Al Krow

Spent a couple of hours with my board wiring looking like Spaghetti Junction! But it's a definite improvement putting the bitcrusher and a couple of drives in the SY-1 loop and having a clean synth blended with these others in parallel rather than in series. That's going to be my default setup going forward. Progress!

Er hmmm. Can I just remind folk that some people are willing to pay EXTRA money for that 'crapped* on' look! Apparently like fake [insert anything you like] it adds that elusive "mojo" and makes your audience regard you as some sort of minor god.

WOW!! So you've been letting this gnaw away at your soul for the past SIX and a half YEARS?! 😂😁 Glad you've finally found peace with your last post. EDIT I take it ALL back! The truth is that you had completely forgotten about this until @stewblack dragged this thread up from the deepest darkest dungeon from a time when no one had even heard of 'Brexit'!! to find new life in 2019 by giving it a sneaky 'like' 😊

Yup, there's nothing worse than being a frustrated anti-nerd. Other than perhaps being a frustrated nerd? You have my deepest condolences 😂

Actually that's a pat on the back for GAK for being willing to give you a pretty hassle free exchange. They maybe willing to give you a freebie if you say it's going to save on courier costs etc. See if you can sweet talk them! I'm still waiting for a refund from Bax for a faulty pedal I returned and which they've confirmed they had received back 4 weeks ago and this has required several calls from me to progress!

Hope you get that sorted / a decent response from GAK

I know, but I'm trying to feed you ideas in advance so that we don't breach your nerdometer! 😂

Send / return loop "With the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations." @Woodinblack @fretmeister - you guys given any thought to using the parallel loop capability on yours? Going to be a choice of either a drive pedal or a bitcrusher for me. @Quatschmacher does the two input / two output set up on the SA pedals (e.g. the C4 / Aftershock) provide a similar parallel loop. My understanding is that it works slightly differently by letting you route two inputs to two outputs as a 'flow-through' rather than as a loop - be interested to know what you use you've been making / could think of of putting this to?

My experience with cabs is that there is often a very good correlation between price and quality. I've just tallied the cabs I've tried out since starting out on bass and it comes to 11, which I would split into 6 high-end, 3 mid-range and 2 budget; and the high-end cabs have all been better than the mid-range ones which in turn were a step up from the budget ones. In terms of mid-punch / tone I'd actually rank my BF SC #6 out of the 6 high-end cabs I've had, but it's plenty good enough for me. It is, however, #1 for portability coming in at just 21lbs. Of the 11 cabs I've owned and used, I've held onto three and my BF SC is one them.

Sold Isabelle some music software. Transaction went smoothly and she made prompt payment - all good!

For now. Today. Could be the high point of our season. Always particularly good to beat Man U. But then everyone enjoys beating Man U, right? 😂 You can tell I've been through too many seasons of just "staying up" by the skin of our teeth! Why I posted the league table as it stood 2 hours back. ...and btw Mick you're already out of date within 10 mins of your comment!

Soz mate and apologies. You'll need to understand that as a WHU fan, such moments don't come along that often and have to be shared / savoured! And this one has been on live telly unlike the Sat 3pm ko's. Do you successfully get to MOTD 2 without hearing any news? I've tried in the past and it's blo*ody difficult. Even the fact that the pubs are quiet driving home after band rehearsal after an England world cup match is a giveaway that we've lost...

To my fellow WHUFC fans and the OP in particular: Two Spector basses for us both (right?) and two passed Man U. Sundays don't get much better than this do they? 😂

Is that one you've just bought? If so the new 3 series was only announced in March 2017 (and that was the prompt for this thread in fact!), so yours must have been a relatively early production run soon after they were announced. I actually bought my BB 1025 in Jan 2018. But the headstock number starts with HLX which puts its date of manufacture at Oct 2015. Apparently it was the very last of these available in Europe according to the Yammy store, or so they told me!, and they were at least offering them at pretty decent end of line discounts. What got me thinking about this was a recent Spector bass purchase and the retailer disclosing that it was a 2015/16 year of manufacture when I was getting some background information on it. (I've since pinned it down to Sept 2016). Well that gave me reasonable ammo to negotiate, 'cos it was clearly 'New Old Stock' rather than a brand new bass. Certainly something I will be more aware of going forward! Overwhelming view from fellow BC'ers and TB'ers is that they year of manufacture is the relevant date: https://www.talkbass.com/threads/whats-the-relevant-age-for-a-bass.1418849/

Please remind me to sign up as soon I get an FI!

Let's please not get overly technical here. The MAIN point in all this, is that the DG is prettier, right? 😂

Great suggestion Darren! Good to see Peter finally starting to get a fair reward for his efforts and glad that you've persuaded him to set aside all that guff about: "If everything in this life were only done with the expectation of financial gain, then it would be a miserable existence." 😂 Let's face it, life with no money is even more miserable and everyone should be entitled to fair compensation for the effort they've put in; particularly when they are providing valuable services to a commercial outfit. Well that's my old fashioned view on the subject, anyway! If I ever get another FI, I'll certainly be signing up to Peter's Patreon account and filling my boots with his excellent patches.

Check the very first post in this thread - I've posted a comparison table there, which I did a while back for another BCer, for ease of reference. Shows the difference in design and materials between three of the Series 3 basses. The P34 will be pretty similar for actual materials to the 734A but is purely passive. In terms of finish: it's MIJ and has one of the Yammy bespoke sonic treatments (and I think dB mentioned having the fretboard additionally oiled also?)

Defo gotta improve the quality of dem jokes Mr DB5 😁 Have a great gig! 😊

Interesting! What are the first 3 letters of the serial no?

Just had a slightly nerdy session dating my Ibby and Yammy basses. In case this is of interest to any one else... The more modern Ibby SR Premiums are a doddle to date: the first four numbers are the date (and the remaining 5 digits the production run number in that month) so 1608xxxxx is very easily Aug 2016 More recent Yamaha BBs seem to use a YY-M format with the first 3 letters providing the date, but using the following code: H=1, I=2, J=3, K=4, L=5, M=6, N=7, O=8, P=9, Q=0, X=10, Y=11, Z=12 => HMI = 16-2 i.e. Feb 2016

Ah you sing as well as play bass! And are now playing a Yammy BB. Gets better and better!

Phew!!! Ok, I don't need to sell any of my herd then! I know I'm fortunate to have a few decent basses to play and I love having them. As you say, they don't need to be expensive to be great basses. But I kinda feel that, space permitting, having some really good alternatives somehow keeps them all fresh. Well that's at least how I've sold it to Mrs Krow 😂

With pleasure - let me get my Focusrite & DAW sorted (bear with me - maybe a couple of weeks with other stuff on my plate!) and I'll post a couple of clips.