
three
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Everything posted by three
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@NoRhino It might be helpful if you could post details of the model of bass (maybe an image) and what kind of strings you normally favour - rounds or flats and gauge etc? Also, what kind of tone/sound you’re looking for. I play short-scale almost exclusively and tend to use only two types of string as they meet my needs and ‘compliance’ preferences really well - both short, super light nickel rounds. Both fit on a variety of basses with different construction and hardware but good to see what you’re hoping to achieve on what bass (and I hope the short strings you ordered are doing the job!)
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Well this question may be as ridiculous as the title sounds. However does anybody know if it’s possible to source stick-on temporary frets? I have two fretless basses - both lovely instruments but I know that they’d be far more likely to get played if they were fretted. Before committing to having the basses modified (one a straightforward job, the other not), I’d like to try them with some temporary frets. Any ideas from this incredibly imaginative and knowledgeable resource (and thanks in advance)?
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I took a punt on a Wilcock (Mullarkey) around a year ago - I loved the aesthetic but hadn’t played one. It was a revelation - playability is addictive and the tonal range is genuinely staggering (the power and versatility from a passive bass was a real surprise). Within a few hours it became - and remains - my most played bass. I can’t really comment on the MM pickup but I’d be surprised if this wasn’t a ‘do everything’ instrument (at a rock bottom price IMO)
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ARB covers in Tamworth are very good - a really well-made product. The business is built around covers for studio equipment (I bought a pair of covers for monitors - a custom order made to my dimensions/specs) but I'm pretty sure that Gav, the owner, can provide whatever you need. It's not a cheap option but the product is very impressive. The site is here: https://arbcovers.ecwid.com
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I try to avoid hyperbole in ads but this really is a fabulous bass in every respect. I acquired it recently from jay-syncro (fantastic deal) but it's just too long/big for me - as with any other Precision. I only play short-scales and should have known that I wouldn't get on with a long-scale (I've had enough of them for this to be evident). Jay-syncro's ad is here (and there's a link through to the original Walshy ad): It's a Bass Monkey (Walshy) build and an extremely high vintage spec. as follows: Hand-built lightweight swamp ash body Allparts licensed US Precision neck (quarter-sawn maple, 1.625" nut width and ebony board - lots of 'ping') Nitro finish in LBP including MHS - finishing undertaken by Dave Wilson Fender TV logo Gotoh res-o-lite vintage reverse wind tuners Badass II Bridge Kent Armstrong vintage pickup CTS pots and Switchcraft jack Fender F neck plate Weight 3.75kg The bass is extremely well put together, and is built exclusively from premium parts and materials. Condition is excellent with some light swirling in the nitro finish. The Dave Wilson finish is superb as one would expect and the LPB is very vibrant. The grain in the neck is lovely, though I should note that the some of the lacquer on the back of the neck is worn through up to around the fifth fret. I actually rather like this effect and have had the lacquer taken back on previous Fender-type basses to reduce the potential for 'stickiness'. The neck feels very slick indeed. The bass sounds to me like a '70s P - a big round bottom-end but the potential for some aggression and clank with the tone wound up. Playability is superb. I had the bass set-up with 40-95 D'Addario Nickel rounds. The set-up is excellent and the bass has an extremely low action. I actually dropped the action a little when the bass came back from set-up as I play with a very light touch and stupidly low action (too low for almost anybody else). As a result there's a bit of sizzle on the D at the 19th fret and on the E and A from around the 14th fret. This could be removed with a slight adjustment of string height (indeed, I'll do this if any buyer would prefer). The action will remain low. I have a little over £800 in the bass in total but I'm willing to sell at £725. I think this represents quite a bargain. Please take a look at the images - jay-syncros are better than mine (I hope this is OK jay) but please ask if you want anything specific in terms of photographs - or any further details. The bass can be collected from Manchester or if a buyer would prefer, I can pack the bass (in its included Thomann hard case - again, very good condition) and the buyer can organise a courier - at their own cost and risk, of course. I can be around to hand over to couriers.
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I've just met up with Frank to take delivery of an absolutely beautiful bass - Frank took the very significant time and trouble to deliver the instrument to my door (and we live many hundreds of miles apart). An absolute star - Frank genuinely couldn't have done anything more to make this the easiest possible transaction, or to ensure the safe arrival of the instrument. He even provided it in one of the coolest cases imaginable. One of Basschat's absolute finest - totally trustworthy and honest, and helpful beyond belief. Thanks Franks - fabulous service, lovely to speak and a pity we couldn't talk for longer!
