Jump to content
Why become a member? ×

Al Krow

⭐Supporting Member⭐
 View Profile  See their activity

  • Posts

    14,973

  • Joined

  • Last visited

  • Days Won

    10

 Content Type 

Everything posted by Al Krow

  1. Al Krow
    John - there's an ability to engage a Lo cut on the Ultra Low switch, which I think to all intents and purposes will function as an HPF, albeit maybe quite limited compared to something like a Thumpinator.
  2. Al Krow
    Interestingly one of the comments on Talkbass posted this morning seems to be coming up with pretty much the exact same suggestion as mine above: "Alternatively, you could use the Thru connection to split your signal. Adding effects to the separate signal path which you could then combine back in with your primary signal using something like a Boss LS-2." I've asked him whether he's got any concerns about a feedback loop arising!
  3. Al Krow
    Circuit diag The Through output looks like a clean by-pass What I'm also liking is the aux-in (either mono or stereo) which can be taken directly to the PA via 1/4" line out / headphone jack. Given that this unit is likely to be at the end of many of our signal chains anyway, to make use of the XLR out, that could be very handy in terms of not having the aux in impacted by the preamp or the preceding pedal chain on your board before the SVT-DI. Particularly useful if you've got something like a Beat Buddy drum machine on your board.
  4. Al Krow
    Coming back to the FX loop issue...the Bass the world comment at 03:20 in the OP YT clip where he says "the Through output can be used if you want to run...a parallel pedal chain" - could you maybe turn that into an fx loop by using e.g a Mooer AB-Y pedal? ie. Bass --------------------------------> A Through --> pedal chain in parallel --> B Y output ---> input of SVT DI Would that work? Or is it going to result in some horrible feedback loop?
  5. Al Krow
    Seems to be getting a lot of traction & enthusiasm over in the US - already started landing in the homes of some of the bass players over there.
  6. Al Krow
    Just been checking the video clip that Dan posted in the OP and, apart from loving that bass riff at the start (is that from a song or original?), I think there is indeed effects loop through (03.21 of the clip) - so no work around required! And, damn! That's a good meaty drive tone at 03.40... As it happens, I have just recently sold my DG head 😅
  7. Al Krow
    Yeah agreed that software is key, which is where Helix wins out over its rivals. But Headrush have a quad core processor in their MX5 which is their equivalent of the Stomp; whereas the Stomp sports the same chip that Helix (i.e. half the processing power available in the Floor and LT) has been using in their range since 2015. There's potential for significant upside with additional DSP and I think you've commented on the benefits of the additional processing power in your Floor elsewhere? Helix could potentially bring that to their Stomp which, together with a larger screen on the Stomp (similar to the competition is already doing), would be a nice upgrade.
  8. Al Krow
    Cheers Dan - good spot. A LOT of useful extra features on this unit not available on my Tech 21 VTDI, which is a great piece of kit, and which makes me think that this could be worth checking out, and would seem to easily justify the £100 premium over the VTDI: - two stomp switches which allows you to set the clean tone you want as an always-on and kick in the drive when needed, rather than having to choose between one or the other with the VTDI (or faff around with resetting the dials - not really something you want to be doing on a live set); - the dirt has both saturation level and separate volume level; - three "classic" factory cabs sims for 115, 410 and 810 cabs or up to three cabs of your own by using the (free) Ampeg IR Loader app (via USB port), plus separate volume control; - semi-parametric mids; - ultra-Hi and 3-way ultra-Lo switches (including a cut to the Lo - which I'm guessing is equivalent to an hpf); - variable compressor up to 10:1 ratio - albeit one knob functionality and no metering; - aux-in (with separate vol control) / headphone section - making it perfect silent home practice home tool. Given the prices of the recently launched Bergantino pre-amp and the Origin kit, and all the extra features this is offering over a VTDI, it's pricing doesn't seem particularly excessive? If it sounds good, Ampeg could be onto a winner here.
  9. Al Krow
    Nope hadn't seen it - good spot! Well that's an absolute beast of a unit both in terms of size and processing power. If they end up doing an LT version it could be very interesting. And what's also interesting is that it could maybe spur a response from Helix, who've not really introduced anything properly new for 5 years since Helix Stomp came out, to much excitement and acclaim. Fingers crossed to 2023 being a vintage year for multifx releases!
  10. Al Krow
    When you say "accurate" with normal muting are you not simply implying a more staccato style? But same point applies to having to use it all the time. The Boss SY-200 doesn't require you to adopt muting to avoid farting/glitching. The trade-off is not as rich synth tone as the FI delivers. So horses for courses, depending on what works best for you.
  11. Al Krow
    Not debating that palm muting is a useful technique - I use it on plenty of material. It's being forced to use it all the time with the FI even when not appropriate to the song we're playing, just to avoid the FI pedal farting/glitching all over the place that I've an issue with.
  12. Al Krow
    Haha ok. I prefer pedals that don't make you change your technique to make them work but, instead, work with you. But maybe that's just me?
  13. Al Krow
    Muting makes you a better bass player? Even when it's not appropriate for the particular bass line you're playing? Don't follow.
  14. Al Krow
    "Been using the Xvive U4 for a little while and it's been really good" - good to come across another encouraging recommendation for the Xvive U4s. Seems like most folk who've tried them as a decent quality affordable wireless option are pretty happy with them.
  15. Al Krow
    Raise the pup height at just the G string end so it's a little closer to the G string than the E string.
  16. Al Krow
    I've a similar issue with my KZ 10s - I think these tips have been recommended on this thread and I'm about to try them out: COMPLY T-400 Sports Isolation Earbud Tips
  17. Al Krow
    Phil are you using the plastic/rubber tips provided with the KZ 10s or have tried other tips with them?
  18. Al Krow
    Yes, mine has single and dual coil pull/push switch. I get a really nice crisp tone / greater clarity in single coil mode. Just checked and as @cetera said, it did indeed come loaded with EMG 40TWs.
  19. Al Krow
    Thanks for that and helpful to know. But unfortunately we're limited to 1/4" jack sockets for our monitor outs from our desk.
  20. Al Krow
    Apologies if this question has been dealt with before, but with a Behringer P2 would folk recommend getting: (i) XLR to 1/4" jack lead to connect the P2 to the desk in preference over a normal guitar cable, or doesn't it matter much? (ii) Does the 1/4" jack need to be TRS?
  21. Al Krow
    Ah ok. I mean fair enough he's got to do what he thinks best commercially. But seems like a relatively minor tweak to the existing model is what's going to be on offer and, in particular no glitch-fix or better UI?
  22. Al Krow
    Another +1 for the HB Iso Pros. Compact and good value.
  23. Al Krow
    You've always been a chip off the old block.
  24. Al Krow
    Sounds great! OLED screen plus if it's no longer limited by chip storage to allow for later software updates from you Peter, that would actually nail it for me! Colour me super interested!
  25. Al Krow
    Sounds exciting! If you can also get your "glitch-fix" encoded at the same time and maybe a more capable visual user interface (something as basic as the Boss RC5?), that would be a really cool upgrade.
×
×
  • Create New...