NancyJohnson

We've all contributed to threads about who our influences and favourite players are...but what about if you could put together a dream line-up of your all time favourite artists? This came up at a jam I had last week. For instance, would it work if Nikki Sixx, Nuno Bettencourt, Dave Abbruzzese and Dave Grohl all got in a room together? Much love P

[quote name='warwickhunt' post='26346' date='Jul 3 2007, 08:14 AM']If I play by the rules and choose one only... Cheap Trick - Tom Petersson However, I really dislike virtually everything that they've done since Dream Police![/quote] All Shook Up (which followed Dream Police) was OK...it's certainly better now than it was in 1980...TP left after this one and it also coincided with the band losing their way a little, but you should check out the Silver and Metro live albums and more importantly the current Rockford CD. It's a real return to [early] form. P

TPOH? Jeepers, I haven't thought about them in a long long time. Just downloaded 'I'm an Adult Now'. We used to cover this years ago! Thanks for nudging my memory! P [quote name='Alien' post='26273' date='Jul 2 2007, 10:56 PM']And the best two, for my money. Mine would probably be The Pursuit of Happiness - Johnny Sinclair (nothing special basswise, just really well written songs with intelligent lyrics) Morphine - the late Mark Sandman. Two strings and a slide, and one of the most amazing sounds ever. Andy[/quote]

Stuart Hill...go look him up. P

It's difficult to quantify my favourite band...I can follow my musical routes from The Sweet, Kiss, Rush, The Alarm, Living Colour, through to Shudder To Think, Jellyfish, Fountains Of Wayne and Counting Crows, but I have no definitive favourite. Showing my age here (and probably of more relevancy), I regularly go back to listening to four or five albums from my teens: Japan - Adolescent Sex and Obscure Alternatives (these are the first two Japan albums), bass player Mick Karn, Rich Kids - Ghosts Of Princes In Towers (Glen Matlock) Queen - Sheer Heart Attack (John Deacon) Aerosmith - Rocks (Tom Hamilton) Rocks was the album I used to play along with when I was starting out, waiting for Joe Perry to call me. Only recently have I come around to the feeling that I am not immortal and these albums are now all around thirty years old. To me these albums are like comfort food (Ben & Jerry's Chunky Monkey, or a cinnamon and raisin bagel with peanut-butter and banana). Hopefully, I'll still be around in thirty years... P

I've seen the Greasebucket thing mentioned...what is it? P [quote name='Rayman' post='26098' date='Jul 2 2007, 04:39 PM']Yes this one of mine is some kind of transitional model, with the old style neck and logo, and the newer body with badass and greasebucket tone control. They do have a certain "mojo" that new basses don't always have. I love the finish, and the more battered and bruised it gets the better as far as I'm concerned, although it's holding up well so far.[/quote]

It's a toss-up between an MIJ Geddy Lee or a MIA Highway One Jazz (with the BadassII). Anyone playing a Highway One? Opinions? Also how is the nitro finish holding up? Cheers P Edit:: I've got a '79 Precision that has barely got a ding on it because of the finish...I'm querying the nitro finish simply from the perspective of how easily it'll ding and peel, rather than hunting down a forty year old bass or an artificially aged one.

I got the Argos one on Saturday and it's fine for the job - at a stretch it would even double as a stand for my combo as the platform is angled a few degrees off the vertical. It's actually for fishing equipment! P

I've got a pair of Ashdown boxes and the guitarist has a Marshall 4x12...you know, I never thought of looking in Argos! I'm off to the gym at midday...guess what's right next door? Cheers Jennifer P [quote name='endorka' post='22278' date='Jun 23 2007, 10:41 AM']I use this trolley from Argos; [url="http://www.argos.co.uk/webapp/wcs/stores/servlet/Search?storeId=10001&catalogId=10651&langId=-1&searchTerms=keenet+trolley&go.x=0&go.y=0"]http://www.argos.co.uk/webapp/wcs/stores/s....x=0&go.y=0[/url] I've tried many over the years and they have all fallen apart sooner or later, except for this one. I've no idea what the maximum weight it can carry is, or how heavy your 4x12 cab is, but I managed to pull 37kg (my speaker + a speaker for the pa) a significant distance on it yesterday. Ordinarily I use it to get my speaker, amp and music to gigs about town. I've worked up many many miles on it in this way :-) Jennifer [url="http://www.jen.clark.btinternet.co.uk/"]http://www.jen.clark.btinternet.co.uk/[/url][/quote]

I pulled my back earlier this week getting my stuff from my car to the rehearsal room (it's still in the car five days later) - so can anyone suggest a reasonable trolley? I don't want to go nuts here on the price and it doesn't need to be of world-tour quality, just good enough to transport anything up to a 4x12" sized cab about thirty metres. B&Q, Focus, whatever. Thanks for the heads up. P

[quote name='cetera' post='3763' date='May 21 2007, 04:14 PM']Hi, the name of the band is 'Dressed To Kill' (www.dressedtokill.org.uk). We're the longest established KISS tribute in the World (17+years), the #1 in Europe and the official choice of Gene Simmons ) If you haven't seen us recently (or at all) come see us! We're playing 'The Standard' in Walthamstow this Friday night and 'The Diamond' in Sutton in Ashfield (Mansfield) on Saturday....[/quote] I've seen you guys! Phoenix Plaza, Wokingham, maybe ten years ago. You did virtually the whole of Alive! Great show BTW. P

C Just interested, but what's the name of your Kiss tribute band? I've seen a few. My old guitarist made an Ace Frehley outfit (from the Hotter Than Hell era) and once in a while would throw it on, plus [b]very[/b] quick Ace face makeup, for encores. Cheers P [/quote]

Interesting you mention the MAG series amps...I run my Precision into a Mk1 BassPOD then into the effects return of an Ashdown MAG combo and a 1x15 deep bass cabinet. While I never have any issues when I actually start playing (I get a really nice Foxtonesque Tube Station clank from the POD patch I use) by the end of a two hour session the Ashdown does sound a bit farty, distorted and tired. It's never played flat out and there's always plenty of headroom. I've often thought this could be an issue with the amp as I've never had this 'problem' with the ramp of gear I've used previously. If the amp it switched off and cooled down (ten/fifteen minutes), it's fine again. P

I had a black non-export model for a while, sold on a couple of months ago. Aside from the scratchplate and bell-plate I see no difference to the export model. Incidentally, it was a peach for customising...changed the bridge to a BadAssII, the machines to Schaller and stuck in a John East pre-amp (also in black). On the downside, I had to rout out the back of the body to accommodate a battery box as the cavity wasn't big enough to take the John East and the battery. It sounded fantastic...maybe a little too big. The only thing I really didn't like about the model was that because it's of a more slab bodied design, there's a distinct lack of a proper chamfer under my right forearm. The body does fall way a little, but the edge can become a little hard on your forearm after extended session. If you're thinking of buying one, check eBay seller thomasldh - I got mine from him and he seems to deal solely in Aerodynes. He does 'em all, in all colours. Taking into account the weak $, he's pretty cheap now. P