three
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Everything posted by three
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Dave’s work is absolutely superb! One of the very best
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I’ve only used a Rumble in a rehearsal studio - 300w 15” combo(?) - but I was genuinely impressed. Solid tone with versatile eq and surprisingly light (though apparently well-built). Seems like a good choice and I’d certainly gig one
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Beautiful top on a beautiful Fodera - lovely to see you're using the Hellborg rig live. Not the lightest (!) but if you can carry it, the tone is simply breathtaking
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The Bass Gallery in Camden could certainly sort you out with a new nut quickly and fairly cheaply - work is of the highest standard. Two very nice basses - I particularly like the P - lovely aesthetic
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Wow, thanks - I haven’t played a graphite Alembic but would definitely love to - thanks for posting, stunning!
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What What a thing to happen to a gorgeous Alembic though it seems to be a common situation
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Could be a lovely guy on a really tight budget. However, alarm bells all over the place here and as uncharitable as this sounds, I'm with mr4stringz above and absolutely not. What happens if there's any damage? I treat my own gear very carefully and other people's even more so, though I'm aware that not everybody is the same. If it was a cheap beater bass, then maybe, but not an expensive instrument. To be honest, I'm a little surprised you've been asked.
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That looks like a vermillion facing and in superb condition - really beautiful!
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No problem and I see what you mean about maple and chrome. The replacement process implies complete removal of the original heat-bonded gold logo and some flatting of the pickup cover. I've replaced a few logos where the original has almost vanished (to be honest, it makes the process a little easier). I'm pretty sure I've seen the Clown's Vomit covers - a really interesting addition!
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Beautiful - if you're looking to re-fin the pickups and add new gold logos, drop me a PM - I had some logos made by a very high-end model shop (horrendously expensive but an unbelievably good job). I've also been through the process of applying them to several pickups and refinishing the surface of the latter. A painstaking process but the results are very good (IMO). I was going to offer the transfers on the Alembic site (with Mica's permission, of course) but she didn't get back.
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Little to report other than I'm considering having my fretless fretted - that way it would get much more use. It's just sat in a mate's studio at present. I still play fretless but could get by with something a bit less elaborate. This all might be a bit nuts and I've certainly not convinced myself yet. A look at that lovely unmarked board certainly makes me think twice
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Depends on the bass really. For a Fender-type, Gotoh FB30s (lollipops - the '66 J with dots and bound board with lollipop tuners makes me weak at the knees). For anything more 'modern', preferably an Alembic, it would be Schaller M90s - the 40% reduction in weight would be welcome.
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The Short Scale Bass Appreciation Society!
three replied to Baloney Balderdash's topic in Bass Guitars
Thanks - I despise locking jacks (and actually find them potentially dangerous) - I have loads on basses and preamps. I'm about to make the mod. -
Have a look for BC member Steve Browning's excellent posts on the TT800 - I think Steve has a couple and is a long-time Mesa user. The downside with Mesa is the wait and it's possible that the TT800 won't make it to UK shores (and time soon anyway) - just a few units were shipped to the UK prior to the onset of various crises and getting hold of any Mesa gear new in UK/Europe has become highly problematic. Getting hold of a TT800 is particularly problematic. I was on the waiting list but abandoned the wait - not a bad thing as after hearing a TT800 up close, I realise that it wouldn't suit me at all and would have been going back. Still, if it's your kind of thing, then a great choice. Edit: found the link to Steve's review:
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- zon
- zonguitars
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Some great ideas above, some of which I've used. Recently, I've been using an Aguilar Tone Hammer with some success - there's a drive function that seems more than adequate, though its something that I don't use. It's a very hot unit so a bit of care required with gain and output, though a really useful and powerful EQ section. Essentially, it's an Aguilar OBP3 in a box (and the latter is one of my favourite on-board pres). Another alternative with a really fantastic EQ section is the Mesa Subway 800D plus - I had one until a few months ago and it really is a very well-built pre with an excellent feature set. I probably shouldn't have sold it as they're not easy to find (especially in more recent times).
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A lot of people seem to be using (and enjoying) GSS Sumo and Baby Sumo amps - there's a link here: https://www.guitarsoundsystems.com/gss-baby-sumo-ampxlite-bass-guitar-power-amp-c2x21844846
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