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Al Krow

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Everything posted by Al Krow

  1. Al Krow

    Boss SY-1

    Well it's by no means a daft idea! The single key limitation of the SY-1 is its lack of presets. With 500+ usable sounds it would be great to be able to easily capture them, but you would still need to remember which setting did what and adjust manually. Recording via midi doesn't really address the issue of lack of presets! But anyone who has a Focusrite (or similar) interface + DAW should already be able to do what you & SM are saying, right? The Future Impact has midi connectivity (but no USB); the Source Audio C4 has USB (but not midi); the Boss SY-300 has both.
  2. How well a bass balances really does make a massive difference, doesn't it, to how comfortable it is to wear / play. And having a sculpted body doesn't hurt either!
  3. Hi there! The consensus from us Ibby fanboys is that there is quite a step up in the quality of the pups between the Barts on the SR Standards and the Big Single Nords (which are just great) on the SR Premiums. There is no change in preamp between the different Ibby SR ranges. It's the Barts that are being too polite. If you can get hold of an Ibby SR Premium you'll immediately notice the difference.
  4. Actually, for once...phew! I'm just about to run out of rack space and as the Greek has helpfully defined for us, that defines 'enough' basses doesn't it? So I guess I'll be leaving you 4some lovers to part with the readies on this one then! And I'll hopefully manage to avoid being caught hook, line and sinker this time around! ๐Ÿ˜
  5. Al Krow

    Boss SY-1

    Remind me what it is that you're looking to achieve with all this midi and USB compatibility you're after? And is this something that can be relatively easily done via your Focusrite? Fyi the SY-300 does already offer midi & USB port. I understand it has the same synth engine as the SY-1. It will, however, set you back a tidy ยฃ507... I'm kinda happy to miss out on the midi and USB port, use my Focusrite 6i6 and pocket the ยฃ332 saving!
  6. Yeah! And just when I informed Mrs Krow I'd bought my final bass. How she laughed โ˜บ๏ธ But are they going to be doing a 5 string version?
  7. Cheers buddy. Almost identical to yours (well what did you expect from a fellow WHU fan? โ˜บ๏ธ ) but yours has the perfect - from my perspective anyway! - 3 band EQ and PJ pup configuration. Just weighed and it's coming in at 10.1 lbs, which is bang on the same as my Yammy BB which I regularly gig. That's a nice surprise I guess the difference in woods between ours is going to explain the difference in weight if yours is heavier?
  8. NBD - it's arrived! ๐Ÿ˜€ Spector Euro 5LX Having taken more of a shine to my mid-range Spector Legend Custom than I was expecting, my appetite was definitely sharpened for one of the higher-end models. When this one came up at 'sale' prices at Andertons, I found it hard to resist! Mine has a quilted USA maple top and the body is alder with a walnut strip in between the body and the top. The neck has a 3 piece maple construction. EMG 40-TW pups, as mentioned above, and 2 band EQ, but with pull selector on both individual volume controls to switch from humbucker to single J. Very quick initial thoughts: Not particularly ever been a quilted maple person, but I could definitely get used to this. And the sculpted back on Spectors is a real treat. Liking the tonal palette of humbucker / single J options, although I'll need to be mindful of the volume change when switching between the two if I am doing this mid-set. I'm immediately drawn to solo'd J bridge for a more aggressive tone and either humbucker for fulsome punch: the humbuckers aren't shy retiring types by any means in the terms of their output! My two Spectors definitely bring something different to the party compared to my Yammy PJs or even my Ibby SR Premiums. And although selling a Squier Bass VI to mangoT has turned out to be an expensive pastime, I can't say I'm regretting it ๐Ÿ˜Š ... and I hope you'll excuse one more belated pic, just wanted to capture the walnut strip between the body and the top which is a really nice touch. Amazing how differently the camera records the colour, depending on the light!
  9. Knock ยฃ12.99 off for shipping. That leaves ยฃ60 for the bass. Does that imply around ยฃ10 to ยฃ15 for the pups? I didn't know anything vaguely decent existed at that price point? Although if the "snug fit" of the pups is anything to go by, we're likely to be getting what we pay for! In my experience it's defo possible to pay too little for stuff. I'd be very concerned for anyone starting out on bass that this could be one of those occasions. Loved the quality of the review btw ped. But, genuinely, would you recommend it to someone starting out?
  10. Spot on. Just had 15 mins sorting out a pretty decent patch on HX Stomp. => Two 'dual pitch' effects in parallel (totally pants in series) with pitch shift on one set a 0, -12 for octave down and the other at +7, +12 for 5th and octave up to create a Fishman 5-8 patch, does the trick nicely. [Aside: the ability to do a decent pitch shift without significant latency is something my Zoom multis have struggled with, and placing effects in parallel is simply not an option. So it's at this more processing-hungry end where the newer HX kit really comes into its own]. Can thicken up / make more aggressive by combining with fuzz. Job done! And actually that would work really well on tracks like Bruno Mars' Runaway Baby - sounds a lot fuller than something like the Digitech Mosaic with its single octave up. Although tbf I've still not found anything that tracks as well and with minimal latency on the Stomp as the Mosaic if you're looking for a polyphonic single octave up (e.g. to get a 12 string guitar effect), so the Mosaic continues to survive for another day - sorry @bassfan
  11. That's perhaps the most damning with faint praise comment I've come across all year. Brilliant!
  12. Well as you'll see from the pics when it arrives a bit later, it's clearly not a very good one as it may force me make use of the mid EQ dials on my amp which I resolved I would try to avoid needing to do with active basses. FAILED On top of that it has two EMG 40TW pups which require a push/pull pot for switching from single coil to humbucker, so the BT and BQ onboard premps you've been raving about aren't recommended for this, as the balance control included with the system can't then be installed. FAILED It weighs over 10 lbs and is 'NOS' from the serial number dating it at almost exactly 3 years old. FAILED. My head has clearly been mango-tango'd with! ๐Ÿ˜‚ ...although there is a rumour doing the rounds that Spector basses with EMG 40s have a fantastic mid-punch and won't require any further mid boost?
  13. Oh dear...apparently DPD are going to be dragging (I hope not literally!) something to my door this afternoon. I really thought I was just selling a Squier Bass VI a few weeks back and thinning the herd but I've now ended up on a Spector quest instead. How did that happen? Conclusion: be very wary of selling @mangotango any gear whatsoever, chaps; the consequences are unforeseen and it could just prove to be an expensive decision! ๐Ÿ˜‚
  14. Dosi - do you know what the Quint Machine, which I think was first released in mid 2014, is like in terms of tracking and latency with bass? If it's good on both these counts then this could be a very interesting alternative to the Digitech Mosaic on my board, particularly at Thomann prices. The only decent reviews I've seen so far have been on guitar and, let's face it, tracking the low notes on bass is a whole different string game! The tone report review is pretty glowing: https://tonereport.com/reviews/t-rex-quint-machine
  15. Al Krow

