NancyJohnson

Sometimes the threads here kill me. Just buy a pair of wirecutters that look like the photo @Bigguy2017 posted. B&Q £5.00. They're perfectly fit for purpose. My nephew (8) showed some interest while I was changing some strings and I let him cut them to length, even the B-string. He then busied himself cutting the old strings into lengths of a few inches. If these don't work, well frankly there's no hope.

My wife likes them, I find them a bit hard going, somewhat up and down. I like most of the singles, although this is more about familiarity than anything else, plus a clutch of album tracks. It worries me when someone says they're interested in getting into <insert band name here>, more so where a band like The Cure are concerned, their back catalogue is just vast - despite there only being 13 studio albums in over 40 years (which isn't a spectacular return, albeit the last one coming out 15 years ago, so 25 years), you'd also have to factor in stuff like Join The Dots (70 tracks), the live albums and the reissues (which contain 150+ extra tracks/versions). Good luck!

I've had Fender Jazz basses and ran a '79 Precision bass for too long. Overall preference would be the Jazz. Tend to prefer two pickup basses with everything on 10, so the Jazz just gave a little more rumble and ponk out of the case. I have a 70s Aria Primary/Precision; ultimately it does what a Fender would do except it has Aria on the headstock. I'd describe it as 'gnarly' from a tone perspective. It's definitely a keeper.

I remember seeing an auction on the Gardner Holgate site a few years ago where someone paid £400 for some wood shavings from a guitar. People are stupid. People with deep pockets will buy anything. If baked beans were £500 a can, people would be eating them with toothpicks and saying how delightful they are and how they pop. https://www.guitar-auctions.co.uk/sale/166/551/Jimi-Hendrix--wood-shavings-from-the-Zemaitis-twelve-string-acoustic-guitar-played-by-Jimi-Hendrix-in-1967-framed-with-presentation-plaque-21-x-17--From-the-collection-of-Keith-Smart-chair-of-the-Zemaitis-Owners-Club-When-a-club-member-restored-the-guitar-he-sent-Keith-some-shavings-Keith-donated-some-to-the-Boat-Project-charity-some-to-the-Zemaitis-museum-and-framed-a-number-up-for-himself-This-is-the-last-frame-that-was-in-his-study-at-his-home-and-comes-complete-with-various-copies-of-newspaper-cuttings-and-a-reference-DVD-containing-news-reports

Crikey, his Hamer Cruisebass went for $26k. I have little respect for provenance and even in times like these, there's too many people with very deep pockets that can afford to buy these things ne'er to see the light of day again.

I'm old enough to remember the old OLP Stingrays. A mate had one; QC on delivery was horrific, but after a bit of jiggery-pokery it played really nicely.

All me own work, guv! I should be working in design. I have another one on my PC.

Wonderful Christmastime by Macca/Wings makes me feel very warm and fuzzy any time I hear it. My dad loved Christmas. Little kid joy. I just remember him, 7.00am Christmas morning, opening my bedroom door, cup of tea for me in one hand, a little Hitachi radio-cassette player in the other, Wonderful Christmastime blaring, and him shouting, 'Come on boy! Time for the up! It's Christmaaaaaaas!'.

I just did a little bit of sick.

I'm not really a Beatles/McCartney fan as such, but I do have a soft spot for Wings, so that's it for today. Red Rose Speedway, Band On the Run, Venus & Mars, At The Speed Of Sound, Wings Across America.

I worked for a watch company a few years back; the whole black Friday thing is a bit odd and somewhat of a con. Tons of our dead stock/undersales would go out to the bigger stores, overpriced for a while and then miraculously slashed by £££ to clear. It was all horribly manipulative; there were no real bargains. I'm assuming the same applies in every sector.

I'd just take Obscure Alternatives by Japan, the book John Dies At the End by David Wong and some decent nail clippers.

Always felt a bit underwhelmed with Fenders. Owned three or four in the hope that they'd simply fit in, but nah. Just on the subject of Jaguars, the ones with all the switching options, reckon we're all of the belief that we'll be flipping the switches with authoritative command mid-song and dialling up these fantastic new sounds; truth is we'll find the sweet-spot and rarely move away from that setting, thus rendering the options redundant. Personally, if you have a desire for a Fender, buy used or better still buy a Lakland or a Sandberg. These are way better instruments.

Shudder To Think. What a band they were.

I do find gear with provenance to be a bit of a weird thing. The sadness is that many fans will not have deep enough pockets for (most of) this stuff and inevitably they'll end up in the hands of the Hard Rock Cafe or as vanity purchases by people who have little or no intention of ever playing them. I'd put my hat on most of this stuff never seeing a live stage again. Shame.

I suspect he's not particularly concerned what the woods are, so long as it's stable and straight. I can set up/level etc. without too much issue.

I'm curious, has anyone bought one of those Chinese sub-£100 Fender-styled necks off eBay? I have a project incoming from a mate and have been asked to source an inexpensive neck ("not a maple board").

I saw this posted on Anderson's YT channel and honestly couldn't be ar$3d with it. The bass videos aren't anywhere near as good since Nathan King left/stopped. (Mersey Rod/Drain Unblockers had just posted and that's way more entertaining than these two.) I know a lot of it is in the edit, but there's absolutely zero chemistry between these two and a distinct lack of worldliness from Cici. Christ, even my wife watches the Captain and Pete stuff.

I played one of the Tributes at a Dawsons store when they came out. Action was about 15mm at the 12th fret. Makes you wonder whether guy doing QC that day was allowed to bring his guide dog in or not.

Cort ... I'd like your basses a whole lot more if you stopped cutting this bit out of the headstock.

If you're making a true copy, the LS9 headstock of below. It's the same as all these Epiphone Les Pauls, the headstock is wrong. They seem to be able to do it properlyish with Flying Vs/Explorers/Thunderbirds, but can't resist putting an adapted headstock on anything 2 or 4 aside.

The main problem with Epiphone is the headstock. I'm sure they're reasonably adept at creating fairly adept body-copies, but in the past they just knob around with the design. Do you really want P/J pickups (again) and this munter of a headstockon the Ripper/LS9?

Anyone ... Make a reliable, small (DG M200 sized), affordable, loud poweramp. Something that's small enough to sit on a board. Just a power switch, a line in, a Speakon speaker output and a big feck-off volume/gain knob. If you want to get all fancy, a 9v/18v output as well.