Al Krow

Nope not ditched all my pedals. IMO Stomp can't do the following as well as dedicated pedals: synth (cos it doesn't have a synth engine); octave up or bit crush. Jury is out for me on drive / fuzz and filter. It's not too bad on plain vanilla octave down but it's certainly no DOD Meatbox (but then what is?!) Can handle pitch shift, and other modulation effects (chorus, delay, flange etc) well. Seems to have got the thumbs up on compression from several BCers. It's pants as a looper compared to the 6 to 8 hours recording and 99 memories available on dedicated loopers. It can manage all of 60 seconds so do hold your breath. Very capable EQ and should be a decent hpf / lpf (although I've still kept my Thumpinator for now for hpf duties). Supposed to be pretty darned good at amp and cab sims, but as I'm very happy with my amps and cabs not an area that will be particularly relevant for me, but if you're thinking of going IEM then it could well be just the ticket. And it's a blood*y good tuner 😁

Feedback from the band is we should simply turn down gigs at venues with sound limiters. Quite a radical approach. But I can see the sense in it. Anyone else gone down that road?

Just back from a wedding gig. Our first experience of sound volume limiters at venues - talk about spawn of the devil!!

Interesting - seems that I should maybe equating the TKS 1126 + tweeter with the BB2 and the TKS 112 (tweeterless) with the BF SC? I actually find the BF cabs a little lacking in the mids, as it is, so if the 1126 is more 'scooped' than the BF it's likely to be going in the wrong direction and the Fearless F112 will continue to be the cab for me (just waiting for @dave_bass5 to decide it's not 'quite right' for him and to sell it back to me. Give him a couple of weeks...😁) Did you consider getting a pair of 212s (or possibly a 410) instead of 4 x 112s?

You've clearly been subliminally influencing my thinking (again) then!

THREE 112s!!! Btw when you said the TKS 1126 was more hollow than the BB2, are you essentially meaning more mid scooped?

Was that due to a nosiy circuit?

How about ones for different coloured basses then? And obviously separate threads for different scale lengths is a must.

@4000 I guess on the flip side you've had some awesome basses!

Could we have separate threads for 4, 5 and 6+ string basses whilst we're refining things, please?

Has that already gone?!

That would have been very kind of you dB. It seems to me that 'growl' & 'bite' are integral to the AO pedal and DG have simply imported the AOmicron features lock stock and barrel on the AO900. They don't appear on the DG M900 v2. This has definitely become an official de-rail now - lol! Sorry!

You maybe right - my source of info was at 4.48 of this review by this crazy crew who's YT reviews I do enjoy a lot!

Agreed! Nope (my Mesa M6 doesn't have a built in comp so the Stella still has a place). But there will be a vgc DG M900 v1 wending its way to the FS very shortly...and the B3K on that amp does work very well with Yammy PJs (See what I just did there? Gave a forthcoming FS item a shameless plug Got things back on topic! ) 😁

Haha! You've rapidly taken the place of @lee650 as my biggest customer... who knows I may end up trading you it for a decent one-hand-carry112 cab in the near future 😁

The stellar Stella is also a VCA comp and got high praise indeed from Simon; but it's currently living on my home PB. A bit like you I'm also going to be using the built in drive on my amp and the Hyperluminal comp is included "for free" so it will be rude for me not to use it! 😀 Just glad that the AO drive is getting such unsolicited high praise from you as it just so happens to be the pre-amp drive stuck onto a pretty decent 900W power amp that's shortly making it's way over to East Landern, and is going to replace its predecessor DG M900 which has been my trusty engine-room for the past 18 months. You've defo got me looking forward more to this upgrade than I was 12 hours ago

That's a big vote of confidence from someone who knows a thing or two about great bass tone! Are you still making the pedal work well for you with your sets? Yup I should definitely get hold of one to put through its paces, maybe with a Hyperluminal VCA comp chucked in for free!

I've often felt that my Yammy BB's worked better than my J basses with the B3K drive on my DG M900 as the PJ tamed the fizzy top end of the B3K. (I seem to recall that @dannybuoy may have come to the exact opposite conclusion which just goes to show!) A few Yammy owners (past and present!) have mentioned they're also fans of the DG AO pedal and encouraged me to give the AO pedal a try out. I've not really been able to get my head around how best to articulate the difference between the B3K and the AO, but have stumbled on this YouTube post which has the B3K and AO A/B'd and played through a BB 735A. Bit of a niche post, I appreciate, but may be of interest to some...

An old but another excellent @mcnach thread worth me resurrecting, rather than starting something afresh on. So mcnach, dear chap, where did you land on in the end on your cab choices? I was really surprised to read in your OP that the TKS 1126 was mid scooped - I'd have wrongly presumed that with the dedicated 6" driver it would have nailed the mids (in the way that the Fearless 112 does). @Dad3353 really grateful if you could give this thread your magic touch refresh for us please, as there is a lot of useful BC wisdom on the earlier pages!

Ah yes, it's so obvious now you point it out! Now you come to mention Jamerson also played a Fender, so it must be true...

Why are your bass lines always better than mine, Dave? 😎

Really liked that @Twigman! Didn't miss the synth keyboards at all in the mid 8 - besides you could just get a Boss SY-1 and sack him 😂. Looked 500+ in the audience? Were you guys headlining?