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Thanks for posting - lovely to see this? Do you know the year? I’d have thought about ‘83. My SII is ‘85 and has different (black GMT) knobs and covered pole piece GMT covers. Same script logo
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Hmm… Nantwich not too far
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A bit off topic but are you anywhere near Manchester on the tour Steve?
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Alleva-Coppolo LG5 Standard with matching headstock as new
three replied to Elguedd's topic in Basses For Sale
I had a couple of Classic Supreme LG4s (with the DN boards) back in the early days of Jimmy's production - lovely instruments, but ultimately, I'm not a Fender-type player. The circuit in these is superb and works beautifully with AC's own pickups. This one looks lovely and I'd concur on the MHS. The headstock shape was never to my taste but the additional mass may (?) have helped with the avoidance of dead spots - both of my ACs had beautiful clarity and sustain from B to E on the G (not something I can claim for all the Fender-types I've owned). Good luck with this one - a lovely bass and a very decent price (IMO) -
New higher end combo recommendations/experience sought
three replied to Bass Culture's topic in Amps and Cabs
Yes, the AER Basic isn't very light, the Amp One is around 32lbs from memory, though given it's cube-like shape and positioning of the handle, it's not as portable as it might look at first glance. The Amp Three is probably the more giggable AER if volume could be an issue (though the DI is excellent on the One and Three - I was using the One for on-stage monitoring). The Basic Performer works beautifully with an electric bass, along with all manner of acoustic instruments. They need to be heard/used to be believed really. Unfortunately, I can't comment on any of the other contenders - I like the look of the GR range and many of the reviews are excellent. However, I'd be going for wood rather than graphite despite the additional weight. I'm sure that the build quality is excellent with GR carbon, but I'd need to have a carbon combo flight-cased to ensure on-road resilience. -
New higher end combo recommendations/experience sought
three replied to Bass Culture's topic in Amps and Cabs
As above, AER produce some astounding combos - really amongst the best I’ve heard and used anywhere. I used an Amp One extensively and only moved it on as it wasn’t sufficiently loud for stage monitoring on loud rock/funk gigs - it was a loud stage. For moderate, smaller room gigs it was fine - quality, controlled tone is superb with a very stable and defined low end. Last rime I looked, Beedster was selling an AER Basic Performer combo at a bargain price on here - quite a step-up from the Amp One and superb for electric and upright. That would be my first choice - just found it, it’s here: -
That was fun and some really nice ideas - I'd really like to see a re-worked Ripper
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1979 Ibanez Roadster RS920 NT - immaculate! - *SOLD*
three replied to Sammybass's topic in Basses For Sale
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I hope this isn't a further thread derail but I'd agree entirely with Jazzvee. We use pretty much identical rigs, though I use a Warwick Hellborg pre as I prefer SS to valve pres. I'd sort of hoped (ridiculously) that the SF2 would make non Alembic basses - I use Spectors fairly frequently - sound more like an Alembic. For many reasons, not least the pickups in Alembics, the SF2 doesn't do this. It's pretty good, with a bit of messing around, at making an Alembic sound like a non-Alembic bass (Fender etc.) but it doesn't do the reverse. That said, the tweaking options with the SF2 and any bass are pretty much infinite. As with Jazzyvee, in pretty much all practical circumstances, I use the on-board filter on the bass rather than the SF2. I find that Series basses interact very nicely too with the Hellborg PR40 - I dial in a base setting on the PR40 (according to the room/circumstances) and then use the filters and q on the bass - pretty sparingly. Piers, your Alembic fretless looks lovely - beautiful body facing
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Jerzy Drozd Obsession Excellency, PRICE REDUCED - *SOLD*
three replied to TimCook's topic in Basses For Sale
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Quite an interesting, sometimes fractious thread here - more about amplification than strings but some informative contributions: https://www.talkbass.com/threads/whats-the-secret-to-have-a-decent-sound-of-a-low-f-string.1156517/?amp=1433525564
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Trace Elliot GP12 SMX300 bass head - *SOLD*
three replied to geoff90guitar's topic in Amps and Cabs For Sale