    Boss SY-1

    Well that's 3 out of the first 4 posters on this thread now accounted for then! ๐Ÿ˜€
  16. Al Krow

    Boss SY-1

    On a more serious note, could you not do what you are wanting to achieve by routing the output of the SY-1 via something like a Focusrite interface?
  17. Al Krow

    Boss SY-1

    Then aren't you just left with a thru midi connector and a USB 2.0 port? ๐Ÿ˜‚
  18. Haha - that's definitely going to split bass-land right down the middle! I think there are as many folk who prefer the jack placement on the side as they do on the top / front!
  19. Al Krow

    Boss SY-1

    It's been around since 2015 :) It isn't however cheap as chips!
  20. Al Krow

    Boss SY-1

    Check out fretmeister's YT link above, if you haven't done already. It's actually a pretty good intro to what this pedal can do on bass. But there are easily north of 500+ distinct synth tones this thing can put out, pretty much all with flawless tracking. Gonna keep me out of mischief for a while!
  21. Al Krow

    Boss SY-1

    Cheers SM! Was using a little program called Song Surgeon, which I bought a few years back on line to help me with key changes for when the band were doing covers in non original keys. It also let's you change the tempo whilst keeping the original key (or even changing both tempo and key if that takes your fancy!) but which I've not really made use of until now No SY-1 stuff on there krispn, just speeded up. But 80s synth is very much where this pedal is at methinks.
  22. Al Krow

    Boss SY-1

    Well here's my promised uptempo version of the Yazoo classic. Completely ruined? ๐Ÿ˜Ž Not a glitch in sight, eh H? ๐Ÿ˜ Yahoo - Only You (Uptempo & lower).mp3
  23. Al Krow

    Boss SY-1

    I am indeed fine with making pedals available to fellow BC'ers, whom I've got to know, as Q will be able to vouch But there are a couple of pedals that are in regular use / exploration on my board and this one is one of them! Had to wait patiently for the best part of six weeks from first getting excited about this pedal, waiting for non existent bass reviews to materialise, taking the plunge and it finally arriving. So this one ain't going anywhere fast! ๐Ÿ˜‹ Put your orders in with PMT and get in line, gents. You won't be disappointed. Well most of you anyway - as H has rightly pointed out, this pedal ain't for everyone ๐Ÿ˜‚
  24. Al Krow

    Boss SY-1

    Hearing Alison Moyet / Yazoo's 'Only You' on 'Synth Brittania' brought back a few memories! My favourite cover used to always be the Flying Pickets acapella version. Selena Gomez slowed it right down in 2017, not sure that did anything for me. Kinda thinking speeding it up might be the better way to go with this particular iconic track...give me 45 mins ๐Ÿ˜‰
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