Al Krow

Well I did identify a bass that ticks all the criteria you gave us in your OP Mick (the Yamaha BB735A), but was that was entirely ignored 😁 Tbf if I was getting a 5'er that wouldn't be my "one" (or even one of my "six") although it's still a LOT of bass for the money.

Made for interesting reading, thanks! They certainly back up the importance of the neck: "single most important wood decision you make about your custom built Alembic is the neck, for the neck is the foundation of the sound." The reference quote to "magic minimum number" you made was in relation to 3 piece maple necks with opposing grain on either side on their Signature Standard Bass. Exactly what Spector are doing with some of their Euro 5LX, including my own, and from an aesthetic perspective it's relatively subtle in appearance and fits so well with the neck through design. I guess I'm coming to increasingly appreciate just how carefully and well designed Spector basses are, the more I get to know about them!

Duplicate post!

Our discussion has got me thinking, if they don't provide any material benefit why do makers e.g. Yamaha go to the trouble of making a laminated neck? Came across this interesting snippet on the net... "It is interesting that many makers involved with premium instruments also chose to experiment and often adopt multi piece neck construction. When looking at the custom Jazz guitar or Bass guitar markets, 3 or 5 piece necks feature heavily. Some of the reasons given are as follows: All other ingredients being equal, a laminated neck offers more stability and stiffness, reduces the likelihood of dead notes, improves tone evenness and response, improves resistance to warpage and twists etc….but it’s also more expensive because when used as a way to enhance an otherwise good design built with quality elements, you are adding extra work. And skilled labour at that. A 5 piece neck has 8 surfaces that need to be sized, cut planed and glued before the resulting block can even be prepared for becoming a neck. Compare that with using a 1 piece neck that just needs to be squared once before being ready to start its journey to becoming a neck. It’s not surprising that even premium priced large volume production manufacturers would rather spend a bit extra on wood selection rather than get involved in the extra work, labour and cost required in producing good laminated necks." I think a number of us are of the view that necks do play a significant part in conveying tone and sustain and is more important in doing so than the body. I've taken on board the stability and stiffness comments about laminated necks which I think most of us are agreed on, but the view that lamination improves tone evenness and response and reduces the likelihood of dead spots are additional benefits that I wouldn't have thought about prior to reading the above. Be interested to get @Kiwi's views on these two aspects and from any others with experience / expertise on this topic.

That's good to hear Chris, but as you'll appreciate not a guarantee. I guess the analogy is that I've never had a single piece of kit blow out on a gig, but plenty have. And several folk on this thread have come across neck issues on their travels; my own experience which has put me on guard was a twisted neck, also Fender as it happens.

Just had the very pleasant realisation that all of my 8 electric basses ranging from Yamaha, Ibanez, Shecter, Spector and KS have laminate necks. Must have been a subconscious tick in the box for me all along! Some of the laminate neck woods are very closely matched so it's not immediately obvious from a quick look that they are actually laminated (e.g. the so-well-designed Spector Euro LX or Ibanez GVB 36) and others are hidden by the paintwork (e.g. NE2) while the rest make the choice of contrasting woods a very attractive design feature.

P Bass through Tech 21 BDDI from our very own @dodge_bass. Loved it - great bass tone!

That's a top notch recording with a great bass line, Ian. Loved it - bravo mate!

@Woodinblack know you have a B3N, dunno if you've used it with an iPad?

This exactly. Big cull of unused pedals last year which were sitting around waiting for attention which, despite Covid, never came, means that the remaining few are getting used, understood and enjoyed. Most recent basses still in my herd were bought 16 months ago, which feels like a geological time span with my gear-o'holic habits! The counter to the counter is that I don't have just one or two basses - I've got nine of different styles and varieties ranging from 8string and EUB to more standard 5ers - and each of them gives me a lot of pleasure. The variety seems to keep them all fresh which, in the absence of gigs, has been super helpful for motivation.

Got a little lost in the philosophy debate, but I've checked again what the OP is looking for, and the bass that seems to tick all his boxes as set out in his final OP paragraph is the... Yamaha BB735A

Very much so, thank you. I will sleep well for the first time in a long time, tonight.

Mick - you could soldier on OR just get yourself one of these...Yamaha BB735A Bass Guitar | Bass Gear Magazine "features 5 strings spanning 21 frets on a rosewood fretboard, topping a 5-piece mahogany and maple neck mated to a 3-piece (front to back) alder/maple/alder body, employs a great 3-band EQ circuit (switchable to passive) fed by passive Yamaha AlNiCo P/J pickups"

Nicely put Phil. Except...speak for yourself when it comes to a BF 8x15, I'm sticking with my BB2 😁

I think that's a slightly sore question, given that I encouraged him to get a 735A at the same time as I got mine! But it's having two 1200S that I find is just plain rude 😁

That's a quality BB collection you have put together!

Thanks for sharing that Q - enjoyed it a lot. Congrats on the FI patch. Jamie Stillman's comment on compression definitely brought a smile and the Korg Miku is just MAD!! I want one 😁

The guy has impeccable taste 😊

Was interested how this would work as a pure valve drive, with its single 12AX7 - you get to hear that at 4.09+ to warm up an amp. Sounds good, but not sure its going to be too different to a mild fuzz setting on a decent fuzz pedal e.g. the Tech 21 Red Ripper.

Anyone know which Yamaha is being played here? Looks like a reverse P so a MA version and the EQ doesn't look standard either.

You seen the rather nice black VM5 in the FS with the 3 band Glock EQ? Was very tempted to get that one myself!

A very tasty black BB 1025x to add to that rather nice surf green 1024x and a good value 605 all in the FS currently.