Al Krow

Excellent, thanks Frank. I suspect there may be a couple of other London & surrounding area bassists who would also be interested in this (and if not, I certainly am!) - let's see if we can set something up offline. And Brick Lane is a stone's throw away from me for the après A/B Right, gents, time for me throw the towel in for today... 🧐zzzzzzz

Why did you think this strange? That's completely normal in my books - we have a peak frequency above which we simply don't register, which generally reduces with age. It's a bit like blowing a dog whistle: inaudible to humans, but not to dogs...

Yes, completely and that's very kind - where are you based? If you're closer to me than PMT Romford (which has a good selection of FRFR), I'll happily take you up on it

Me too (see the 'Can you hear it?!' thread in gen discussion for proof! 😀)

@BigRedX - I see you're using the highly regarded RCF 745A which is 15" woofer; - 3db 45 Hz to 20 KHz and 44 lbs; and you're also 5 string player. Would anything smaller / lighter be realistically capable of dealing with the low B string with authority?

@paulbuzz - some really good points, thanks. Picking up on one: I think you've hit a particular nail well on the head above. If I'm looking for something < 40lbs (which is my personal 'comfortable' weight limit) and wanting to avoid anything larger than a 12" speaker, then I'm looking at something like a QSC K12.2. But at - 6dB this has a frequency range of 50Hz to 20kHz. As a bass player, that very top end (> 15 kHz) is superflous to me, but my low B is at 31 Hz; so it's clearly not a speaker that has been designed with a focus on the bass player. I'm not sure there is anything on the market that hits the spot, in the way that a dedicated bass cab does, in terms of handling the low B string notes with authority without being a large / relatively heavy item. (Bear in mind my starting point here is separates: D class head and BF Super Compact cab).

That's actually really helpful point. One of the 'myths' around FRFR is that you need amp and cab sims to make them work well. But from what you're saying Frank, that's a nonsense. You can go bass --> (colourless) FRFR and get to hear what your bass really sounds like!

Such a spoil sport 😛

@steantval may find your tinnitus workaround helpful (as may a bunch of others folk). I think I'll stick to the just the highest frequency for the poll as our low frequency hearing (from my understanding anyway) is much less impacted by the ravages of wear & tear and age than our high frequency hearing (and it also keeps the poll relatively simple!). So I suspect we would find that there would be a significant bunching around the 20 to 30 Hz mark. What, however, might also be interesting is for you to listen to just the very low frequencies (which hopefully won't set off any tinnitus?) through a good pair of headphones and see if you can hear lower than 31 Hz? If you can't, the good news is you at least have the open low B string covered (= 31 Hz) so you're not missing out on any bass notes!

[Aside] Re your previous Q on another thread - if you're going on this particular journey, Luke, then you definitely need the greater capability of the Stomp and its amp and cab modelling. Time to let go of the B3n.

On this particular subject I don't have a problem being regarded as being a bit of a moron. Oxy or otherwise.

Big heavy rigs and paying for roadies would not be my choice for where my money would go... So, nope, I don't think you can necessarily extrapolate this to a majority of BC'ers from your own dark desires to be a rock god 😀 What about the small point of your bass, pups and strings in relation to tone? Surely that's going to play just as big a part? I've not really got into amp modelling yet on my Helix or previously on my B3n, but maybe that day will come. ********************************************** I think what I'm hearing, so far, is that if you want to create your "own pre-amp" either with pre-amp pedals or modelling AND you don't like the delicious tone that certain cabs, which are specifically tuned / geared for bass, provide, then FRFR is the way to go. They're also useful if you want to put other instruments and vocals through and can provide an angled stage monitor. But active FRFR is essentially a flavourless combo, to which you need to add your own salt and spices to taste.

Appreciate it's a bit of a side track - but I like this suggestion a lot! It's maybe something I can do via my Helix Stomp, but maybe more likely a mixture of a KMA Tyler (or similar) plus Boss LS-2. On the plus side, I'm expecting my Stomp to be eliminating a bunch of pedals on my board over the coming six months so there should be ample space to fit these two additional pedals on

What would you recommend sub wise, if one was to be foolish enough to head down that particular rabbit hole?

You can be such a flea bag at times... 😄

On the plus side, Paul, a Motorhead reunion concert should hold no terror for you...

Anyone tempted by / got this? Feel like we could do a lot of damage to a dance floor with this £900 mini monster! But not really found any good demos on this yet.

Guys, We've outgrown our little Allen & Heath ZED60-10FX, which we've been using these past few years, and are looking to get another mixing desk with more inputs. The 'obvious' choice for us would be sticking to what we know and going for the ZED60-14FX (around £350) which has 8 mono inputs, two of which are high impedance and can take guitars without needing a DI. But I'd be really keen to get your recommendations for alternatives, in particular something with: 8 or more mono inputs and with similarly good portability; the ability to store preset levels for each band member and mic to speed sound checks; I don't mind spending a bit more if the additional quality / flexibility warrants it. We go directly from the mixing desk into two active (RCF) PA speakers and currently use one smallish monitor. Thanks in advance! AK

Sorry to hear that - I'll post a warning in the OP.

Actually that would be a great second (and really useful) part of this thread - what ear protection are you using? I'm forever banging on to the 'youngsters' in their 20s and 30s in my bands about getting proper hearing protection and, forget the cost, their hearing is far more valuable!

Whilst I love its portability (my bandmates still can't quite get their head around how light it is!), I've been mulling trading up my BF Super Compact, as it has a top end frequency response of 4 kHz and I felt I was missing that top end 'sparkle' I get from my VK 210 (top end f-response 16 kHz). It got me thinking whether I was just imaging this and if I could actually hear anything much above 4 kHz anyway? So I thought I'd find out! Using a good pair of headphones, I found that I was good 20 Hz all the way through to around 7 kHz at which point I needed to boost the volume to full and then finally cut out at 13.5 kHz. So, yup, that top end sparkle / zing wasn't entirely imaginary For a bit of fun if you fancy giving it a go, we can see collectively how deaf we are. The younger ones amongst us should, in theory, do better. Hearing Test - HD (NB not recommended to try this, if you have tinnitus). What ear protection are you using to protect your hearing? Based on a remark from @cheddatom below, actually a really useful related topic for this thread is if you've managed to protect your hearing well, please do share your recommendations for quality ear protection (and price guide); ideally ones which diminish volume but without muffling the sound.

Always helpful to have the cons as well as the pros, so thanks for sharing that. What would you say are the key differences between the two? Was it just that the BB2 was 'flatter'?

Accepting that you've got some good points there, BRX, the well regarded QSC K12.2 which has 50Hz to 20kHz freq response at -6dB (to take @itu's helpful guide) says it's a 2000W power module. Well further digging and that's a peak rather than an RMS or AES number. What's the typical conversion of peak to RMS - would that be more like 800W RMS?

This ? Or just get there 3 minutes before 😛

Now there's a challenge... How about the Eich BC 112 Pro or the Fender Rumble 800? It's pretty easy to arrange tilt back...plenty of easy hacks / lightweight bits of kit which take all of 3 mins to assemble on stage to enable you to do that.