowthorne. I think they retail for about £45.00. I'll exchange it for a decent bottle of Cabernet Sauvignon to anyone who wants to collect.

The domain was only registered on 17/1/18. I can smell a scam.