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Everything posted by NancyJohnson
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You do wonder with stuff like this whether it would be worth someone using this for a customising project. You'd struggle to get a finished MM style body at that price.
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I thought it was either Amazingstoke or (as the graffiti read) Basingc*nt.
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The main thing with 12-strings (believe me, I owned one) is trying to keep the octave strings under some type of control; I found that simply just plugging in and playing (irrespective of whether this was straight or through a a BDDI or something) was that the octaves would just ring and sound too shrill. Up the dusty end, the octave strings sounded like a mandolin playing over the fundamentals. I ended up plugging into a Rolls Crossover, routing the low end through a Sansamp BDDI and the high side through a Sansamp GT2; this just gave me the option of adding minimal dirt to the fundamentals and some proper guitary style distortion on the octaves. I could then run these outputs through a two channel power amp into two cabs, or combining through an ABY box into a mono amp (the latter was a bit hit and miss TBH).
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Sorry wrong price. I was looking at something else. They're selling just under £1K.
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There was a dealer selling on Reverb. $949. Link came through a Facebook group.
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I'd heard there was one coming. Now a reality. https://www.schecterguitars.com/bass/dug-pinnick-dp-12-detail
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What are you listening to right now?
NancyJohnson replied to Sarah5string's topic in General Discussion
Sparks for me today. Kimono, Propaganda, Indiscreet, Big Beat. -
String choice over the years has ebbed and flowed; I can possibly track this like my favourite bands, but more or less the last couple of decades saw me using D'Addarios (with the odd dip into Dunlops) and Elixirs. Nearly two years ago I took delivery of a five string Mike Lull and it's still got the original D'Addario strings that were on it when it arrived. Granted I'm not gigging every week, but the bass has had a lot of use and absurdly, the strings still sound very fresh. This is confusing me as I used to change strings so frequently, pretty much as soon as they lost their zing and pop. How can this actually be? I'm sure there's a science at work here. A better built bass, a better set up bass, maketh strings sound better longer? These strings should sound awful by now and they don't!
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I record two streams, one clean and one effected (yes, a DP-3X), then these stems go over to the producer. Down to him what he uses really; he will push the clean signal through either the BOD or Amplitude SVX VSTs. I reckon that's clean, through the BOD. It's funny calling it an album...this project has been ongoing for about three month and we've finished 18 songs and have another nine or ten either in post or awaiting vocals. The guitarist/producer is about ten miles from me and the singer about 100. Everything is being done remotely. The studio is a playground.
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I used the Euro LT on this. https://fb.watch/1F48jJJKno/
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I saw the NS Pulse video about an hour ago. Certainly not on the market for another Spector (unless they do a Spectorbird, but that said, I so like the five-string paddle headstock over the more scalloped ones:
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The XTC - This Is Pop documentary is five star.
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And she's from Basingstoke.
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What are you listening to right now?
NancyJohnson replied to Sarah5string's topic in General Discussion
We've just finished up track #18. Shameless plug: -
What sets off your BROCD? (Bass Related OCD)
NancyJohnson replied to donslow's topic in General Discussion
When you look at bridge saddles and know there's no way the bass will intonate properly. When the strings don't line up with the pickup polepieces (even though it's unlikely to affect the tone). Curly guitar leads where the curl has gone backwards. People who use Gaffa tape to hold their straps on their guitar. Amp head overhang. -
This_Policy_Hurts_MIX1.mp3
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I honestly don't know what the hold up can be. Didn't Gibson lose the body shape European trademark for all their Thunder/Firebird designs (and the old pointy stuff) a year or so ago? I like the Korean 4X model, but not enough to swing for one...god, imagine a 4X in that purple LT finish.
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Personally, I believe the 50s-style Juniors (top) are just better looking compared the the DC tributes (bottom). Gibson made a frankly lazy (and horrific) decision in going with the front rout and scratchplate on the Tribute model, especially as we live in a time where Gibson are doing all these correctly-specced 50s/60s/70s legacy reissues of Les Pauls etc. I'm sure the new ones play nicely, sound OK, but, well, nah. Yes, I know I could order up a custom shop one, but not at £3-4K a pop. Spot the difference: ...sorry, an edit. This is what lurks under that scratchplate. Oh, the horror. It also alludes that they actually did the finish before they routed out the body. Sheesh.
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I don't really have many thoughts about bass related gear. I'm lucky enough to own some lovely basses and backline. Happy, I suppose. A Spector EuroBird with a nice top would get me moist, but I'm not holding my breath. Non-bass related stuff, I'd like Gibson to put out an affordable (sub-£1K, I suppose) 50s doublecut Les Paul Junior. GAS? Vanity purchases more than anything else. Still hunting for a Hamer Cruisebass, might buy a second Darkglass 1x12. If Gibson pull their finger out, I might swing for a (used) Evil Robot combo if one became available. No rush.
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Is there no end to Fender's reinvention of its legacy models? Decades old designs, rehash, rehash, rename, custom colours, tick a famous signature on it and sell it for $$$, yaaaaawn. It's not like there's not a bass in the marketplace that has a pickup in that position. I forget who it was, but I seem to remember an old bloke who owned a biggish guitar company set up with another bloke and made a bass with a pickup in that position. Oh, what was the name of that company? The model was name after a fish. Perhaps if I take an old Jazz and put 5 pickups on it there'll be a NJ Signature Model in the pipe.
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What are you listening to right now?
NancyJohnson replied to Sarah5string's topic in General Discussion
Emerson, Lake & Palmer. Please don't tell anyone. -
Moving an album forward, anyone here remember that a clutch of tracks from Kamakiriad were released (mainly as b-sides) with just the drums, bass and vocals?
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Get a dUG DP-3X. Seriously. It'll do the BDDI thing. It'll do the Geddy thing. It does the dUg thing.