NancyJohnson

I worked for a medical company for ten years. Colostomy products in the main (although we did do the writickets for Reading and Leeds festivals). Got the runs? Eat marshmallows. Bag filling with firm poop? Eat a couple of bananas.

I think the thing is, these get buried within long threads and if you're not contributing or reading those threads then you're unaware; simple as.

Already on pre-order!

I have an A/O 900, honestly thought it was going to be a revolutionary solution to my tone needs, but it wasn't and it's ended up that I just use the poweramp side with a GED2112 or dUg plugged in. My ears did prick up earlier today when I saw this, 500w or 900w is academic, but the tech just seems to reflect what TC Electronic were doing with their TonePrint kit a few years ago and what Line6 were trying to achieve two decades ago. Realistically, the natural conclusion is that Darkglass just need to bring out a small-box poweramp with a lone volume control on it. No tone controls, just let your phone control everything.

Yep. I had the original album and lost it somewhere...got 21 Thorns (the expanded version), it's a belter. I love a bit of Jean Beauvoir!

Crown Of Thorns.

He's got cold hands, not constipation. 🤣

It's an odd question. You should never somehow feel inadequate/inferior/unworthy because your gear doesn't costs thousands of pahnds. Play what you want on whatever you want and if anyone looks down on you, just punch them in the throat. Simple.

I think you need to have a look at some of @binky_bass basses!

Lovely work, Rob. At one point I was thinking about getting Mike Lull to make me one of these, it's Jeff Ament's JAX-T4 bodied, with a Hamer Chapparel neck: I loved the idea of an oversized body married with the Hamer neck...we did speak about it and I think that if I'd lived locally to the Lull workshop, I may have pulled the trigger, but the costs were getting out of hand; donor Hamer bass, the Lull build fees, shipping (Hamer to Seattle, finished bass to the UK), plus taxes. We were certainly nudging £7.5K.

I'm not big on the club thing, but I've owned three Ibanez Riadster basses; back in the 80' an original Roadster (happy memories), then another one (awful) and I picked up one as a project (neck, body, bridge, machines) last year. It's had a stripback and respray, new guts. It's wired into the switch and then the volume, so three of the knobs are just there to fill the holes. Sounds fine to my ears.

Lace Helix similarity aside - early Wingman guitars from Danish maker Baum also look similar.

I saw a similar schematic earlier. A different coloured board (black) and a black headstock would definitely make it look better.

Or not. Just watch. It's compelling. I suppose this experiment - with a bit if jiggery-pocket - would apply to any stringed instrument that requires pickups.

It's begging for something. Fire maybe.

I am reminded of this Garfield comic strip that carries the punchline 'It's not the having, it's the getting.' Better still, Wayne Corinne from Chasing Classic Cars ('It's the thrill of the chase.') We could all draw up a shortlist of the usual workhorse suspects (Precision, Jazz, Stingray, Thunderbird), plus a few vanity projects (Spector NS, Kubicki Ex-Factor and so on), but trust me, once you own all these, your eye will ALWAYS wander. There will always be other fish.

Guitars. I think I would have been obsessed with korina stuff, Gibson or Hamer. The pointy ones (Explorer, Vee, Moderna, Futura) and Firebirds.

My best mate is a drummer, but we haven't done anything together in years...our musical paths are quite different. I think he's at five kits at the moment, although he only actually 'drums' when he's in a band environment. From the drummers I know, most have at least two kits, plus several snares/pedals/cymbal sets. The best kit is exclusively home use only, always set up but rarely used, dust/dirt free and more of a vanity thing. The next kit (the one they use for gigs/rehearsals), is a beater...akin to the Rickenbacker owner gigging with a Rockingbetter.

I honestly dread to think what life would be like if I'd played drums; it was an option in my early teens. I'm currently up to seven basses, cabinets, small class-d head, peripherals, so god knows where things would be if I'd been a drummer. Given my propensity for just buying stuff, I suspect my drums would have looked something like this:

There should be an Arbiter waterslide decal on that. My first bass was an ivory coloured one of those. £35.00. I've put a link to one for sale on Reverb...always find it odd when sellers describe instruments like this as rare in an effort to up the ante (and the price). They're rare for a reason; they didn't make or sell that many. 'Rare' isn't a qualifier for being any good. https://reverb.com/uk/item/387282-arbiter-sg-bass-sixties-red-black

This, in a nutshell.

Suppose I've moved from clean, through very dirty, to dirty to a more hi-fi dirty. When all this was fields, I didn't really favour effects at all; I'd had maybe 15 years of just plugging into the front of an amp and that was it. Dejected with music/bands, I stopped playing for a while in the late 90s and had 'The Great Fire Sale'; I kept one bass and got rid of everything else. I was hankered into a local studio project (so no amps required) and the studio owner was obsessed with Line6 PODs, so it was inevitable I'd go the POD route, which was a revelation. I was finally able to dial in a mix of my desired Geddy/JJB dirt and it felt like I'd actually arrived. The Pod gave way to a Sansamp BDDI, then various @Tech21NYC rack and floor kit (RBI/VTBass/Geddy/GT2). All the Tech21 kit gave me the grit I wanted, but they were more controllable/responsive to how I was attacking the bass. So where are we now? I've got a Darkglass A/O head (still for sale, folks - I'd still like a Demeter Minnie), but I'm only using the poweramp side of that and I just switch between a Tech21 Geddy DI2112 or a dUg DP-3X. The Geddy is the one really, though. It sounds great with anything, active, passive, my EUB.

Maybe pin something to the top that just says 'Rickenbackers - Please read.' and put the key points there - no copies, adverts for copies will be pulled etc.

Fountains of Wayne today.