three

I live in the town (utter dump) and don’t think there’s any connection between SUYG and Tony - other than optimistic pricing for quite ordinary basses. Perhaps oddly, I don’t know Tony though I think he offers lessons. I haven’t seen him playing locally either. The town’s once thriving music scene crashed dramatically in the late ‘80s (along with its economy as a whole). I might go and have a mooch but can’t see anything that appeals, especially given the prices

If these are anything like as good as the Spector Shorty (no reason why they shouldn't be), they'll be superb if prohibitively expensive basses. I often wonder why the Shorty was discontinued (if indeed it was, though I haven't seen a new one for a long time). The Shorty came in a wide range of configurations, though didn't have the exquisite curves of the NS2 etc. I'd be interested to see the prices, though very unlikely to pay them.

Thanks and yes, the absence of a ratio control (or any discussion of this) is a little curious. Or maybe not if the unit is primarily designed as a master. The replies are very useful - I may be looking in the wrong place with Caveman

I’m not sure if there are many of these in circulation. Most of the video demonstrations, and especially that from Caveman, promote the unit as a back-end (end of chain) master compressor. It seems to work beautifully but it’s subtle. Has anybody tried using one as a front end, i.e., more as an effect than a master? Given the specification and parameters of the BC1, there doesn’t appear to be any reason why it shouldn’t work really well to squish and pump etc. Maybe I’ve missed some good videos, or somebody out there has real world experience?

This is what I really like about BC - the best of it

Agreed! Lovely to see more

Lovely! Please let us know of further dates - a really good venue and night out!

Thanks Rob - excellent - it sounds like all went well and a great experience. A good audience too. I'm with you on wedges or sidefills, I really haven't adapted well to IEMs. I thought that FoH would be involved - it really is quite a long room. Great staff and a friendly vibe too. Sorry I missed it!

Edit - oops, I realise this has gone - I hope it worked out well - please let us know I’m afraid I can’t really comment on tech issues, though a nice, medium-sized (longish), mainly jazz-oriented venue. Decent PA and engineers in my experience. There may be more from the PA than you’d imagine and quite probably a fairly quiet stage - it’s a smallish space. Enjoy it!

Same here, I have one so have some understanding of possible idiosyncrasies (beyond terrible strap balance for anybody of average body size). The troubleshooting pages on Club Alembic are also an incredible resource with very knowledgeable and helpful users and frequent interventions from Alembic staff (especially Mica Wickersham)

I've had a good number of Seis over the years (singlecuts, Js, Flamboyants, headless etc.) but don't own one at present - mainly as I only really play short-scale and there are very few shorty Seis around as far as I know. Each bass was absolutely beautifully constructed and a joy to play. Martin and John are not just fantastic luthiers, they're great to work with and actually listen to their customers - genuinely really nice guys. I think I need a short-scale, headless Flaboyant - for me the body shape is the most beautiful in the world of bass

A bit off-topic, though it has to be said: that's a spectacularly lovely looking rig - and back on-topic, the Enki is a lovely complement

A very good choice in my opinion, these really are lovely amps - excellent implementation and an easy-to-use form factor. I haven't used the Sadowsky pre, other than in a Sadowsky bass, but can imagine that the two units work very well together. What a lovely, dinky but very capable rig.

I’d concur with the OP. Very transparent but highly capable and solid - the best of the class D amps I’ve tried. I’ve paired with a Monique and Warwick Hellborg pre with no problems at all in terms of power and headroom.